The Character of Othello
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad. " Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant.
Othello has a variety of strengths in his dual roles as a man and as a leader of men. Those traits for which he is most recognized in Venice are those that make him an excellent military commander. Othello’s generalship is greatly respected due to his expensive experience fighting against the Turks. He has been a career warrior for decades, accumulating many tales that he then conveys to Desemona, regaling her with “the battles, sieges, fortunes, / That I have passed.” (1.3.132-133) It is also certain that his military career has been one of significant success, as he seems sure that “[m]y services which I have done the signiory / Shall out-tongue [Brabantio’s] complaints,” even against such a serious charge as stealing away a valuable virgin from a Senator’s household (1.2.18-19). These “services” are what endear Othello so greatly to the Venetian Senate, but the means by which his victories were achieved are his personal virtues of leadership. One of these is Othello’s great self-control. He is always slow to anger, and does not take rash action when leading his men. In the audience’s first view of Othello as a leader, during his confrontation with Brabantio, Othello is not provoked by the angry father’s insults, instead calmly inquiring “[w]hither will you that I go / To answer this your charge?” (1.2.85-86) Brabantio has outright impugned Othello’s honor, accusing him of sorcery, and yet he stays his sword and those of his men. He respects the Venetian rule of law and due process and volunteers to go to a trial, demonstrating his control of his emotions and setting an example for his men.
Through studying Shakespeare’s and Cinthio’s Othello, I explored the concept of ‘The Moor’. ‘The Moor’ is a disrespectful and racist term , often used by white Europeans referring to arabs and blacks, and people of other races with relatively dark skin, such as Othello. During Shakespeare’s time, blacks are considered to be outsiders and are inferior to white people. In Cinthio’s work, it stated that moors are hot-headed as evident in this quote ‘you moors are of so hot a nature that every little trifle moves you to anger and revenge’ which is evident that moors are hot-headed. In scene 1 of the play, Iago told Desdemona father that his daughter was robbed by a thief, Iago uses metaphor to describes Othello as a “black ram”. Desdemona’s father was shocked that his daughter will fall in love with a black man. He believed that Othello must have use some magic to make his daughter fall in love with him; as there is social class difference at that time and it is unimaginable that a white woman will love a black men.
Othello: Summary
*Othello is a tense, closely-knit play, with an ever-increasing emotional
scene. The character Iago, Othello's ancient, is the cause of all the tragedy
which comes to pass as the play progresses. He is a manipulator, opposing
Othello not directly, but through other characters whom he tricks.
Othello is portrayed as a well-respected citizen within the Venetian society. He can be seen as an intelligent and heroic military leader whose skill is indeed very valuable and necessary to the state and he knows this. His military success has promoted his position within Venetian society, and as a ‘Moor’ within the white dominated society, he has a strong desire to maintain his social standing, and is prepared to sacrifice anything which threatens his reputation, which leads to the eventual death of Desdemona. Othello is trusted by everyone in Venice being called, “valiant Othello” and “brave Othello” and described as “...more fair than black” (I, iii, 286). He has been given full martial and political command of Cyprus and is a figure of high standing and esteem within the Venetian community.
There may have been many great Negroes around in those days but there were none in Venice. Othello was the only member of his race in Venice. Many of the people who lived in Venice had never seen a Moor. To the people of Venice, Moors were different and feared, they were seen as an evil spirit. Some people thought that they were witches or devils that walked the earth. Included in a text written by Stephen Greenblatt, Roderigo and Barbanizo believed that "Othello used magic to win Desdemona."(Norton Shakespeare, pp. 2091). You also see many references in the play where a character will refer to Othello as being a devil or beast.
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
Shakespeare’s famous play Othello is a play of love that has turned bad by the unfounded jealousy of the protagonist character Othello. Arguably the contribution of Othello’s susceptibility to manipulation, his weaknesses and the manipulation of other characters tactics such as Iago each contribute to the downfall of Othello. However, to the extent of which each is more significant varies and this is what will be analysed in this essay.
Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that he is not fully aware of the social and cultural mores that govern Venice. As a Moor, Othello was reared outside Venice, and thus remains separate and exoticized. Although a great military man, and accepted by the elite of Venice, there is still a foreign-ness to him. The characters in the play, for the most part, call Othello "the Moor" (1. 1. 37, 1. 1. 161, 1. 2. 56). By calling Othello "the Moor," his proper name is taken away and he is left as an object. He is only accepted because of his military prowess, and seems to be used almost as a commodity; he is sent to Cyprus, with little warning--almost at the whim of the Duke. It is only because he is valuable to Venice that he is not punished for marrying the white Desdemona; Brabantio's anger is a clear indication that miscegenation is not an acceptable practice. Therefore, being a stranger to Venetian society, even a vague inkling that he is only a body used to fight may lead to insecurity that only exacerbates the deep-seeded, pre-existing ...
William Shakespeare presents the character Othello as an excellent leader in the play, Othello. The hero has strength, charisma, and eloquence. Yet Othello cannot reason. The battlefield and Senate are, at least in Othello, depicted as places of honor, where men speak truly. In addition, the matters of war and state are relatively simple; no one lies to Othello, all seem to respect him. He never even has to fight in the play, with the enemy disappearing by themselves. This simplistic view does not help him in matters of the heart. His marriage is based on tall tales and pity and his friendships are never examined; he thinks that anyone who knows him love him. Thus the ultimate evaluation of Othello must be that, although he leads well and means well, he lacks good judgment and common sense. This becomes most plainly obvious in his final two speeches, where even though the play ends properly, and in a dignified way, Othello never fully realizes or takes responsibility for what has happened.