Arnold Friend

1278 Words3 Pages

Everyone has a fantasy – an unrealistic dream about what they hope their lives will become. Some can push those thoughts aside and continue on comfortably in the real world, but others have a difficult time ignoring their inner desires. This easily relatable situation is the driving force behind “Where Are You Going, Where Have You Been?” by Joyce Carol Oates. The story follows Connie. She is a teenage girl living a simple, unfulfilling life who dreams about a reality where she is adored by all. Her small world turns upside down when a strange man forces her to quite literally step into adulthood against her better judgment. Oates successfully details the sinister coming of age tale through her usage of limited omniscient third person point …show more content…

This device is mostly used in the climax of the narrative when Arnold Friend is trying to persuade Connie to leave with him. Although he is depicted in a demonic way, Connie is attracted to him. He is assertive and confident, but uses pet names like “honey” and “sweetheart” to groom her into trusting him. His voice sounds, “like a hero in a movie, declaring something important” (Oates 673). Arnold is charming and charismatic while being threatening. His last name suggests friendliness, but he is clearly the enemy. The duplicity in his personality parallels Connie’s antagonistic feelings towards having to live a double life. Connie believes that she controls the people around her. She tries to maintain that hold during her first moments with Arnold Friend, but she slowly allows him to dominate her. In a last ditch effort to defend herself, Connie employs her family despite her broken relationship with them. She threatens that something bad would happen if her “father comes home and sees [Arnold]” (Oates 671). Instead of dialing 911 when she picks up the phone, Connie yells for her mother while it feels like Arnold “was stabbing her again and again with no tenderness” (Oates 674). Up to this event in her life, Connie expresses nothing but disdain for her family, but in her moment of weakness, she wants them more than ever. Then, regardless of all the signs telling her not to leave, Connie goes with Arnold hoping to keep her family safe. The irony that arises from her sudden family loyalty leaves the reader wondering what previous familial conflicts were real and what were made up in her

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