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Greek architecture and modern architecture
Greek architecture and modern architecture
Greek architecture and modern architecture
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Athens was just one of many Greek city states around 400 B.C.E, however at the time it was also the strongest. Each city-state had an Acropolis, from the Greek Root Akron or Akros meaning “highest” or “topmost”, which would serve as a kind of fortified hill at time of war. Athens being the most powerful of the city-states, constructed a beautiful temple to the patron goddess Athena instead of the typical citadel you would find in other cities. The Parthenon is not only significant as the symbolic birth of democracy (a limited democracy, but a democracy nonetheless), but also the level of architectural refinement is unsurpassed. This moment is really viewed as the high point in Greek classical culture[4]. This building will go on to influence centuries of future architecture and be the yardstick for western architecture. It is hard to ignore the similarities of modern day Washington DC structures and this is no coincidence as a historic symbol of democracy. From the Jefferson memorial to the US Supreme Court the Parthenon’s artistic sway.
The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, which was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. For a time, it also served as the treasury of the Dalian League, which later became the Athenian Empire. In the 5th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary [1].
We think that between 447 – 432 B.C.E. Athens had between 300,000 to 400,00 inhabitants. During the 5th century there was a series of reforms that allowed more people to be involved in the government. That being said, only about 50% of the inhabitant w...
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... William Richard, 1857-1931. "West pediment of the Parthenon." Journal Of Hellenic Studies 50, (January 1930): 4-19. Art Source, EBSCOhost (accessed March 27, 2014).
7. Spaeth, Barbette Stanley. 1991. "Athenians and Eleusinians in the west pediment of the Parthenon." Hesperia 60, 331-362. Art Source, EBSCOhost (accessed March 27, 2014).
Two draped female figures seated on rectangular chests, perhaps Demeter and her daughter Persephone, beside them perhaps Hebe, East pediment, at British Museum.
Reconstruction of the pediments of the Parthenon; top: west pediment; bottom: east pediment.
Corner figures of the east pediment of the Parthenon, Phidias overseer, marble, over life size, c. 447-432 B.C. (British Museum, London)
Dionysus, from the east pediment of the Parthenon, Phidias overseer, marble, over life-size, c.447-432 B.C. (British Museum, London)
Jenkins, Ian. “The 1930’s Cleaning of the Parthenon Sculptures in the British Museum,” The British Museum (2001): http://www.thebritishmuseum.ac.uk/parthenon/
Ridgway, Brunilde S. Hellenistic Sculpture II: The Styles of ca. 200-100 B.C. Madison, Wisc.: The University of Wisconsin Press, 2000.
This statue is of both male and female. The statue is made out of marble. The statue is 54 ½ tall. They are both standing on a platform. The king’s left leg is extended forward. His arms are straight on either side of him. His fists are clenched and it appears as if he is holding and objects in them. He appe...
Marble statue of a kouros (youth), Greek, Attic, ca. 590-580 B.C. Fletcher Fund, 1932. Accession number: 32.11.1
...the Athenian Parthenon’s in some ways its powerful imagery has caused it to be acknowledged it as one of the most wonderful examples of Hellenistic art and architecture.
The Parthenon is an amazing Greek temple that was built 2,500 years ago. Even the architects of today have numerous questions about how it was constructed and how it has held up through its eventful past. The Parthenon's detailed appearance is not its only meaningful quality. The Parthenon was constructed as a temple to the goddess, Athena, and as an icon of the Greek people themselves. The Parthenon represents the Greek ideals of humanism, idealism, and rationalism.
... made such a great impression that it has carried through to our present day buildings such as the White House. The Athena Parthenos has been recreated by the Romans and then most recently by recreated by Alan LeQuire which is in Nashville. (See Fig 2.) We can get a glimpse with LeQuire’s recreation of how that statue may have been in ancient Greece standing in the Parthenon with such majestic greatness.
Fornara, Charles W., and Loren J. Samons. Athens From Cleisthenes To Pericles. Berkeley, Calif: University of California Press, 1991. eBook Collection (EBSCOhost). Web. 3 Dec. 2013.
The Parthenon was built to honor the goddess of wisdom, Athena. When structures are built using straight lines they tend to look slightly distorted due to the science of optics. The architects Iktos and Kallikretes were skilled architects of their time and they used illusory tactics to create an ideal aesthetic for The Parthenon. The architects compensated for these visual illusions by counteracting them in their design. The end result is a structure that is not composed of straight lines, but when viewed by the human eye, looks perfectly straight. Plato would have mentioned one of his famous dictums, ?That which changes least is most real.? He would have viewed Iktos and Kallikretes designs as less real than other designs that do not u...
Martin, Thomas R.. Ancient Greece : From Prehistoric to Hellenistic Times. New Haven, CT, USA: Yale University Press, 2000. ProQuest ebrary. Web. 31 January
Hello my name is Jaiven Gardner. I am going to tell you about the Greek Parthenon! This is one of my favorite buildings as it is the temple of Athena. Who I had chosen as my Patron Goddess. She was a favorite child of Zeus. He even allowed for her to use his weapons! Most Greek Goddesses had a special tree, for Athena it was the olive tree. Which she offered to the Athenians so they would choose her as there patron Goddess. She was not a daughter of Hera as she had no mother.
The Greeks finished building an exquisite temple to their beloved goddess, Athena in the year 432 BCE. (Sayre 60). The name of this enriched, unique temple was the Parthenon. The Parthenon took the Greeks approximately fifteen years to complete and as Pericles stated, it was built to give gratitude to their goddess Athena for the salvation of their city, Athens and all of Greece in the Persian Wars (Sayre 60). It was also a symbol of their power and superiority among other cultures. It was something the Greeks took great pride in and recognized it to a great extent. The Parthenon was built on the highest point of the city of Athens to look over the precious Greek city. On the exterior walls of the Parthenon there was beautiful artwork that adorned the walls, also known as the Parthenon Frieze (“The Parthenon Frieze”, par 1). According to the National Geographic video, “Parthenon Marbles Battle”, two thousand years after the Parthenon was built, in the late 1600's the Parthenon was blown up during a war between Venice and the Ottoman Empire, which left the Parthenon almost in complete ruins. Then, in the early 1800's, there came Lord Elgin, who was a huge fanatic of Greek history. Because Greece was currently under conquest by the Ottoman Empire, Lord Elgin made the Ottoman Empire a deal and bought the remains of the Parthenon Frieze artwork along with other sculptures as well. Elgin sent these unique sculptures of art work back to his country, England. Since then these sculptures became known as the "Elgin Marbles", and currently sit in the British Museum at London (“What are the 'Elgin Marbles”, par 1). However, do these fine pieces of artwork truly belong to Elgin? There has been a lot of controversy throughout the years of whet...
The “Marble Statue of a Woman” is part of a large group of funerary statues. It came from Attica, Greece. The statue was placed in a deep and covered niche where it was found.
Honour, Hugh, and John Fleming. "Hellenistic and Roman Art." A World History of Art. London: Laurence King, 1999. 179-213. Print.
Some tales describe the sculptures as human beings who were mutilated and petrified by magicians; the spirit inside them (often referred to as an Arabian) is frequently heard to mourn for their condition (tale recorded by the traveller Hobhouse; cited in Gennadios 1930: 57-8, note 57). The Parthenon sculptures therefore had acquired another new meaning or rather a range of new meanings: for Western travellers and aristocracy they represented the magnificent artistic achievements of the foundational era of European culture. For most of the local population (with the exception of the 'enlightened' local intelligentsia with Western commercial links and European education), they represented supernatural forces that should be treated with fear and respect and not be