Thesis: In “Fox in the Snow”, Gustave Courbet uses visual elements of line, shape, emphasis, rhythm, and variety to express the nature in capturing the fox eating its prey to show the importance of survival.
The medium of the oil canvas painting, “Fox in the Snow”, was created by Gustave Courbet in 1860; representing nature as the fox eating its prey. The “Fox in the Snow” is approximately 44 3/8 x 61 x 5 1/4 inches in dimension and currently located at the Dallas Museum of Art in Dallas, Texas in the European Department. Gustave Courbet uses fine details to catch the viewer’s eye on details such as blood gushing from the mouse onto the white snow. Courbet uses the objects of everyday life; by using different aspects to express nature bring together different techniques of art to make the painting come to life. It is clearly represented that Gustave Courbet uses elements of lines, shape, emphasis, rhythm, and variety to express nature’s survival importance, providing evidence of the fox eating its prey.
The main characters of the “Fox in the Snow” are the fox and the mouse. The proud fox, serving as the main point of focus and predator, seems delighted as he devours his prey. From the fluffiness of the fox’s tail, to the overall furriness look projecting
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The position of the fox’s body comes together and creates directional and communicative lines. These lines communicate together and directs the viewer’s eye around the composition. Each line used, leads to more detail such as different uses of color, shadowing of the rocks, and certain tints of color to give a better understanding of the fox’s environment. The only real shape shown in the painting is the frozen body of water, which is giving off a triangular shape. The color of the fox’s fur appears as a warm red, orange, and brown mixture. The cool colors of composition include the whiteness of the snow and blueish tint in the shadows around the
The texture of the paint is smooth and flows very nicely the paintings composition is primarily bundled into the bottom right half of the image. The wings and legs of the animals as well as and table help form an invisible sloping line across the painting.
The black background contrast with the predominate colors of blue and red gives these colors intensity. The red and green are complementary colors that give the painting visual appeal. The green juxtapose above the blue and red gives the artwork color balance as well as implies a triangular shape. The triangular shape and pattern is repeated throughout the painting by; the bend of the flute player's elbow, the head and shoulders of the guitar player, the head and shoulders of the lady whose back is to the viewer, the body of the guitars and the location of the three right-most musicians
Additionally, Lie placed tall trees in the foreground of the painting to give a sense of the scale between the observer’s perspective and surrounding objects. Furthermore, Lie used dark, cold colors, such as purple, blue and black, to depict the feeling of a winter’s afternoon. Lie also used snow on the ground as an obvious indicator of the time frame in which the painting is occurring. However, in contrast to the dark cold colors used, Lie also used subtle hints of orange, yellow and red to show that there is some presence of light in the piece. The background of the painting is a sheen of yellow, suggesting the presence of light and the forming sunset.
This triad of colors ̶ white, red, and black ̶ has dominated human culture since primitive times. On one hand, as we discussed in class, the three in partnership serve to represent the human itself: red being blood, white being bones and bodily fluids, black being excrement. This idea positions Snow-White in the realm of human, susceptible to mistakes. In this sense, she is reminiscent of Eve. Also considered within the context of the bible, these colors can place her in a divinely category, too.
Dozens of horses are charging through the fair grounds, each hoof vibrating the ground, which causes chaos to erupt. Some horses are white as for a person of royalty, and others a mysterious brown. Through all this chaos, Rosa Bonheur paints what is before her. Her painting is called The Horse Fair. The painting itself is 8 feet tall by 16 feet wide.1 The Horse Fair is located at the Metropolitan Museum of Art.1 Bonheur uses a panoramic view in her painting.2 The Horse Fair was inspired by the horse market that Rosa Bonheur use to visit on Boulevard De l’Ho ̂pital.1 The building in the upper far left of the painting is called Asylum on Salpetriere, which is located in Paris.3 The people on the hill in the upper right corner of the painting are potential customers evaluating the horses to see which horse to purchase.1 Through this painting, Bonheur shows the power and magnificence of the horses as the owners of these horses are using all of their strength to control them.3 Bonheur included a self portrait of herself on a horse in her painting, which can be located next to the black and white horses that are rearing up.4 The audience can notice the shadows that are coming off each of the horses. The shadows are through the use of chiaroscuro. The shadows make the horses look more real, as if they are actually moving through the fair ground. The author will prove Bonheur’s use of naturalism in her painting The Horse Fair by analyzing Bonheur in terms of historical context, anatomical accuracy, and structural elements.
The painting’s canvas has been exploited perfectly. All the space on the canvas had been used. However, space was not used to create depth, and there was no layering or recession present. The painting does not feel that it has motion, apart from what it looks like the creatures eating from the tree of life. The eating motion was depicted by the posture of the creatures, with arms extending towards the plants – in the case of creatures – or beaks being wide open – in the case of birds. All these factors 'accord' the painting with a unique
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
Tobias Wolff is framing his story Hunters in the Snow, in the countryside near Spokane, Washington, where three friends with three different personalities, decided to take a trip to the woods for hunting in a cold, snowy weather. The whole story follows the hunting trip of these three friends. The reader can easily observe that the cold, hostile environment is an outward expression of how the men behave towards one another. Kenny, with a heart made of ice is rather hostile to Tub, while Frank is cold and indifferent to Tub and his pleas for help.The environment is matching the characters themselves, being cold and uncaring as the author described the two from truck when they laughed at the look of Tub: “You ought to see yourself,” the driver said. “He looks just like a beach ball with a hat on, doesn’t he? Doesn’t he, Frank?”(48). Near the beginning of the story the cold and the waiting surely creates an impact in the mood of the character. Tub is restless from the wait and the cold adds on to it. He complains about being cold and Kenny and Frank, his friends tell him to stop complaining, which seems to be very unfriendly. Wolff builds up the story on the platform of cold weather and the impact of the cold on each character slowly builds up.
“The Fall of Icarus”, the only one of Bruegel’s paintings mentioned by name in Auden’s “Musee des Beaux Arts”, concludes the final octet of the poem. The plowman in the foreground, not the splashing legs of Icarus, is what the canvas is centered on. Bruegel’s focus on the sim...
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
There are several elements in this painting which may be difficult to interpret but may have meaning, such as; the headdress on the ground, the horse on the flag, the two men in different style and colored clothing, the smoke that appears much darker, and the two men pointing away from the scene, the wind direction being portrayed differently.
“Let It Snow” by David Sedaris is a short story that magnifies the extent in which children might go in order to grab the attention of their parents. It is simply short and it is full imagination that would help the reader what it feels to be a child. Sedaris first gives the reader a sense of imagery when he describes the snow storm that cancels school for him and his sisters. After the reader begins to reread he/she might think that the story will be about a snow day but it takes a sharp turn. The story focuses on the hurt and neglect in which the Sedaris and his siblings went through with their drunken mother with the absence of their father. After being kicked out into the cold by their mother, the children are left to think about their relationship with their parents that has been left in the cold. The writer begins to express his feelings towards his parents, especially his mother by providing various details that keep the reader emotionally interested in the story. To the reader it might seem that story is about the children but it is actually focus on the mother. Also Sedaris did an
The colors used in this painting are blue, white, yellow, brown, black, green, light blue. The colors Birch used seem dark in order to relate to the storm. By making it seem dark it really captures the mood of the composition. In general the quality of light in this painting is low.
Similar to many of the van Gogh’s paintings completed close to the end of his life, Vincent van Gogh's Wheat Field with Crows is a representational painting depicting nature around him. This piece is showing the wheat fields surrounding the graveyard of the Church in Auvers-sur-Oise - the graveyard where both van Gogh and his brother, Theo, were buried. The artist shows his interpretation of the wheat field on a stormy day, with three paths converging in the center of the painting's foreground. The center path disappears into the distance with an “abrupt termination” on its way to the horizon, creating a true sense of depth, while the other two ...
...f the shadows is sprinkled with the orange of the ground, and the blue-violet of the mountains is both mixed with and adjacent to the yellow of the sky. The brushstrokes that carry this out are inspired by the Impressionists, but are more abundant and blunter than those an Impressionist would use.