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blade runner use of mise en scene
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Analysis of the Use of Mise en Scene in Blade Runner Early in the 21st century, the Tyrell Corporation, advanced robot
evolution into the nexus phase - a being virtually identical to a
human - known as a replicant. These replicants had superior strength
and quality, they were used off-world as slave labour in a
colonization of other planets. However they still only have a four
year life span and have no feelings and emotions. They were treated
almost like robots and “coffee making machines, as they were slaves.”
After a bloody mutiny in an off world colony, Replicants were declared
illegal on earth, under the penalty of death. Special police squads
known as Blade Runner Units had the job to kill any trespassing
replicants.
Rick Deckard (played by Harrison Ford), ex-cop, ex-Blade Runner, and
ex-killer, is forced by the police boss to return to his former
profession of Replicant Hunter (Blade Runner.)
He is assigned to eliminate four Replicants who fled the slavery of
the colonies and came to Earth. Before starting the job Deckard visits
the Tyrell Corporation where he meets Rachel, a “Replicant” girl
created as an experiment, with whom he falls in love with.
After some investigations, he is able to discover the first of the
four Replicants, Zhora. There starts a relentless pursuit through the
streets of the Metropolis in which Deckard succeeds in eliminating
Zhora but is himself attacked by another of the replicants, Leon. Just
as Deckard is about to be killed, Rachel intervenes...
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...e going off, adverts and the little voices
always taking place. The most diagetic sound comes from the
overlapping all the cultural languages from the different
nationalities, it can be heard most in the whole film.
In the concluding contemplation of the whole use of Misen Scène to
create an effective atmosphere in Blade Runner, I would say, observing
the use of streets, buildings, costumes, sounds and lighting are
successful in creating an overall effective atmosphere in the story of
Blade Runner. Ridley Scott has added and removed the correct sets of
the film, although the lighting could be slightly improved there is
still an effective use of Misen Scène throughout Blade Runner. The
atmosphere created is of a mystical kind, making people want to view
on into the fantasy world of a Deckard or any other Blade Runner!
Mise en scene is a French term, which refers to the visual and design elements of a film. Literally, it is what we actually see on the screen – locations, sets, background details, costumes, even the use of colour and lighting. Mise en scene is used to describe every scene, including framing, composition, costuming, setting, objects, lighting, sound and camera angles. Everything is done purposely and intentionally.
Both Frankenstein and Blade Runner are products of their time, exploring an obsession with man creating human form. Although the protagonists of each text are prompted by different motives, Frankenstein by Romanticism and Tyrell by mass consumerism, essentially their obsessions are consistent.
Film Analysis - The Notebook Introduction The film is portrayed in the past and present scenario setting. It is based on a young couple’s love and passion for one another, but are unexpectedly separated due to the disapproval of the teen girl parents and the social differences in their life. At the start of the movie, it displays a nursing home style setting with an elderly man named Duke (James Garner), reading to an elderly woman named Mrs. Hamilton (Gena Rowlands), whose memory is inevitably deteriorating. The story he reads to her is a love story about two teenagers named Allie (Rachel McAdams) and Noah (Ryan Gosling), that met in the 1940’s at a carnival in Seabrook Island, South Carolina.
S. E. Hinton’s argument is given from the perspective of a 14 year old Greaser named Pony boy Curtis who is being raised by his older brothers Darrel and Soda pop. The theme of the Outsiders is no matter what side you may grow up on whether you are a Greaser or a Socs, that you all can still have the same problems, see the same solutions, and dream the same dreams. You are also able to see how his character grows up and matures during the various interactions throughout this book. The two gangs in the book are the Greasers and the Socs (socials) and honestly, even after reading the book the only reason they didn’t like each other is they both had assumptions about each other that really weren’t correct.
Statement of intent: This formal report was written with the intent of discussing the mise-en-scene element of film which is used in two of Wes Anderson’s most popular films. Both films The Grand Budapest Hotel (2014) and Moonrise Kingdom (2012) showcase the limited colour palette and costume aspects of mise-en-scene.
Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.
... the mise-en-scene are the from the beginning of the film. Throughout the film I was aware of the locations. The San Francisco setting was presented to the viewer in the beginning and that made the audience more aware of the film's environment. The monastery and other locations of Corlata's past gave me a better understanding of Madeleine’s problem. The make-up and costume play an important part in the recreation scenes, while the props assisted the audience and John Ferguson in piecing the puzzle together and figuring out Gain’s plan. The lighting enhanced many scenes in the film. The parts that impressed me were the following: the recreation of Madeleine scene, John's dream sequence, the monastery scenes, Judy's guilt trip and the scenes involving John's fear of heights.
From the silent epic of Fritz Lang Metropolis (1927) to Ridley’s Scott’s spectacular Blade Runner (1982) the connection between architecture and film has always been intimate. The most apparent concepts that connect these two films are the overall visuals of both films and their vision of city of the future. The futuristic city of both Scott and Lang are distinct in their landscapes, geography, and social structure. These two films sought to envision a future where technology was the basis by which society functioned. Technology was the culture and the cities would crumble without it (Will Brooker). Metropolis and Blade Runner uses the themes relationships among female sexuality and male vision, and technology. However, Gender roles and technology seems to be the most important part in both films.
Another aspect of the movie “Bladerunner” is of those that broke away from the system. The “Nexus 6” were androids that developed emotions and escaped from slavery, because they wanted to live longer. Roy and Priss are good examples of androids showing that they have emotions. They were manipulative, passionate for what they wanted, and even had loving sides. Roy was the leader of the “Nexus 6” and Priss was his girlfriend
The film The Green Mile was originally written by Stephen King and later directed by Frank Darabont. It is based on the guards and inmates of a penitentiary’s Death Row during the great depression. There is a certain monotony that comes with working on Death Row and Paul Edgecomb, played by Tom Hanks, has become numb to the fact that he is paid to take lives; that is until John Coffey gets sentenced to death and is sent to Paul’s “green mile”. John Coffey is a very large black man that was accused of rape and murder of two little girls, and in the 1930’s having charges like that brought upon you was grounds for the death penalty, especially for a black man in the south.
Full Metal Jacket is written and directed by Stanley Kubrick. The film was released in 1987 and it is starring Matthew Modine (Joker), Vincent D’Onofrio (Pyle), Adam Baldwin (Animal), and R. Lee Ermey ( Guy.Segr. Hartman).
The mise en scenes in this film are unique because it gave viewers the ability to have a sense of how the characters are feeling. For example, low lighting was used throughout the film to express a sense of the unknown and/or fear. Another great example of how mise en scene was used is how human shadows for night shooting were used to increase the feeling of mystery and a threating atmosphere (Awjingyi). And one of the most important examples of mise en scene used in this film is in the last scene where mirrors were used (aka the “funhouse”) to
The movie I chose to analyze for historical accuracy was War Horse. This movie was set in the First World War, starting in Britain but the story also explored France and Germany during this time period as well. Three scenes will be analyzed: the trench warfare scene between the British and the Germans, the scene where the British soldiers were gassed, and the scene where the British were getting patched up and nursed. War Horse does well to stick to the historical accuracy of what happened during the First World War due to the fact that the three scenes that I have chosen to analyze are not embellished and are close to what really happened.
Nelson Mandela was one of the greatest leaders of our time. In the movie Invictus, the devotion and love he had for the South African people is exemplified. The movie was named after a Victorian poem that brought President Mandela strength while in prison. The meaning of Invictus is “Undefeated”, a perfect fit for this movie. The opening scene of the movie shows President Mandela being freed from jail and driving past a field of young boys playing soccer. All the boys start chanting the Presidents name and running to the fences to get a better look. This is the first scene, and an obvious show of support and following for Mr. Mandela. Throughout the movie there are many different styles and approaches of leadership shown. Not only is President
Duckworth, A.R. (2008). Blade Runner and the Postmodern use of Mise-en-scene. Available: http://ardfilmjournal.wordpress.com/2008/08/26/blade-runner-and-the-postmodern-use-of-mise-en-scene/ Last accessed 21st Dec 2013.