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Stream of consciousness analysis
Stream of consciousness analysis
Religion of Katherine anne porter
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Mullins Andrew Mullins Hensley English 11/fifth period 27 February 2018 Part 12: Rough Draft Flowering Judas” is a story of faith being betrayed time again that hooks the reader with being able to look into a woman's life and mind. Faith being betrayed in Porters story is displayed throughout the entirety of the writing with various symbols guiding our way through Laura's life and mind due to the technique of stream of consciousness. This writing style and the point of view makes the story sometimes an overwhelming read but once dove into the deeper meaning the story opens with symbolism and articulate word choice to grasp the reader to guide them through the selection. The short story by Katherine Anne Porter “Flowering Judas” leads …show more content…
“He says to her,’ you are so good, please don't cry anymore,you dear good creature”(Porter 320). This point in story shifts to Braggioni and his life not just focusing on Lauras the entire story. The stream of consciousness is chosen by Porter to help give a background to Laura without extending the time frame in the story by Braggioni bring something up from her past and she reflects on it for a short period of time. Such as, when she is horseback riding and the captain from Zapata's army starts hitting on her. It's a one paragraph transition from present to past and back to present with swift movement and no unnecessary comment by Braggioni was needed to trigger the memory. “‘Flowering Judas’ is,in my opinion,’testimony of a mental attitude’, and that attitude is dual”(Redden 46). This story is a “testimony of mental attitude” because Porter wrote it that way. The mood of the story shifts as Laura's moods changed. The stream of consciousness technique allows Porter to go into very in depth memories Laura remembers in the middle of the story because she has partaken in very stressful or unique situations in our past. She does make the situations she has been in outlandish at times but still grounds the story with the emotions she feels that most people have encountered in their lives. The emotions Porter uses are broad and vague enough to connect with the reader but she intertwines the emotions of love,alienation, faith and betrayal with dramatized descriptions of what Laura has gone through in her past and what happens presently in her dream after she finishes talking with Braggioni. The way Porter distinguishes between past and present is complex but makes sense once the reader understands the style she is using by flipping between past and present almost instantly
This gives the author opportunity to use his writing to give personal insight to the situation. Moody gives a first person narrative of a person’s mind when going through a highly unexpected change in their life through the narrator. The story starts sporadically going from present day Halloween to past memories of the narrator with his sister. Moody adds sentences fragments such as “Jokes with the fillip of sentimentality. Anyway, in this picture her blond hair...” (294). The fragments that constantly appears gives the narrator a complex mindset, and the narrator gets off topic throughout the story. After a recent death or just any major change in life, the thoughts of the mind are running trying to make sense of the situation. His mind creates confusion in the story, but this is what the author wants to portray through the
Anne Bradstreet’s inability to perfect her work before it was released frustrated her to the point where she internalizes the book’s imperfections as a reflection of herself. Bradstreet uses an extended metaphor of a mother and a child to compare the relationship between herself as the author and her book. Rather than investing her spirit in God, she repeatedly focuses on trying to improve the quality of her writing with no success, “I washed thy face, but more defects I saw” (Bradstreet 13). Like a mother protecting her child, Bradstreet’s attempts to prevent critics from negatively analyzing her work of art (20). Her continuous obsession about people’s opinions consumed in the Earthly world and essentially distracted her from developing a spiritual relationship with God. Bradstreet was enveloped by her dissatisfaction with her to the point of ridiculing herself, “Thou ill-formed offspring of my feeble mind” (1). It was obvious that her mind and spiritual
In Katherine Anne Porter’s, “The Future Is Now,” the author develops her argument through the use of rhetorical devices, as well as varying points of view, which greatly help emphasize her argument. In the second paragraph she notices a siren going off outside her home, she then starts to wonder about all the different things the siren could represent. As she considers all the possibilities she notices a man across the street who is consumed by a table he is carefully building. She fails to understand how a person can be so absorbed by something that they fail to notice something so alarming surrounding them. The primary argument the author is trying to make is that it is more important to exist and cherish life rather than always worry about
“Don’t judge a book by its cover.” This is a phrase that has been uttered numerous times to children by their parents. This aphorism has been used to not only apply to books but also people. In The Black Walnut Tree by Mary Oliver, the speaker faces a conflict between the literal and figurative meaning of a tree in her yard. In the beginning of the poem, the mother and daughter “debate” selling the tree to “pay off their mortgage.” But with a shift from literal language to figurative language comes a symbolic representation of the tree, one that represents family heritage and their ancestors’ hard work.
Because of Daniel Keyes’ allusion to Genesis Chapter 3 in his short story, “Flowers For Algernon”, it is made apparent that Charlie, an individual once unaware of his vulnerability, faces societal and mental repercussions due to his sudden attainment of knowledge, illustrating to the reader; with knowledge comes consequences.
“Parker’s Back” is filled with biblical allusions as one man’s journey towards God and pleasing his wife ends unsuccessfully. Parker has always been a rebel; however, his wife is a devout, plain woman who has an indescribable control on him, possibly due to his subconscious wish to be saved. Parker wishes to leave her, but finds he never can do so. Not only is he unable to please his wife, but also he is unable to experience spiritual satisfaction, and in the brief moment at the end where he does have a connection to God, his wife rids him of it. Biblical allusions are spread throughout “Parker’s Back,” and they serve to emphasize O.E. Parker’s failure as a spiritual person.
The first time one experiences betrayal from a close friend is the hardest situation to go through. Betrayal is clearly defined as to break the faith of an enemy, or to disclose a violation of confidence; but more specifically, and with less clarity in real life situations, betrayal is a complex action that occurs to everyone at some point in life. For a person that has been betrayed before, the simple definition does not do justice to the effects betrayal has on their life or how one can be betrayed. Apparent examples can be seen in Their Eyes Were Watching God, for the main character is clearly betrayed many times in her life.
2. Wright, James. "Saint Judas." Approaching Poetry, Perspectives and Responses. Ed. Meg Spilleth. Boston: Bedford/St. Martin's, 1997. 70.
In Francis Ellen Watkins Harper's poem "The Slave Mother, A Tale of Ohio," she uses a shifting tone as well as other specific literary techniques to convey the heartbreaking story of a slave woman being separated from her child. This story specifically draws light to the horrific reality that many slaves faced: families were torn apart. Because this poem tells the story of a mother and her son, it also draws light to the love that mothers have for their children and the despair that they would go through if anything were to ever happen to them. Harper's poem addresses both race and gender, and it effectively conveys the heartbreak of the mother to the audience.
In the commencement of the story, the narrator is shocked and in disbelief about the news of his brother’s incarceration, “It was not to be believed” (83). It had been over a year since he had seen his brother, but all he had was memories of him, “This would always be at a moment when I was remembering some specific thing Sonny had once said or done” (83). The narrator’s thoughts about Sonny triggered his anxiety that very day. It was difficult to bear the news of what his brother had become, yet at some point he could relate to Sonny on a personal level, “I hear my brother. And myself” (84). After the news had spurred, the narrator experienced extreme anxiety to the point of sweating. Jus...
Throughout the narrative, the text utilizes the conflict over the crisis of cognition, or the very mystery regarding the Marquise’s lack of knowledge surrounding her mysterious pregnancy, as a catalyst for the presentation of the plurality of opinions associated with the Marquise’s current status in society and presumptions to the father’s identity. In itself, this state of cognitive dissonance prevents the Marquise from making any attempts at atoning for her supposed sin, as she herself is unaware of any possible transgressions responsible for her current predicament. In turn, this separation from the truth pushes the marquise to fall into the conviction that the “incomprehensible change[s] in her figure” and “inner sensations” (85) she felt were due to the god of Fantasy or Morpheus or even “one of his attendant dreams,” (74) thereby relinquishing her subconscious from any guilt. However, despite her self-assurance of innocence and desperate pleas at expressing her clear conscience, the marquise becomes subject to external pressures from both her family and society, who come to perc...
There are six specific passages in A Farewell to Arms that exemplify the stream of consciousness technique. Each of these is related to one of the themes of drunkenness and confusion, escape and fantasy, and disillusionment. These themes are presented in a progression, as Henry becomes more demoralized about his life and the war. The first passage comes early, as he relives the experiences of his weeks on leave. The Lieutenant has been drinking and his memories flow like the speech of an intoxicated person; continuing on from one subject to the next without regard for the listener. Of course, the reader is the only "listener" here, but there is a sense that Henry truly is lost in his own thoughts. His reeling thoughts attempt to summarize the previous few weeks in the following passage:
The stream of consciousness establishes a healthy confusion because all three women of 124, including Beloved, attempt to identity Beloved. Yet, Beloved’s identity becomes more complex. Sethe begins to identify Beloved by stating that “She my daughter. She mine” (236). Morrison includes possessive pronouns to show Sethe’s ownership over Beloved, thus identifying Beloved as her daughter. Morrison continues this idea by leading the reader through Sethe’s thoughts. “Had to be done quick. Quick. She had to be safe”(236). This is one of Sethe’s thoughts concerning her daughter’s death. Morrison includes the verb to have to show Sethe’s determination. If a person must do something, it implies that the person had no choice and the result was the only possible outcome. Just like Sethe’s decisions, the action was quick. Morrison uses short sentences and repetition of quick to express Sethe’s decision and lack of thinking. These devices provide a rushed mood. This quote shows Sethe’s reasoning behind her choice and allows her to connect adult Beloved to her Beloved. Morrison continues Sethe's idea, “but that’s all over now…and my girl come home” (237). This quote expresses Sethe's self-forgiveness and acceptance of the past. Moreover, it shows Sethe's belief that the adult Beloved is her daughter. Morrison shows Beloved’s thoughts last. “I am Beloved and she is mine” (248). Morrison includes this quote to make
Words possess many different meanings. The context of the sentence and how the words are used help to create an experience in the reader. In Mary Oliver's, The Honey Tree, she structures her poem in a way that punctuates on the action in the text. Oliver uses the multiple meanings of words to help create a more vivid picture.
In some of his more difficult passages, Faulkner is using the technique called "stream-of-consciousness." Pioneered by the Irish writer James Joyce, the most extreme versions of this device give the reader direct access to the full contents of the characters' minds, however confused, fragmented, and even contradictory those contents may be.