A Doll’s House Questions and answers 1. relationship/interactions 2. Macaroons as Symbols 3. Who is Mrs. Linde? 4. What´s Nora´s secret? 54. Who is Krogstad? 6. Who is Dr. Rank? Act One 1. Describe the relationship/interactions between Nora and Helmer as a married couple. What is NOT as it appears? Nora and Helmer seemed to be a happy couple with their small problems. The way they would interact with one another constantly changed. They would have sudden arguments from small issues. Helmer had different nicknames for Nora, at times he would call her “my squirrel” or “little prodigal” and other times he would be kinder and call her “my dear little Nora”. Helmer yelled at Nora for being wasteful with money and then quickly said that he loves her the way she is calling her his “sweet little nark”. In their household Nora didn’t have a large role, she didn’t work and she took care of the children and her husband. 2. Look at the attention paid to the macaroons. What do you think they symbolize? I think the macaroons symbolize Nora’s unwillingness to always obey her husband. The issue between Helmer not wanting Nora to give in to her sweet tooth and waste money on her guilty pleasures is a smaller issue that parallels to Nora and Helmer’s larger problems. Nora is disobedient to Helmer and the macaroons represent the larger secrets Nora hides from Helmer. 3. What is supposed to happen for Helmer at the beginning of the New Year, and what will it mean for him and his family? What problems could be fixed? Helmer is supposed to receive a higher position and a pay raise at his job at the bank. Helmer receiving this job will mean wealth for his family. This would solve the problem of Nora’s constant spending and wast... ... middle of paper ... ...Act Two, Nora has come to a decision. What is it, and what is she hoping for? Nora decides to commit suicide by the end of Act Two. Nora is hoping that she will at least have thirty-one hours of time left to live before her husband finds out the truth of her lies. 6. Look closely at the conversation between Nora and Anne-Marie. Who is Anne-Marie, and what is her relationship to Nora? Anne-Marie is the Helmer family’s nanny. Ann-Marie’s and Nora are friendly with one another and share common experiences. Both Ann-Marie and Nora had to make sacrifices and it creates a small bond between the two. Ann-Marie was forced to give her daughter up in order to take her job as the Helmer’s nanny. Nora asks Ann-Marie if she thinks her children would miss her if she left them. Ann-Marie was forced to give up her daughter while Nora would willingly give up her children.
The macaroons are a symbol of Nora’s rebellious, disobedient side. They are just another thing that Nora has to hide from her husband.
Life is ever changing, it can take drastic turns, or even stays immobile for a long period of time . Nora is a character that experiences lifes hard throws. Through the events that she goes through she becomes someone else , she becomes who she truly always wanted to be but never had the courage to even think about being. When pandemonium arises in her life , she starts realizing that her life hasn't been lived by her but for her.
Minnie Foster and Nora Helmer are two females living in a male controlled world. They must play mindless girls, who voluntarily obey with male expectations and requests. Women's emotions in both stories are rather trifling. Nora and Minnie spend their lives in seclusion and religious neglect, which they repeatedly take for granted. Nora's husband does not seem to take Nora sincerely. Nora for Torvald is not a person but a nice, trivial object to her husband. Torvald acts, as if Nora cannot have her view but needs to be continually belittled: "Bought, did you say? All these things? Has my little squirrel been wasting money again? ... Come, come my little skylark must not drop her wings. What is this! Is my little squirrel out of temper?" Torvald treats Nora like a small, silly girl who cannot take personal decisions. He ranks himself as the head of his family and always infers that Nora is a minor element in their family re...
Unwilling to accept her supposed role in society, Nora wanted to figure out whether women should live under the guidance of men or if they should make decisions based on their own knowledge. Nora could not tolerate abiding by the rules of her male-dominated society. It took much fortitude for Nora to rebel against the views of the majority of people, and to reflect on the information she got herself instead of letting it be determined by another.
Nora is the pampered wife of an aspiring bank manager Torvald Halmer. In a desperate attempt to saves her husband's life Nora once asked for a loan so she and her family could move somewhere where her husband could recover from his sickness. Giving the circumstances she, as a woman of that period, by herself and behind her husband forged her dad signature to receive the loan. Now, Nora's lender (Mr. Krogstad), despite her paying punctually, uses that fault as a fraud to pressure her so she could help him to keep his job in the Bank where her husband is going to be the manager. Nora finds out that Torvald would fire Mr. Krogstad at any cost. At learning this, Nora trembles for she knows Mr. Krogstad will tell everything to Torvald. She remains confident; however that Torvald will stand by her no matter what outcome. His reaction though is not what she expected and therefore here is when she realizes that she "must stand quite alone" and leaves her husband.
Once Nora reveals her deceptive act to Mrs. Linde, we begin to see Nora’s character in a whole new light. One that is much more mature and determined than previously thought. It isn’t until Mrs. Linde accuses Nora of not knowing her hard day’s work that she finally reveals her greatest secret. It is through their common experience of sacrifice that unites them and brings them closer together again. As we reach the end of act one, we begin to see Nora struggle with her new problem of guilt.
Nora’s character was released herself in a different way, by choosing to leave her current situation and attempt to find her true calling as a women, away from her duties that were only serving her husband and focusing on her children. The symbol of her slamming the door on her way out, along with the rejection of changing her mind after her husband begged her to stay infeciaze on the birth of a strong character at the end of the play. The internal conflict of roles in Nora’s chartchter was showing through the transformation of herself from being a passive, carting housewofe to a strongwelled indepanandt
Furthermore, if we go to see a production of this play (at least among English-speaking theatre companies), the chances are we will see something based more or less on this interpretative line: heroic Nora fighting for her freedom against oppressive males and winning out in the end by her courageous final departure. The sympathies will almost certainly be distributed so that our hearts are with Nora, however much we might carry some reservations about her leaving her children.
Nora loves her husband very much, even to the point of idolizing him. As she first enters the home with the Christmas packag...
Nora 's character is a little bit complicated. she is a representative of women in her time and shows how women were thought to be a content with the luxuries of modern society without worrying about men 's outside world. However, Nora proves that this idea is entirely wrong. Nora is not a spendthrift as all people think specially her husband. on the contrary, she has a business awareness and she is mature
Nora Helmer was a delicate character and she relied on Torvald for her identity. This dependence that she had kept her from having her own personality. Yet when it is discovered that Nora only plays the part of the good typical housewife who stays at home to please her husband, it is then understandable that she is living not for herself but to please others. From early childhood Nora has always held the opinions of either her father or Torvald, hoping to please them. This mentality makes her act infantile, showing that she has no ambitions of her own. Because she had been pampered all of her life, first by her father and now by Torvald, Nora would only have to make a cute animal sound to get what she wanted from Torvald, “If your little squirrel were to ask you for something very, very, prettily” (Ibsen 34) she said.
Furthermore, if we go to see a production of this play (at least among English-speaking theatre companies), the chances are we will see something based more or less on this interpretative line: heroic Nora fighting for her freedom against oppressive males and winning out in the end by her courageous final departure. The sympathies will almost certainly be distributed so that our hearts are with Nora, however much we might carry some reservations about her leaving her children.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.
Nora Helmer was a delicate character that had been pampered all of her life, by her father, and by Torvald. She really didn't have a care in the world. She didn't even have to care for the children; the maid would usually take care of that. In every sense of the word, she was your typical housewife. Nora never left the house, mostly because her husband was afraid of the way people would talk. It really wasn't her fault she was the way she was; it was mostly Torvald's for spoiling her. Nora relies on Torvald for everything, from movements to thoughts, much like a puppet that is dependent on its puppet master for all of its actions. Her carefree spirit and somewhat childish manners are shown throughout the play with statements such as, "Is that my little lark twittering out there?" (1). "Is it my little squirrel bustling about?" (2). A lark is a happy, carefree bird, and a squirrel is quite the opposite. If you are to squirrel away something, you were hiding or storing it, kind of like what Nora was doing with her bag of macaroons. It seems childish that Nora must hide things such as macaroons from her husband, but if she didn't and he found out, she would be deceiving him and going against his wishes which would be socially wrong.