Every society has history that shapes the way people think and act. Mankind tends to conform to the way things have always been, even though they may not be right. Slavery, for example, is an instance that has impacted society, even today. Though slavery has been abolished, it has since led to discrimination and the dangerous beauty standards of many places. Far too often, society is guilty of equating “beauty” with “white”, and especially during a time that was far less accepting, it pushed the idea of beauty beyond a person’s physical appearance; it was now a signifier of one’s importance and worth. Many characters in The Bluest Eye, by Toni Morrison, are led to believe, that their beauty, or “whiteness”, defines their value in society. …show more content…
Pauline Breedlove is quite obvious in her admiration for white people, and perhaps has a more prominent role in the events of the novel than Geraldine does. Mrs. Breedlove goes to the movies often, and explicitly states how they changed her view on who is beautiful, “She was never able, after her education in the movies, to look at a face and not assign it some category in the scale of absolute beauty, and the scale was one she absorbed in full from the silver screen,” (Morrison 122). Mrs. Breedlove’s view of beauty comes from the movies she saw, which happen to only have white people. To Mrs. Breedlove, white people are at the top of the beauty totem-pole, and they represent what people should want to achieve. This way of thinking completely demolishes any chance of a healthy relationship with Pecola. As soon as she is born, Mrs. Breedlove calls Pecola ugly. Now, Pecola is a constant reminder of Mrs. Breedlove’s “ugliness”. She tries to ignore this by pretending the white family she works for is her own. She even goes as far as treating the white child better than Pecola, and acting more motherly with the white girl. Mrs. Breedlove’s perception of beauty causes her to have damaging and abnormal relationships that has lasting effects on …show more content…
Breedlove, and Pecola, the audience sees the different ways in which the toxicity of societal beauty can harm its residents and their relationships with other people. All three women are taught by society that whiteness is the paragon of beauty, when that is not the case. Their fixation with being what everyone else wanted them to be harmed themselves and the people close to them. The only thing the standard of beauty does is give unrealistic expectations about how people should look and act. Although it is not as extreme, similar affairs happen in the real world. It is important for both men and women to understand that they are fine the way they are, and what society thinks they should look like is unreasonable and
In her fictional novel, Beloved, Toni Morrison sets the story in two main places: Sweet Home and 124 Bluestone Road. Sweet Home is the plantation located in Kentucky where the protagonist of the story, Sethe, is enslaved during the years before the Civil War while 124 Bluestone Road is the new home of Sethe and her daughter, Denver, after they escape the slave states of the South to settle in Cincinnati, Ohio. Sweet Home and 124 Bluestone Road share many similarities, but they also have many differences. Some of the characteristics that the two settings have in common are how both are haunted and debauched. On the other hand, Sweet Home and 124 Bluestone Road differ from each other in how 124 Bluestone Road has more human characteristics,
The ideal female beauty in American culture is predominately white (Bankhead & Johnson, 2014). Throughout U.S history, women’s mainstream beauty ideal has been historically based on white standards such as having blonde hair, blue eyes, fair skin, a thin ideal body, straight hair, and thin lips (West, 1995; Yamamiya, Cash, Melynk, Posavac, & Posavac, 2005; Leslie, 1995). Therefore, the features of African American women tend to be viewed as undesirable and unattractive compared to the European standards of beauty (Awad, Norwood, Taylor, Martinez, McClain, Jones, Holman, & Hilliard, 2014). According to Ashe (1995), “African beauty, body and hair have been racialized, with slim/”keen” European features being the accepted standard of beauty since enslaved Africans was forcefully brought to the Americas.” The physical characteristics of Black women such as having broad noses, brown skin, full lips, large buttocks and course hair has been looked down upon throughout United States history (Byrd & Tharps, 2001). In effect, the standard of beauty of European features that were forced on slaves are internalized and currently seen in the standard of beauty of African Americans (A.A) (Chapman, 2007). These standards include African Americans perceiving light-skinned as being more favorable than dark-skinned (Maddox & Gray, 2002; Perdue, Young, Balam,
It is unfortunate that we live in a society that places such a great emphasis and consideration towards the aesthetics of beauty. What is more unfortunate is that beauty itself is not defined by any realistic qualities or pragmatics. Rather it is defined by society and what the particular or dominant class in society feels beauty is. In today’s society in order for a woman to be looked at as beautiful she must posses a combination of qualities, such as, a slim body, straight hair, fair skinned, full lips, straight sort of raised nose and so on. In the society that the Breedloves lived in, beauty had a lot to do with racism and the dominant class that influenced it. To be a woman of beauty in that society you had to be blond hair, blue eyed and fair skinned. If you couldn’t exactly look like that the closer you came to it the better you were viewed. You also had to behave in a certain manner i.e. well groomed, soft spoken, and have high morals. In other words you had to look like a stereo typical European and for colored women loose all the funky things that made them who they were: “The careful development of thrift, patience, high ...
The concept of beauty and racism in modern western society is held to the highest of standards for all of it’s members; including celebrities. The perfect woman is described by Odette (2013), as solely for men’s pleasure and domination. If we look on the cover of any popular magazine, the women are usually: light skinned, slender, and tall. Men on the other hand must be tall and powerfully built. Our culture is valued on the basis of how men and women are perceived by their image, making it impossible for the average man or women to achieve the high beauty standard expected in society. Celebrities play an influential role in the way people view themselves, making the need to look like our favourite celebrities all the more desired. A person's
"And Pecola. She hid behind hers. (Ugliness) Concealed, veiled, eclipsed--peeping out from behind the shroud very seldom, and then only to yearn for the return of her mask" (Morrison 39). In the novel The Bluest Eye, by Toni Morrison, the main character, Pecola, comes to see herself as ugly. This idea she creates results from her isolation from friends, the community, and ever her family. There are three stages that lead up to Pecola portraying herself as an ugly human being. The three stages that lead to Pecola's realization are her family's outlook toward her, the community members telling her she is ugly, and her actually accepting what the other say or think about her. Each stage progresses into the other to finally reach the last stage and the end of the novel when Pecola eventually has to rely on herself as an imaginary friend so she will have someone to talk to.
In the 1940's as well as present day, the media pushed on society an image of perfection and beauty. This image is many times fake, but the naive cannot deceive, and it can become an icon of beauty. If you do not fall within the image then you are ugly. In the book "The Bluest Eye," we witness the power that the media has on specific characters: Pecola Breedlove, Claudia and Frieda MacTeer. The icon of beauty at that point in time is Shirley Temple, a white girl with blond hair and blue eyes. She is also the first reference to beauty in the book. Claudia explains her feelings towards Shirley Temple by saying, "...I had felt a stranger, more frightening thing than hatred for all the Shirley Temples of the world" (19). Claudia is relating the hatred that she felt towards Shirley Temple to the envy she has towards girls who are beautiful like Shirley. Claudia herself knows that the media is trying to imply this image she says, "Adults, older girls, shops, magazines, newspapers, window signsall the world had agreed that a blue-eyed, yellow-haired, pink-skinned doll was what every girl child treasured" (20). This idea is repeated repetitively throughout the story, the idea that blue-eyed is beautiful. Frieda and Pecola love Shirley Temple while Claudia despises her with envy. Pecola once goes to purchase some candies called Mary Janes, she is very intrigued by the blue-eyed, blond girl in the wrapper. The narrator tells us that Pecola feels Mary Jane's eyes are pretty and that by eating the candy she feels the love that she has for the girl on the wrapper and she finds herself closer to her (50). The idea pushed by the media that blue eyes are beautiful builds up a strong destructive desire in Pecola.
In the novel “The Bluest Eyes”, by Toni Morrison, Racial self-loathing and hatred is a major theme through the text, and is even evident in the title. Instead of making the plot center around events over racism, the book shows a deeper portrayal of racism, emphasizing on the way racial self-hatred and loathing plagues the black characters. The novel shows an extended depiction of the ways in which internalized white beauty standards distort the lives of the black characters. The author shows this by having African Americans who have lighter features, Maureen Peal, Geraldine and Soaphead Church, and characters with darker features, Pecola and her Parents Cholly, and Pauline Breedlove. Through them we are able to see racial self-loathing, there
In the novel, “The Bluest Eye”, Toni Morrison exposes the roots of a broken community, unveiling the effects it has on its members. Morrison illustrates various disturbing characters that are insecure, lost and troubled. Through extended metaphors she is able to trace back these behaviors to the characters’ past. The structure of her novel follows a repetitive rationale of the character’s behavior after revealing their gruesome actions. The passage (116) further develops the text’s theme of a dysfunctional community. Although the exposure the effects of racism seems to be the main theme, Morrison goes deeper and explores the reason how and why the community continues to live in oppression.
“Sula" by Tony Morrison is the story of a friendship between Nel Wright and Sula Peace, who are opposites in the way of relating to other people, to the world around them, and to themselves. Nel is rational and balanced; she gets married and gives in to conformity and the town's expectations. Sula is an irrational and transient character. She follows her immediate passions, completely unaware of the feelings other people might have. However, Nel and Sula are able to function well only when they are together because they complete each other as opposites. However, as separate entities, Sula and Nel are vulnerable and isolated from the rest of world; Sula because she is impulsive and disregards the feelings of other people, and Nel because she overlooks her own.
Social class is a major theme in the book The Bluest Eye by Toni Morrison. Toni Morrison is saying that there are dysfunctional families in every social class, though people only think of it in the lower class. Toni Morrison was also stating that people also use social class to separate themselves from others and apart from race; social class is one thing Pauline and Geraldine admire.Claudia, Pecola, and Frieda are affected by not only their own social status, but others social status too - for example Geraldine and Maureen Peal. Characters in the book use their social class as another reason for being ugly. Readers are reminded of the theme every time a new character enters into the book.
The most damaging interracial confrontation related to color involves Pecola and an adult, Geraldine (Samuels 12). When Pecola enters Geraldine's home at the invitation of her son, Geraldine forces her to leave with words that hurt deeply, saying "Get out... You nasty little black bitch. Get out of my house" (92).
Throughout Toni Morrison's novel The Bluest Eye, she captures, with vivid insight, the plight of a young African American girl and what she would be subjected to in a media contrived society that places its ideal of beauty on the e quintessential blue-eyed, blonde woman. The idea of what is beautiful has been stereotyped in the mass media since the beginning and creates a mental and emotional damage to self and soul. This oppression to the soul creates a socio-economic displacement causing a cycle of dysfunction and abuses. Morrison takes us through the agonizing story of just such a young girl, Pecola Breedlove, and her aching desire to have what is considered beautiful - blue eyes. Racial stereotypes of beauty contrived and nourished by the mass media contribute to the status at which young African American girls find themselves early on and throughout their lives.
Claudia tries to resist loving white girls that her sister, Frieda, and friend, Pecola, admires for their beautiful features blonde hair and blue eyes. Claudia does not believe that Frieda and Pecola should admire girls who do not look like them physically. Unable to convince Frieda and Pecola that white girls are not the only standard of beauty, Claudia begins to have intense feelings of resentment and anger toward the white beauty standard:
Maureen Peal comes from a rich black family and triggers admiration along with envy in every child at school, including Claudia. Although Maureen is light-skinned, she embodies everything that is considered "white," at least by Claudia's standards: "Patent leather shoes with buckles.fluffy sweaters the color of lemon drops tucked into skirts with pleats. brightly colored knee socks with white borders, a brown velvet coat trimmed in white rabbit fur, and a matching muff" (Morrison 62).... ... middle of paper ...