When analyzing literature from an archetypal perspective, one does not simply look at the character’s behavior in that literary piece. Rather, when using the archetypal theory, one connects the traits and actions of the characters in the literary work, the settings, the surroundings, and the situations to a familiar type of literary character. In Arthur Miller’s The Crucible, the characters Abigail Williams, John Proctor, and Reverend Hale exhibit common archetypal behavior and fit into a certain archetypal figure.
Antagonist Abigail Williams, is a very demonic and cruel character. She terrorizes all those who go against her and will resort to any measure to get her way. For example, in Act One of The Crucible, Abigail and a group of girls are in the forest with the slave, Tituba, trying to conjure spirits and cast spells. Most of the girls wished for trivial things such as a boy to like them or something materialistic but Abigail wished for something harsh. She desired the death of Elizabeth Proctor. Elizabeth had done nothing wrong to Abigail, not hurt nor deceive Abigail. The sole reason Abigail wished for Goody Proctor’s death is because Abigail wanted to take her place. In that situation alone, the archetypal theory characterizes Abigail Williams as a devil figure. The devil figure is the antagonist that normally works to oppose what the protagonist or hero is doing (Melendez, “Archetype List”). The devil figure negatively affects the rest of the characters and stops at nothing to get what he or she wants.
Following Abigail’s behavior in the forest, the evil in her becomes even more evident throughout the play, supporting her devil figure characterization. In Act One, after Betty wakes up from her “illness” Betty says that sh...
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...that constantly searches for the truth although his allegiance changes throughout the play. As a final point, Arthur Miller’s The Crucible supports the archetypal theory and contains the recurring patterns that define the theory.
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Miller, Arthur. The Crucible. New York, NY: Penguin, 1996. Print.
‘The Crucible’ is a great example of morally ambiguous characters. A plethora of characters with blurry ethics exist within the world of ‘The Crucible’, this makes it difficult to distinguish who is truly good and who is evil. Arthur Miller has a fantastic approach to how he displays his characters and their moral standpoints. Adultery, lying, and even the suspicion of witchcraft, within the community brings out the worst in the townspeople. John Proctor is an example of how thin the lines are drawn between a complete saint and a damned sinner.
Everyone can relate to an archetype character in a movie, book, or television show. An archetype in literature is a typical character with an action or a situation that seems to represent such universal patterns of human nature. Common archetypes of characters are: a hero, caregiver, rebel, damsel in distressed, lover, villain, or tragic hero. In the play, The Crucible, there are several kinds of characters with archetypes. Tragic hero normally are in tragic plays which also can be called tragedy. “Tragedy is a drama in which a character that is usually a good and noble person of high rank which is brought to a disastrous end in his or her confrontation with a superior force but also comes to understand the meaning of his or her deeds and to
Authors often have underlying reasons for giving their stories certain themes or settings. Arthur Miller’s masterpiece, The Crucible, is a work of art inspired by actual events as a response to political and moral issues. Set in Salem, Massachusetts in 1692, The Crucible proves to have its roots in events of the 1950’s and 1960’s, such as the activities of the House Un-American Committee and the “Red Scare.” Though the play provides an accurate account of the Salem witch trials, its real achievement lies in the many important issues of Miller’s time that it dealswith.
In The Crucible, Arthur Miller shows that the tragedy of the Salem Witch Trials stems from human failings, particularly the need for vengeance, greed, and fear. Abigail Williams is an example of all three. Her fear prompts her to first accuse random women, her need for vengeance directs her toward Elizabeth, and her greed for power affects the lives of everyone around her. Individual flaws, when acted on collectively, inevitably cause the downfall of Salem.
The statement,“The Crucible is essentially about courage, weakness, and truth,” is proven true numerous times, throughout the play. The Crucible was written by Arthur Miller, about the true events that happened in Salem, Massachusetts, between the years 1692 and 1693. The Salem witch trials consisted of many hangings, lies, and complete mass hysteria. The citizens of Salem followed the religion of Puritanism, and the ideas of predestination. The root of the mass hysteria comes from their belief in the sense that in something happens then it must have been planned by God. In Miller’s portrayal of the story, Abigail Williams was the ringleader of the witch trials, and she used the idea of predestination to cover up her own sins. Abigail was a very manipulative girl and ruined many lives. John Proctor, Mary Warren, and Elizabeth Proctor were just a few of the victims in Abby’s game. John, Mary, and Elizabeth exhibit the traits courage, weakness, and truth, whether it was in a positive or negative way.
Firstly, Abigail is one figure that blatantly abuses her newfound power in the play. " 'You are charging Abigail Williams with a marvelous cool plot to murder,
Explore Miller’s dramatic presentation and development of the theme of power and authority. Even though The Crucible is not historically correct, nor is it a perfect allegory for anti-Communism, or as a faithful account of the Salem trials, it still stands out as a powerful and timeless depiction of how intolerance, hysteria, power and authority is able to tear a community apart. The most important of these is the nature of power, authority and its costly, and overwhelming results. “But you must understand, sir, that a person is either with this court or against it,” says Danforth conceitedly. With this antithesis, Miller sums up the attitude of the authorities towards the witch trials that if one goes against the judgement of the court
...ranz, M-L. "Science and the Unconscious." Man and His Symbols. Ed. Carl G. Jung. New York: Doubleday, 1964. 304-310.
The play contained many scenarios of good versus evil, and the characters that generally possessed these feelings and intentions. But it must be understood that there were the intentions, the incentives, and then the actions taken out on a person or a group of people. Every character could either be placed in the intentions under good or bad intentions. After that, almost every character has mixed feelings of evil or good actions. The fight between the center of evil and the center of good is the foremost important of the points. Abigail Williams is the nucleus of all evil in the story. She is the one who triggers off this sense of hate in the play. She tempts Proctor into lechery, and commits unlawful acts which all are against the Puritan religion. To escape punishment for dancing, she deflects the actions and blames them on someone else, and does not care how many lives she ruins. Later when she grows into power and influence, she seems to enjoy sending these innocent people to their deaths. She takes pleasure in her lies, and thrives on the attention and power that they bring her. All these are the aspects of being the evil character, power, attention, and acts of wrongful doing. Therefore she can...
A group of teenage girls were secretly dancing in the woods with a black slave, named Tituba. When they were discovered of what they were doing, the girls started accusing certain individuals in the village of dealing with witchcraft. Within a blink of an eye, the entire village is controlled by a devil that exists within the fear of each person. A drama of suspense and impact, Arthur Miller's The Crucible, explores through the individuals' vengeance, fear, reputation, and quest for power.
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help to advance the story. One of the most useful in advancing this story is the typical powerful character. Whether it be supernatural or cunningness this character always comes out on top in the situation and holds the most control over others and their actions. “Where Are You Going, Where Have You Been?”,
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
A crucible refers to a harsh test, and in The Crucible, by Arthur Miller, each person is challenged in a severe test of his or her character or morals. Many more people fail than pass, but three notable characters stand out. Reverend John Hale, Elizabeth Proctor, and John Proctor all significantly change over the course of the play.
Few people are willing to stand up to the overwhelming power of authority, especially during a time like the Red scare. Hardly any authors are able to recognize meaningful similarities between the present times and an event that happened many years ago—and write about it effectively. Only one has had the courage and intelligence to do both. Arthur Miller was an American author who wrote plays, essays, and stories and has published works dating from to 1936 through 2004. The Crucible, one of his most famous plays, premiered in New York on January 22, 1953 (InfoTrac). It is a historical-fiction story set in Salem, Massachusetts in 1692. The witch hunt described in this play is similar to the Red Scare, an anti-communist movement led by Senator Joseph McCarthy that lasted from the late 1940s to the late 1950s (Broudin). During both time periods, most people respected high authority while a few dissenters challenged conformist views. The public was censored in what they could say because of the fear of being accused of witchcraft or communism. The hysteria of the times triggered a mob-mentality to emerge among the citizens, which influenced nearly everyone to join the terrible movements. Miller presents all of these ideas in The Crucible using his own experiences as influences. He incorporated many of his own traits into the characters’ dispositions. He also described many situations in the play that were similar to the ones he was in, including how he was censored by the Red Scare. Many people will often conform while only a few will challenge authority, will use censorship to prevent others from expressing their views, and are easily affected by hysteria; these characteristics influenced Miller’s life and are reflected by him in Th...
Guerin, Wilfred L., et.al. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1992.