Drew Barrymore’s Whip it, follows 17 year old Bliss Cavendar on her journey to find herself through the stigmatized sport of roller derby. The film Whip It plays with themes such as the American Dream and Gender, and uses these themes to combat the normative views of femininity within America. Bliss progressive view on femininity is used to contrast her mother’s, Brooke traditional views on femininity, giving the audience a means to analyze and critique the traditional views of gender roles that is often portrayed in Hollywood. This critique will examine how Whip It uses roller derby as the catalyst to Bliss escape from her mother’s traditional views on womanhood, and how this liberation from the norm more accurately reflects the ideals of …show more content…
The aggressive names accompanied with the violent nature of the game depicted an alternate femininity that enticed Bliss rebellious spirit. Though hesitant at first, Bliss took up the offer by Malice to come try out for the team, further supporting Bliss attempts to find an alternative to her mother perceived views on femininity. The beauty pageant world places a very conservative and enclosed perception of what it means to be a woman, while roller derby opens this up to a wide array of possibilities. Roller derby functions as a way to expose these conservative views held by Bliss mother by disrupting these various culturally held connections between certain feminine traits and females (Sailor, 2013). The liberation from this norm is what makes Bliss believe that she is staying true to herself as indicated by the scene between her and her mother in which Bliss states that “For the first time in my life I don’t feel like there’s something wrong with me. I found something I’m really good at. You know how good Shania is at winning pageants? That how good I am at roller derby.”(Barrymore, 2009). Bliss has found comfort in her definition of femininity despite the pressure placed upon her by her mother interpretation of womanhood. Bliss feels liberated from the conservative view of femininity that is founded on the social norms which represents the cultural …show more content…
It shows the yearning for liberation from the societal expectation of a woman through the eyes of the main character, Bliss. The catalyst for this liberation being roller derby, a sport in which Bliss finds herself in. Roller Derby represents a femininity that defies the gender roles placed upon women in society, it acts as a guide to Bliss own definition of the American dream. Roller derby was Bliss societal control factor that led her to accept and embrace her womanhood. Though Whip it did an exceptional job critiquing the gender roles established in today’s society, an in depth look at the relationship between gender and sexuality should be further explored. For instance a look into what it means to be a man, woman, transgender, asexual, pansexual and so on can be examined and deconstructed. This examination can explore the various forms of masculinity and femininity within these groups, and how their gender influences their view on what the American dream
Before we told our daughters that they could be anyone, or anything they wanted to be, we told them that they could only be what was acceptable for women to be, and that they could only do things that were considered "ladylike." It was at this time, when the nation was frenzied with the business of war, that the women of the All-American Girls Professional Baseball League decided that they could do and be whatever it was that they chose. These women broke free of the limitations that their family and society had set for them, and publicly broke into what had been an exclusively male sport up until that time.
The film “A League of Their Own,” depicts a fictionalized tale of the All American Girls Professional Baseball League. This league was started during World War II when many of the Major Leagues Biggest stars were drafted to the war. MLB owners decided to start this league with hopes of making money while the men were overseas fighting. Traditional stereotypes of women in sports were already in force before the league even begins. One of the scouts letts Dottie, one of the films main characters she is the perfect combination of looks as well as talent. The scout even rejects one potential player because she is not as pretty as the league is looking for even though she is a great baseball player. The player, Marla’s father said if she was a boy she would be playing for the Yankee’s. Eventually Mara’s father is able to convince the scout to take Marla to try outs because he raised her on his own after her mother died. Her father says it is his fault his daughter is a tomboy. In this case the film reinforces the traditional stereotype that mothers are in charge of raising their daughters and teaching them to be a lady, where fathers are incapable of raising girls to be anything other than a tomboy. The focus on beauty also reinforces the traditional stereotype that men will only be interested in women’s sports when the females participating in
Pretty Woman, 1990s Hollywood movie, embodies many new as well as old values and ideologies. I was surprised when I saw that, the old themes and sexual stereotypes are not completely abandoned, but the old portrayals of gender stereotypes are transmuted.
In the article, “I won, I’m Sorry”, Mariah Burton Nelson uses an anecdote in order to begin her article. Sylvia Plath’s attitude is one that is concentrated on conforming to men in order to make them feel comfortable and as the stronger sex. Burton Nelson then shifts to talk about women in sports and how these female athletes behave in order to fit into the gender roles people have become accustomed to. The anecdote is used in order to describe the way women will underscore themselves in order to fit into society’s definition of how a woman should behave.In order to frame her article, Mariah Burton Nelson uses the anecdote about the poet, Sylvia Plath, in order to demonstrate how women conform as a means to fit into gender expectations. This
...ennis, basketball, soccer, and martial arts—have come from the days of cheerleading and synchronized swimming when she was growing up in the ’70s.” Disparities in media coverage and over-sexualized female athletes on magazine covers is something that needs to come to an end because of its effects on both male and female viewers, young and old, athletes and non-athletes. Both female and male athletics influence young people and shape their personality and morals as they mature. Retired WNBA player, Lisa Leslie credits her participation in basketball with shaping her character, as well as her career. “Sports can also help teenagers during an awkward time in their development.” (“Women’s Athletics: A Battle For Respect”). The solution is to come together as a society and identify how to balance the respect for female and male athletes in the media.
As it becomes increasingly acceptable for women to be athletic in American culture, a new question arises: in which sports should women be allowed to participate? From a physiological standpoint, it has been scientifically proven that female bodies do not differ significantly enough from male bodies to prevent them from participation in any "male" sports. This division between "male" and "female" sports clearly stems from age-old, socially constructed norms of femininity and masculinity. When women attempt to challenge these societal molds by participating in sports that are traditionally male, the intricate web of norms is disrupted. Like many other instances where traditional social constructions are tinkered with, individuals and communities are forced to reevaluate how they think about and categorize their surroundings. I would argue that women's participation in athletics, especially in non-traditional sports, is instrumental in breaking down stereotypes and social confines that have plagued women for centuries
Worse, when women swallow the emptiness, loneliness, and naked violence that comes with their gender performance, their ability to develop self-awareness on matters such as academic, sexual, reproductive, safety, and health care rights no longer exists. When characters such as Ruth from Green Girls come to believe that womanhood means being on display and having to perform their roles as women in public spheres despite the feelings of wanting to shield oneself from strangers, they lose their freedom and become fettered to performative roles. Their performance of gender becomes, as Butler mentions, the result of both subtle and blatant coercions. These coercions offer a script of life that women must follow in order to remain the star of their
Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
When a woman or man joins a non-traditional sport for their gender or sex, it can have drastic social and cultural costs. These impact not just the individual but also the entire community. When a person challenges the gender roles of society, then they change the perceptions of what men or women are capable of doing, they further androgynize cultural norms, and they open up sports for others.
A central theme in this film correlates to the first concept of the 7 principles describing gender socialization in the United States (Rozema, notes, 2014). This film pervasively focuses on males as the more valued sex (Rozema, notes, 2014). Here, women should easily partition back into a doll mold or submissive role apart from the masculine roles women were called upon to fill during the war. The importance of men never left the focal point. For instance, the black and white scene presenting all the heroic baseball players enlistment to fight for their country, the announcer praises the men for fighting for America, yet questions, “what does this mean for baseball” (Marshall, 1992)? How would baseball continue without men? Ostensibly, a women’s baseball league was a desperate attempt saving rich men’s pocketbooks. Initially, most sport lovers and supporters (mostly male) viewed the women’s league as a superficial and an insignificant replacement to the “real” male version. Just as Dottie expressed to her daughter in the opening scene as she is packing her suitcase, “It was never important to me, it was just something I did” (Marshall, 1992),...
One of the theories behind this gender inequality in athletics is due to the strict traditionalism of society. “Society does not like to see women in roles that go against the norm of what a woman ‘should be” (Rodriguez). A woman is expected to carry on traditional feministic traits that include being sexy, delicate, passive, graceful and essentially powerless. “Nowhere does the word ‘athletic’ appear on that list” (Rodriguez). These female athletes are not just exceeding in a sport that they play, they are tearing down the barriers that have always left women on the outside of the world of professional sports. The idea of a strong, athletic woman gives many people an uncomfortable feeling because it is not seen as an attractive trait or loyal to traditional characteristics. This unaccepted view of athletic women has led to unjust stereotyping. If they participate in a sport that is not perceived as feminine, women are often stereotyped as being lesbian. Women who do not fit the cultural definitions of femininity run the risk of being labeled a homosexual. Societal expectations are restrictive and seem to refuse to view the athletic talents of women as acceptable behavior.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
In the documentary ‘Paris Burning '(1990)which explores elements of drag culture, a notable In the ball scene they perform gender trying to recognise ‘Realness a key scene that represents several stereotypes that help us identify the type of person we are and how we are perceived performing like a ‘Real women ' or a ‘real man ' being able to blend in with society this is an interesting idea as the people who are seen as an outcast in society are performing what is considered the ‘norm ' amongst the general society. A key point made with this is that people can blend and conform to norms if they want to but choose to defy
This was an astonishing change for the American film industry. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). The 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Se These changes made in action films for women’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007).