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Discuss Iago’s influence in Othello
Relationship between iago and othello
Analysis of othello
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Drama Essay - Othello
Othello is noble, tender, and confiding; but he has blood of the most inflammable kind. Unfortunately, Othello was naïve enough to be swayed by Iagos misplaced trustworthiness and the accusations cause the entire play to unfold. Once someone brings up a sense of all his wrong doings, he cannot be stopped by considerations of remorse of pity until Othello has extinguished all that fuels his rage and despair. Othello is described as a “Moor” by his critics (Brabantio, Iago). A “Moor” is a slang word used for the dark skinned appearance of the Muslim people from the northwest part of Africa.
Othello starts out as a very nice, considerate person. He calmly takes on whatever comes his way and does not like confrontation. He verbally recognizes that he is an outsider, whether because he is proud of or self-conscious and defensive about his difference from other Venetians. For example, in spite of his articulacy in Act I, scene iii, he exclaims, “Rude am I in my
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In the continuance of the play, Othello’s eloquence suffers because of the increasing strain coming from Iago. Othello is introduced in …show more content…
When Cypress is threatened by Turkish forces, Othello is wanted specifically by the duke and the senate, as evidenced by Cassio’s comment that the senate “sent about three several quests” to look for Othello (I.ii.46).Othello became Governor of Cypress in Act I, Scene III, but his fortunes promptly change and not for the better. Othello has a reputation for courage in battle along with wonderful judgment when it comes to serious decisions about the military. The Venetian government has enough faith in Othello to put him in full martial and political command of Cyprus. In his dying speech Othello reminds the Venetians of the “service” he has done their state
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
Before coming directly to the forming of the love-theme that differentiates Othello from other Shakespeare plays that utilize the same theme, I turn arbitrarily to Iago to inspect a distinguishing mark of his of which the relevance to thematic form in the play will appear a little later. When Iago with unperceived scoffing reminds Roderigo, who is drawn with merciless attraction to the unreachable Desdemona, that love effects an unwonted nobility in men, he states a doctrine which he “knows” is true but in which he may not “believe.” Ennoblement by love is a real possibility in men, but Iago has to view it with bitterness and to try to undermine it. (333-34)
This means very black people, which in Elizabethan times were believed to be evil. Nowadays of course, we know that this is not true. Other quotes highlighting the blackness and mystery of Othello include 'What a full fortune does the thicklips owe,'[1] quoted by Roderigo early on in the Act referring to his lips. Another quote that he says is 'to the gross clasps of a lascivious moor:'[2] again speaking negatively about Othello. Shakespeare intentionally made Othello a black character to create an impact on the audience, although it was more effective when it was acted out in Elizabethan times because they were so critical of coloured people.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
It's clear that Othello is held in high esteem when, as he enters, one of the senators states "Here comes Barbantio and the valiant Moor"(47). Othello's confidence in himself, another of his positive attributes, is clearly portrayed as he defends himself and his recent marriage to Desdemona, the daughter of the Venetian Senator Barbantio. In his defense, he associates himself with one of the "great ones" of the world. He also demonstrates confidence in himself and his actions when Barbantio, Desdemona's outraged father, accuses the Moor of witchcraft. His stature, that of a tall, dark, African Moor, combined with his personal magnetism, assist him in gaining the respect and allegiance of the Venetian people and its senators. The respect of the people is brought forth in Act 1, Scene 2, when Montano, the Governor of Cyprus, is awaiting the arrival of Othello's ship, following a strong storm at sea, and remarks he has "served him' and the man [Othello] commands/ Like a full soldier" (35-36).
There are many opposing views to the way that Othello is defined within Shakespeare's The Tragedy of Othello. Some suggest that Othello is a savage "Moor," and at no point is he the noble "Venetian" he attempts to portray himself as. Others suggest that Othello is the noble "Venetian" he portrays himself as, and his ultimate demise stems directly from Iago being a savage. Yet some agree that Othello is both the noble "Venetian" and the savage "Moor," unable to fully interpolate himself into the "Venetian" paradigm, but becoming, rather, a "noble savage."
Othello is the tragedy, and, incidentally, the name of a Moor who serves as a general in the Italian military. He spends the first act of Shakespeare’s play in Venice, but is ordered shortly to Cyprus to fight the Turkish invasion. His journey isn’t officially noticeable at all in the play. One moment he’s defending himself in the Senate of Venice, the next he’s in Cyprus, taking credit for being victorious in a battle the storms fought for him against the Turks. The story unravels from there. His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable crime of adultery, throwing Othello’s orderly world to the winds of fate.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
However, we believe that Othello is a respected and noble gentleman by the language that is used to describe him. He is referred to as “Valiant moor”.
...o he murders his wife. Then, he does not want to be made to look like a murderer so he begs to be remembered as a different man than the one he actually is. In the midst of trying to save his reputation, Othello reveals his subconscious fears of not being accepted and always looking like a foreigner no matter what he accomplishes. Out of all his accomplishments in the military, Othello wants to be remembered for one specific story – the time he saved a Venetian from being abused by a Turk. It is as if he is forcefully portraying himself as a contributing member of Venice by saying that he protected it from outside forces. At the same time, he equates himself to the Turk and kills himself in the same way he killed the Turk. Othello, in trying to save his reputation, loses everything he has ever cared about or worked for – Desdemona, his reputation, and his career.
One of the first impressions gained of Othello is that he is a great war hero. Before much else is said of him, tales of his skill and valor in battle are illustrated and he is shown to be a great and famed warrior. He naturally possesses many attributes typically associated with soldiers. From the beginning Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all of one piece. His trust, where he trusts, is absolute…. Love, if he loves, must be to him the heaven where either he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure an...
Othello is a noble Moor and a highly respected general of the state of Venice. His successful profession brings him high status in Venice, but his foreign origins and color separate him from those with whom he lives and works. He is a military man, with a reputation for courage in battle and good judgment in military matters. Othello falls in love and marries Desdemona, a noble Venetian lady, daughter of Brabantio. While Othello is still in Venice Brabantio warns Othello "Look to her, Moor, have a quick eye to see: / She has deceived her father, [and] may do thee" (I, iii, 288-9).
Character Analysis of Othello “Othello” is a tragedy, and Othello is a tragic hero. Othello is a general in the service of Venice. He is good, courageous, brave and trustworthy. The sexy is the best. However, he has some weaknesses such as insecurity.
There are several aspects revealed about the character Othello within Act I of the play. Othello is presented as calm under pressure. “Keep up your bright swords, for the dew will rust them. Good signior, you shall move command with years than with your weapons.” (I.ii.76-79) Othello remains calm and authoritative even when swords are drawn against him. He says the above line without anger, but with a voice of certainty. Shakespeare wants the reader to sympathize with the character of Othello, and thus
In the play Othello by William Shakespeare, our main protagonist, Othello, is manipulated by a man who he thought was honest and noble, Iago. Othello is pushed all the way to the lengths of murder, and eventually commits suicide. I believe that Othello’s inevitable fall was due to his own tragic flaws. Some of these factors include his jealousy, him being gullible, and the high amount of trust that he puts in Iago.