Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The influence of music on culture
The influence of music on culture
The influence of music on culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The influence of music on culture
American Studies is a difficult but interesting subject to try and understand, especially when looking at a few main themes such as authenticity and the folk. Two great examples that involve these themes are the publication of “Romancing the Folk” by Benjamin Feline and the film “O Brother Where Art thou” which have shown similar but different views on the two key themes, authenticity and the folk. The theme of authenticity within music has been altered by various groups of people as well as the artists themselves, for various different reasons. Another key theme is that of the government and how it has been helping the people to accept cultural differences, especially when you look at music. The analysis of the Lomax’s career in Benjamin Feline’s …show more content…
Some of these reasons include: creating a cult of authenticity which was more appealing to the folk rather than the entire public, artists were told to change their style playing so that it was more appealing but don’t add popular songs; artists at later times were then asked to change their style to the popular audiences. Filene has shown that the authenticity of music was altered by various groups of people as the public demands were changing in time itself. In the film “O Brother Where Art thou” it shows the “cult of authenticity.” The reason that this film depicts this is because it takes place in Mississippi in the 1930’s and the style of music that fit their cultural norm was folk music. The second theme of the government helping the public accept differences was important in Filene’s book because times were changing. The big message from the government was that we need to join as one and accept cultural diversity. Also Pete Seeger’s most important message from the book “folk traditions will change as the folks who inhabit this earth change (Filene 194-195). In the film government intervention was needed to accept black band members. This was important because in the 1930’s racism and segregation was present. Overall the folk has changed authenticity of music and government intervention has changed the folk over
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
Nearly a century’s worth of compositions has earned Aaron Copland extensive recognition as the foremost American composer of his time. Ironically, Copland was raised the son of Russian Jewish immigrants and inhabitant of a colorless city environment, yet would become known for producing the music of “rugged-souled Americans” (Mellers 4). Unbounded by historical musical constraints such as those present in the culture of France, where Copland studied for many years, Copland found himself free to explore and experiment in pursuit of a unique, undoubtedly American sound.
In dealing with these issues, historians have neglected to examine the social implication of “race music” on a white audience, specifically teenagers. Historians most often explain the origins of the music as something of a legend; Afro-American music and culture is praised, and white American society is indebted to the cultural enrichment it has received from it. Afro-American music saved white society from being boring.[2] The social realities of the United States during that decade make this birth story seem hypocritical and condescending. The 1950s did not produce harmony between the black and white populations of the United States; racial tensions were enormous.
Although the swing music that helped keep American spirits up during the Depression years still existed, there was an increasing amount of racial tension about bands formed by white men vs. bands formed by black men. White bands like Tommy Dorsey’s, which could play a broad spectrum of music, were hailed for their versatility. The black counterparts who sought to do the same were often indirectly accused of trying to get above themselves. This is important because many black musicians where losing work due to venues only hiring bands that were led by white men. Out work, or underpaid black musicians where often bought-out by white bandleaders who could offer them higher pay, and where looking for the best musicians they could find.
Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press.
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Music’s role on society has changed drastically through the course of its history as it has become ever so increasingly expansive. Many of the previous musical movements were only for the wealthy as entertainment
Throughout history, music have defined or depicted the culture and social events in America. Music has constantly played an important role in constituting American culture, where people have expressed themselves through music during flourishing and turbulent times. In the 1930’s, Swing music created a platform for audiences to vent their emotions in the midst of Great Depression and political unrest. Such strong relationship between music and culture can be seen throughout history, especially in the sixties.
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
For a society that was now being defined by radically changing racial and ethnic diversity, the music that bore the label of “American” by definition required that multiplicity of cultures. Gershwin’s and Copland’s compositions both epitomize this idea because they were so successful in defining and uniting diverse elements of American culture into their arrangements, giving the American music scene a new exclusive tradition of both foreign sounds and exotic rhythms.
...frican American Musicians as Artists, Critics, and Activists. Berkeley, CA: University of California, 2002. 54-100. EBSCOhost. Web. 8 May 2015.
Tick, Judith, and Paul E. Beaudoin. Music in the USA: a Documentary Companion. Oxford: Oxford UP, 2008. Print.
Popular music’s worth tend to be determined according to values of authenticity, truthfulness, and no concern for commercial success. Thus, artists who perform their own songs are critically acclaimed and recognized as better than performers whose material is written by others. However, there is a grey area of sampling and covering. Many artists who do a lot of sampling, in particular DJ Danger Mouse and Kaye West, are not only critically acclaimed, but also can be credited to changing musical history. Sampling greatly complicates the black and white rules of authenticity, and rightly so.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf