Misogyny In Sor Cuana

1887 Words4 Pages

I, the worst of all, depicts the story of Sor Juana Ines De La Cruz, who is met with a grimsley demise due to duplictious systemic sexism within the church, and society. This, segregation that was dealt with Sor Juana was not unique, and was the universal attitude towards women in society in the 17th century, forcing many to become nuns or in positions that were demeaning and unequal to men. This film, directed by Maria Luisa Bemberg, depicts events that happened from 1669 when she first began a friendship with viceroy Conde De Paredes, to her untimely death in 1695. I, the worst of all, shows the male hierarchy of the church by demolishing the aspirations, and livelihood of the nuns and leaving them to rot in the end. In all of the sources, misogyny in the 17th century infects all parts of life.One might maintain that the film shows the misogyny in society and the church, by the portrayal of the sordid acts done to Sor Juana. However, further analysis of the film with primary and secondary sources proves that some of the nuns were complicit with the orders given by the church while hurting and disparaging the other sisters, as they were soon abandoned themselves. Envy, fear, and hatred of women continued under the facade of the Church, …show more content…

She used her platform to criticise the church and society for its double standards, as she states very eloquently, “Since I couldn’t dress as a man, I dressed as a nun” (I, the worst of all, 1990). During the 17th century the convent was less seen as a privilege and duty to God, but more so a refuge for a woman who found herself unable to do many things that a man be able to do. Although, many women might have chosen the convent for other reasons, becoming a nun was a viable career or occupation, that would entitle means to earn a living and maintain social status, and gaining respect in

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