Although our society is slowly developing a more accepting attitude toward differences, several minority groups continue to suffer from cultural oppression. In her essay “How to Tame a Wild Tongue,” Gloria Anzaldúa explores the challenges encountered by these groups. She especially focuses on her people, the Chicanos, and describes the difficulties she faced because of her cultural background. She argues that for many years, the dominant American culture has silenced their language. By forcing them to speak English and attempting to get rid of their accents, the Americans have robbed the Chicanos of their identity. She also addresses the issue of low self-esteem that arises from this process of acculturation. Growing up in the United States, …show more content…
At the beginning of the essay, Anzaldúa recounts a time when she was at the dentist. He told her, “We’re going to have to control your tongue” (33). Although he was referring to her physical tongue, Anzaldúa uses this example as a metaphor for language. The dentist, who is trying to cap her tooth, symbolizes the U.S. who is similarly seeking to restrict the rights of minority groups. Nevertheless, the tongue is preventing the dentist from doing his job. Likewise, there are several minority groups who refuse to abide to the laws of dominant cultures and are fighting back. Anzaldúa also touches on a personal story that happened at school. When she was younger, she was sent to the corner because apparently, she spoke back to her Anglo teacher. The author argues that she was unfairly scolded because she was only telling her teacher how to pronounce her name. Her teacher warned her, “If you want to be American, speak American. If you don’t like it, go back to Mexico where you belong.” This short story provides an understanding of what Anzaldúa’s life was like. It demonstrates how even at a young age, she was continually pressured because of where comes …show more content…
Although we would like to think that we have finally achieved equality for all, it is not the case. How to Tame a Wild Tongue portrays the different ways in which our society remains discriminatory. The American community, for instance, still holds the belief that it is superior. In consequence, it forces its culture, its beliefs, and its language upon immigrants and other countries. Throughout the novel, Anzaldúa seeks the Chicanos’ support by encouraging them to take pride in their culture. She hopes that by doing this, they will be able to fight against the oppressive nature of dominant cultures like the U.S. She ends on a powerful and hopeful note, which pushed other minorities, for whom it is not too late, to fight for their language and
In “How to Tame a Wild Tongue,” Gloria Anzaldúa explains the implications of living under the influence of two cultures. She begins with a story of how she was punished by a teacher for correcting the pronunciation of her name. Anzaldúa gives the reader anecdotes about her life in a dual culture society, explaining the trials of accepting her heritage, fighting to find her place in Mexican or American society, and establishing herself as a proud Chicana.
This book was published in 1981 with an immense elaboration of media hype. This is a story of a young Mexican American who felt disgusted with being pointed out as a minority and was unhappy with affirmative action programs although he had gained advantages from them. He acknowledged the gap that was created between him and his parents as the penalty immigrants ought to pay to develop and grow into American culture. And he confessed that he was bewildered to see other Hispanic teachers and students determined to preserve their ethnicity and traditions by asking for such issues to be dealt with as departments of Chicano studies and minority literature classes. A lot of critics criticized him as a defector of his heritage, but there are a few who believed him to be a sober vote in opposition to the political intemperance of the 1960s and 1970s.
Immigrants have helped shape American identity by the languages they speak from their home country. Richard Rodriguez essay “Blaxicans and Other Reinvented Americans” reveals Rodriguez’s attitudes towards race and ethnicity as they relate to making people know what culture really identifies a person rather than their race. For example, in the essay, it states that Richard Rodriguez “ is Chinese, and this is because he lives in a Chinese City and because he wants to be Chinese. But I have lived in a Chinese City for so long that my eye has taken on the palette, has come to prefer lime greens and rose reds and all the inventions of this Chinese Mediterranean. lines 163-171”.
In Gloria Anzaldúa’s “How to Tame a Wild Tongue”, an excerpt from her book Borderlands/La Fronter in 1987, she demonstrates that identity can be asserted through language. You can tell a lot about a person by their language. Language is your way of representing who you are as a person, and most importantly, your culture. Culture defines the most about a person. Anzaldúa shares her aggravation of not being able to speak her language, “until I can take pride in my language, I cannot take pride in myself" (Anzaldúa 378). Being seen as an individual of English as Second Language (ESL), Anzaldúa does not appreciate how she has to assist in translating to English or Spanish, where she would rather speak Spanglish. “[A]s long as I have to accommodate the English speaker rather than having them accommodate me, my tongue will be illegitimate” (Anzaldúa 378). Talking bad about her language severely impacts her identity, “I am my language” (Anzaldúa 378). A person’s identity should not be seen less because of the language they speak. Anzaldúa states that she will have her voice, though she cannot express her passion for her language with the restraint of no freedom act to embrace it, she will. Her audiences that she is reaching to are those who share the same struggle of their identities just like her, and also speaking out to people who do look down upon people like her because of where she is form and what language she speaks.
of the native tongue is lost , certain holidays may not be celebrated the same , and American born generations feel that they might have lost their identity , making it hard to fit in either cultures . Was is significant about this book is the fact it’s like telling a story to someone about something that happened when they were kid . Anyone can relate because we all have stories from when we were kids . Alvarez presents this method of writing by making it so that it doesn’t feel like it’s a story about Latin Americans , when
The question that stems out of Anzaldua is can you be the dominant discourse and then have another group of people come in and put you into the role of the “other”. Both Pratt and Anzaldua distinctively show the dominant discourse and the “other” in their essays. Anzaldua shows that she and the Chicanos are considered as the “other” but the problem is that they were there first and were treated like they were not important. Pratt spoke of the Incas and Spaniards. The Spaniards thought that they were the dominant discourse and they treated the Incas as if they didn’t matter. Anzaldua started her essay by saying “We’re going to have to control your tongue, “the dentist says, pulling out all the metal from my mouth. After reading that I realized that the dentist is the dominant discourse and he is
Gloria Anzaldua, wrote the essay “How to Tame a Wild Tongue” communicating and describing her adolescence in a society brimming with sexism, cultural imperialism, racism, low self-esteem, and identity formation. The reason one comes to America is to finer themselves academically, and intellectually. One must learn to speak English to live among the American’s, because that is the language they speak. Though, no one has the right to deprive you of your familiar tongue. At a young age, Anzaldua was scolded, even mistreated for speaking her native “Chicano” tongue. Anzaldúa described this ignorance, cruelty, and discrimination when she states: “I remember being caught speaking Spanish at recess – that was good for three licks on the knuckles with a sharp ruler.” She overcomes this hostility throughout her life.
I can personally resonate with Anzaldua is trying to convey to her audience. Although I identify as heterosexual Latino male Anzaldua sums it perfectly, in the following quote. "If you're a person of color, those expectations take on more pronounced nuances due to the traumas of racism and colonization"(65
For more than 300 years, immigrants from every corner of the globe have settled in America, creating the most diverse and heterogeneous nation on Earth. Though immigrants have given much to the country, their process of changing from their homeland to the new land has never been easy. To immigrate does not only mean to come and live in a country after leaving your own country, but it also means to deal with many new and unfamiliar situations, social backgrounds, cultures, and mainly with the acquisition and master of a new language. This often causes mixed emotions, frustration, awkward feelings, and other conflicts. In Richard Rodriguez’s essay “Aria: Memoir of a Bilingual Childhood”, the author describes the social, cultural and linguistic difficulties encountered in America as he attempts to assimilate to the American culture. Richard Rodriguez by committing himself to speaking English, he lost his cultural ties, family background and ethnic heritage.
While reading this article one of the most shocking sections were when the students were talking to Monzó and sharing their outlook on their place and their language’s place in society. These students even at this early age are feeling how devalued their first language has been. They feel like they have to speak the right* English, only use English in public places, never their first language, and that they must assimilate to the American culture as much as possible. This reminded me of a chapter in Lippi-Green (2012)’s text. Within this chapter Lippi-Green (2012) discusses how in the United States Spanish speakers are not only expected to learn English but they are expected to learn and utilize the right* English determined by the majority and assimilate entirely to American culture. Throughout Monzó and Rueda (2009)’s text the children in conversations expressed their observation of the social order in relation to language and race. This was surprising to me since they are only in 5th grade. During a conversation with one of the children Monzó and Rueda (2009) recorded an alarming statement, “He said that his mother could not be considered American because she did not...
The Myth of the Latin Woman: I Just Met a Girl Named Maria, an essay written by Judith Ortiz Cofer, discusses the racial stereotypes Cofer struggles with as a Latin woman who travels across America. Throughout her life, Cofer discusses her interactions with people who falsely misjudge her as a Latin woman. Additionally, Cofer mentions other Hispanic women she has met in her life, who also suffer with racial assumptions. Although several people would disagree with Cofer and claim that she is taking racial remarks too seriously, racial stereotyping is a significant issue that should not be overlooked in our society. People should not base someone’s worth by their outward appearance or their ethnic background.
She successfully describes the “New Mestiza” by first analyzing herself, her dialect, and the U.S. country, and then discusses how there are psychologic boundaries on Chicanos through the symbolism she uses when she talks about physical borderlands. She claims the original inhabitants of what is now the U.S., were in fact the ancient Indian ancestors of Chicanos and Anglos were the ones who illegally migrated to the lands long before they started making assumptions that Chicanos were aliens of the country. She then descriptively states how the Mexican-American War had resulted in Americans taking their land and turned them from domestic owners to foreigners overnight: Anzaldúa (1987,1999) declares, “In 1846, the U.S. incited Mexico to war. U.S. troops invaded and occupied Mexico, forcing her to give up almost half of her nation, what is now Texas, New Mexico, Arizona, Colorado, and California” (p. 29). Consequently, in the nineteenth century, powerful landowners partnered with U.S. colonizing companies dispossessed millions of Indians from their land, many leaving to Mexico for terrorism that Anglos
In the essay "It’s Hard Enough Being Me," Anna Lisa Raya relates her experiences as a multicultural American at Columbia University in New York and the confusion she felt about her identity. She grew up in L.A. and mostly identified with her Mexican background, but occasionally with her Puerto Rican background as well. Upon arriving to New York however, she discovered that to everyone else, she was considered "Latina." She points out that a typical "Latina" must salsa dance, know Mexican history, and most importantly, speak Spanish. Raya argues that she doesn’t know any of these things, so how could this label apply to her? She’s caught between being a "sell-out" to her heritage, and at the same time a "spic" to Americans. She adds that trying to cope with college life and the confusion of searching for an identity is a burden. Anna Raya closes her essay by presenting a piece of advice she was given on how to deal with her identity. She was told that she should try to satisfy herself and not worry about other people’s opinions. Anna Lisa Raya’s essay is an informative account of life for a multicultural American as well as an important insight into how people of multicultural backgrounds handle the labels that are placed upon them, and the confusion it leads to in the attempt to find an identity. Searching for an identity in a society that seeks to place a label on each individual is a difficult task, especially for people of multicultural ancestry.
The essay “How to Tame a Wild Tongue” by Gloria Anzaldua is relevant to today’s society, because it brings to discussion important social issues such acculturation, racism, and sexism. A major social event that she lived through and was an advocate of was the Chicano movement, which influenced her in her writing. This essay is not only written solely using her intelligence and research, it also comes from personal experience. Furthermore, she says that she will not be silenced anymore, that all people deserve the right to freedom of speech and the freedom to their culture. Not to have to submit to the dominant cultures found here in the United States. This essay is directed towards two groups
The contrast between the Mexican world versus the Anglo world has led Anzaldua to a new form of self and consciousness in which she calls the “New Mestiza” (one that recognizes and understands her duality of race). Anzaldua lives in a constant place of duality where she is on the opposite end of a border that is home to those that are considered “the queer, the troublesome, the mongrel and the mulato” (25). It is the inevitable and grueling clash of two very distinct cultures that produces the fear of the “unknown”; ultimately resulting in alienation and social hierarchy. Anzaldua, as an undocumented woman, is at the bottom of the hierarchy. Not only is she a woman that is openly queer, she is also carrying the burden of being “undocumented”. Women of the borderlands are forced to carry two degrading labels: their gender that makes them seem nothing more than a body and their “legal” status in this world. Many of these women only have two options due to their lack of English speaking abilities: either leave their homeland – or submit themselves to the constant objectification and oppression. According to Anzaldua, Mestizo culture was created by men because many of its traditions encourage women to become “subservient to males” (39). Although Coatlicue is a powerful Aztec figure, in a male-dominated society, she was still seen