An Analysis of Kate Chopin’s The Story of an Hour and Charlotte Perkins Gilman’s The Yellow Wallpaper
“The Yellow Wallpaper” by Charlotte Perkins Gilman and “The Story of an Hour” by Kate Chopin are stories of two women that suffer from ailments, one mental the other physical, who are very emotionally detached from their husbands. Emotional detachment could stem from complacency in the marriage but I believe it’s their illness that is the cause of the disengagement.
During the era in which these stories were written, marriages were an economic arrangement which had very little to do with love. In both stories, the couples seem to have an ideal marriage, which eventually turns to aloofness. This could be that ending a marriage during this time was unheard of.
The protagonist in “The Yellow Wallpaper” suffers from mental illness, which can be read as postpartum depression. In “An Story of an Hour” Louise Mallard suffers from heart problems.
The couples share a certain amount of love for each other but the disconnection was stronger. The protagonist’s disconnection is evident because her husband treats her like a little girl instead of a wife when he takes her “ …in her arms and called [her] a blessed little goose” (p121). The Mallard’s disconnection is also evident because her husband’s “face that had never looked save with love upon her, fixed and gray and dead” (p 15). This is not the emotion a wife wants to feel from her husband.
There is evidence of love between the Mallards when Louise “knew that she would weep again when she saw the kind, tender hands folded in death” (p 15). She often didn’t love him but it didn’t matter to her now that she thought he was dead. The protagonist from the other story exclaims “Dear John! He loves me very dearly… “ (p123).
She proclaims her husbands love throughout the story, I feel, in an attempt to bind the disconnection she feels with her husband.
Emotional detachment can border on emotional abuse. The dominant spouse will use this to isolate their spouse from family and friends. They will decide whom their spouses will see, where he/she can go and what type of guests he/she can receive. This rings true in “The Yellow Wallpaper.
middle of paper ... ... It isn't as though they don’t love their husbands; they are more looking for some freedom for them to do what they would like to do, without being told what is best for them. Mrs. Mallard experienced some momentary grief, but then she feels excited about what she will finally be able to do with her life. She actually understood that she will finally be able to live for herself, but she finds out he is not dead; her grief comes back as is what kills her.
The “Story of an Hour” by Kate Chopin and ‘”The Hand” by Sidonie-Gabrielle Colette are similar in theme and setting. Sidonie-Gabrielle Colette and Kate Chopin create the theme of obligatory love and the unhappiness it entails. Both stories illustrate the concealed emotions many women feel in their marriage yet fail to express them. The two stories take place in a sacred room of the house and both transpire in a brief amount of time. The differences between the two stories are seen through the author’s choice of characters in each story. In “The story of an Hour” Kate Chopin involves other characters in Mrs. Mallard’s life, whereas, “The Hand” deals with marriage and togetherness and only involves the husband and wife. Symbolism is seen all throughout “The Hand” not so in ‘The Story of an Hour.” The similarities in “The Story of an Hour” and “The Hand” is portrayed in theme and setting. The differences are illustrated in the choice of characters involved in each story and the amount of symbolism depicted in the different stories.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
The narrator is confined to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two women of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters. Their personal freedom was severely restricted. For Mrs. Mallard, marriage was a curse to be reckoned with. She knew inside that her marriage was wrong, but she could not express her feelings openly. Her husband was not a bad man, but he was in the way. After hearing about her husband’s death, Mrs. Mallard comments, “now there would be no powerful will bending her in that blind persistence with which men … believe they have a right to impose a private will upon a fellow creature” (Chopin 72), Her husband definitely was a thorn in her
Chopin, Kate. "The Story of an Hour." Heritage of American Literature. Ed. James E. Miller. Vol. 2. Austin: Harcourt Brace Jovanich, 1991. 487. Print.
Why would a married woman go out, spend the night with a man whom she barely knows, when she has a wonderful, devoted husband and child? Mrs. Mallard's cry of ultimate relief and the joy she felt when she learned of her husband's deathis intolerable.
Although their love has endured through many years, it has come to an end in the story. All throughout the story the couple is reminiscing about their life and while they are there are some odd details that are strewn throughout.
In everyday day life we go through changes and sometimes we even break down to the point we do not know what to do with ourselves, but in Charlotte Perkins Gilman’s short story” The Yellow Wallpaper” the narrator is an obsessive person. The story focuses on a woman who is going through postpartum depression and has had a nervous breakdown. Her husband John moves her into a home where he wants her to rest in isolation to recover from her disorder. Throughout her time in the room the narrator discovers new things and finally understands life.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
There are multiple possible causes for the internal conflict the narrator faces. The first being nervous depression and the other is the fact that her life is being controlled by her husband. Her husband is in full control because in the beginning of the story, John, her husband, influences how she should act. He decides the actions that should be taken in regards to her health and sanctity. Although she finds herself disagreeing with his synopsis, she is confined and does not admit how she feels to him. This also brings about another a major conflict that occurred in the 19th century, men being dominant and woman being categorized as inferior. Evidence can be found when the narrator states, “If a physician of high standing, and one’s own husband assures friends and relatives that there is nothing the matter with o...
The Yellow Wallpaper by Charlotte Perkins Gilman is a story that continues to transcend time with its’ themes of feminism and mental health issues. The narrator of The Yellow Wallpaper must struggle not only against her own mind, but the oppressive nature of her husband and her horribly inaccurate treatment plan, the combination of which destroys her sense of self. Throughout the story the narrator shares her experiences of her mental illness in a day to day basis until she completely loses her sanity. This just shows how serious it can be to ignore a type of mental illness for too long.
Kate Chopin’s story “The Story of an Hour” focuses on a married woman who does not find happiness in her marriage. When she hears of her husband’s death, the woman does not grieve for long before relishing the idea of freedom. Chopin’s story is an example of realism because it describes a life that is not controlled by extreme forces. Her story is about a married nineteenth-century woman with no “startling accomplishments or immense abilities” (1271). Chopin stays true to reality and depicts a life that seems as though it could happen to any person.
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion
Chopin, Kate. "The Story of an Hour." The Compact Bedford Introduction to Literature. 4th ed. Ed. Michael Meyer. Boston: St. Martins, 1997. 12-15.
Chopin, Kate. “The Story of an Hour.” Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Eds. X. J. Kennedy and Dana Gioia. 3rd ed. New York: Pearson, 2010. 261-263. Print.