Why are animal characters so popular in children’s literature? Why do they tend to be either fierce or friendly? How do animal characters impact children’s literature? In Alice’s Adventure in Wonderland, the animal characters are very weird. They were supposed to guide Alice through the traditional fairytale world she has created, but instead they were negative influences on this child. I believe the audience expected that animal characters are supposed to because they are the ones who should be a role model for kids to look up or when they read it. Do the animal characters in Lew Carroll’s Alice’s Adventures in Wonderland disobey the animal characters in traditional fairytales? The animals in Alice argue with her, confuse her, and tell her upsetting stories instead of guiding her through the fairytale world she has created. “Whenever there is authority, there is a natural inclination to disobedience.” by Thomas C. Haliburton. It is related to my thesis because the animal characters in Alice’s Adventure in Wonderland felt that they had authority to disobey the animal characters in other traditional fairytales. This is similar to Del Toro’s Pan Labyrinth because there are main animal characters like fairytales, faun, and paleman. They have the weird physical features. It was really gross to see them. This applied to Lewis Carroll’s book because he used the animals in a weird way. For example, The Cheshire-Cat’s body disappeared but the face was still there. Other example is a mouse walking by Alice. In real life, mouse rarely does that. When she looked at the rabbit, she never had seen any rabbit with either a waistcoat-pocket, or a watch to take out of it. She began to wonder and decided to go after him. When Alice tried to lo... ... middle of paper ... ...ms with the children because the population is increasing rapidly. Lewis Carroll is sending an urgent message to all the audience to be prepared for their children to see a lot of adulthood problems. Citations: Ashbourne, M.S.,The Cheshire-Cat: Sign of Signs; The Cheshire-Cat: Signifying character as a character (2007) Burn, A. Potterliteracy: Cross-Media Narratives, Cultures and Grammars; Aragog the spider—cross-media narrative transformations (2006) Del Toro’s Pan’s Labyrinth Tannen, D. In Lunsford et al. p. 830 Lunsford et al. 2009 Chapter 2 Lunsford et al. 2009 Chapter 3 Lunsford et al. 2009 Chapter 1 p. 24 Carroll 1865, p. 8 in Alice’s Adventure in Wonderland Carroll 1865, p. 11 in Alice’s Adventure in Wonderland Carroll 1865, p. 27 in Alice’s Adventure in Wonderland Carroll 1865, p. 28 in Alice’s Adventure in Wonderland
Religious education and children's literature have enjoyed a long parallel history. The earliest children's books were little more than religious devotionals or bible stories rewritten with the express enjoyment of children in mind. As children's literature progressed, however, it began to move away from religious instruction and into works that focused more on story. This doesn't mean that the two became mutually exclusive as to this day many works that are still enormously popular with children are rife with religious allegory without sacrificing story. Two such children's works are George MacDonald's The Princess and the Goblin and C. S. Lewis' The Lion, The Witch, and the Wardrobe. Both considered classics, they have been read for generations by children enthralled by their fantastical plots, yet a deeper look reveals that the works contain some very noticeable religious imagery that serves merely to enhance the work and never takes away from the enjoyment of the plot.
Margaret Wise Brown was truly fascinated by animals, and she understood children’s attraction to animals. Tellingly, when Brown reflects on her childhood she mentions her “thirty-six rabbits, two squirrels…a collie dog, and two Peruvian hens, a Belgian hare, seven fish, and a wild robin who came back every spring” (Days Before Now). From this information about Brown, one understands where her love of animals originated--her childhood. Additionally, animals were kind to her and did not restrict or belittle Brown the way some individuals did regularly. Brown was allowed to have constant interaction with animals, which proved to be influential in her writing career. Overall, Margaret Wise Brown used numerous animals, especially rabbits because of her love for creatures and the understanding she possessed of children’s love of and interest with animals.
There is no exact known number of children currently being utilised in warfare worldwide. The issue of the military use of children is so widespread that no figure can be calculated, although it is estimated that there are currently over 250,000 child soldiers across the world. Many are drugged and brainwashed into murder, many are forced to sever all ties with their family or watch them die. Most are faced with a simple choice: kill or be killed. Although the notion of child soldiers is vastly alien to contemporary Australian society, it is a reality in many parts of the world. ISIS have been known to employ the use of children in warfare and over 30,000 children have been abducted into the Lord’s Resistance Army for military purposes. It
Most modern fairytales are expected to have happy endings and be appropriate for children, nonetheless, in past centuries most were gruesome. Consequently, fairytales have been modified throughout time. The stories “Beauty and the Beast” by Jeanne-Marie LePrince de Beaumont and “The Summer and Winter Garden” by Jacob and Wilherm Grimm share similarities and differences. The two stories are distinct because of the peculiar year they have been written in. LePrince de Beaumont’s story is written in London of 1783 and Grimm’s in Germany of 1812. At the time, wealthy people in London, were educated and had nannies who would read to their children; whereas, in Germany, the Grimm brothers created their own interpretation into a short story. Because many high class parents in 18th century London would not be able to spend time with their children, nannies would read “Beauty and the Beast” to them since they were intended for children and considered appropriate. In “The Summer and Winter Garden,” the Grimm’s’ story was mostly based to entertain misbehaved children and teach them the valuable lesson that everyone should be treated with kindness. The Grimm brothers’ goal in rewriting this short story is to better children’s behavior which worked quite well. Since these stories have been re-written for children, it would be safe to say the reason why parents expose the two stories to their children is because they both portray the same moral: good things happen to good people. The two interpretations of “Beauty and the Beast,” although written in separate countries, share important similarities and differences even though the authors have different interpretations and came from different cultures.
One of the main purposes for writing Alice in Wonderland was not only to show the difficulties of communication between children and adults. In this story, almost every adult Alice talked to did not understand her. At times she messed up what they were saying completely as well, which many times stick true to real life circumstances. This book shows that kids and adults are on completely separate pages on an everlasting story. Carroll points out that sometimes children, like Alice, have a hard time dealing with the transition from childhood to adulthood, 'growing up.' Alice in Wonderland is just a complicated way of showing this fact. Lewis Carroll's ways with words is confusing, entertaining, serious, and highly unique all at the same time. And it's safe to say that it would be difficult to replicate such and imaginative technique ever again (Long 72).
In the novel Fahrenheit 451 by Ray Bradbury, the use of animal and nature imagery develops the theme that nature is always present and needed for the survival of humans, just as knowledge is a necessity to thrive as a society. Without knowledge, society cannot learn and develop.
In such a cherished children’s book, Alice’s Adventures in Wonderland, written in 1865, has caused great commotion in political and social satire. It slowly but surely grew into one of the most adored publications in the Victorian era, expanding into today’s modern age. Lewis Carroll was the pen name utilized by Charles L. Dodgson and has forth created a sequel named Through the Looking Glass, And What Alice Found There composed first in 1871. In short, the text of the story presented with a feminist approach, a corrupt judicial system of Victorian England, the caucus race, and the absence of a childhood, the evolution of species, and Marxism.
In the novella Of Mice and Men, there are symbolism used through animals to represent what happens to Lennie and what kind of sides he has. Candy’s dog displays the image of Lennie’s death because they both get shot in the head and have problems to the extent of having other characters trying to kill them. Throughout the novella, there are rabbits that keep showing up around Lennie. Lennie loves rabbits and likes to touch their fur. He will do anything to protect them because he sees the part of pureness he has in him through the rabbit. He will make sure no harm comes to them because he wants to keep that part of pure innocence that he has in him. When Lennie and George are talking about their dream, Lennie declares if cats come to bother
Alice died all he could do was provide his kids with orthopedic shoes and the
The rebellions that the animals have pulled is not a great influence on a younger audience. Naughty children are terrible to deal with, and Animal Farm’s rebellions can hatch ideas into the
It is amazing that nearly all critics of Lewis Carroll's Alice in Wonderland focused solely on the character and adventures of the female protagonist/hero. A somewhat right-wing and didactic critique at Decent Films writes, “Alice embodies the gender feminist narrative of vibrant young girls losing their mojo as they come of age in patriarchal society.” The woman’s magazine, Jezebel, while praising the movie as “refreshingly feminist” seemed to notice only that the hero who fights against the forces of evil is a woman. Jezebel mentions other characters, but does not take the time to catalogue their relationship to feminism. In an Associated Content piece by Adriana Tanese-Nogueria which does, commendably, explore the feminist theme much more richly than many other reviews, still, the main focus is on Alice’s journey of feminist liberation. But Lewis Carroll also takes a look at the men in this story. Men during the Victorian era were known to have the control over the household and have a job. Their lives were around getting the perfect wife and making a lot of money. So when one reads some of the characters in Alice in Wonderland, one can see some difference in how he portrays some of the characters.
In Alice’s Adventures in Wonderland, the animal characters are very strange. In audience’s expectation, Lewis Carroll was supposed to guide Alice throughout the traditional fairytale world she has created, but instead they were negative influences on this child. Do the animal characters in Lewis Carroll’s Alice’s Adventures in Wonderland disobey the animal characters in traditional fairytales? The animals in Alice argue with her, confuse her, and tell her upsetting stories instead of guiding her through the fairytale world she has created.
While the character of CR is used to demonstrate the relationship between children and adults by the use of many parallels, speech and actions, it is the animals that represent the author's construction of different types of childhood. In addition to this the animals are also the providers of amusement and entertainment which draw children's love and interests.
Many of us have read Alice’s Adventures In Wonderland and sympathized with the main character, Alice. The audience wonders why all of the characters in Wonderland are so strange and no one seems to notice but Alice herself. The tale brings a chilling feeling to it’s audience because we wonder what we would do if we were surrounded by nothing but odd circumstances and mad characters. However, if we truly think about the story, is the population of Wonderland mad? Or is it Alice that is different and strange? After all, Alice is in their world not vice versa. With these next few paragraphs we will take an in depth look at Wonderland, it’s population and Alice to determine who is really mad here.
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.