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Influence of arts on people and culture
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Fairey, an American Artist from South Carolina, graduated from Rhode Island School of Design in 1992. During his young adult years, Fairey “realized his desire and interest in the street art culture and graffiti movement” while he was working in a skate shop as a part-time job. As seen and described in his documentary, Obey Giant, Fairey’s first piece of work, the Andre Posse, was the sticker he used as an example to teach his friend about printmaking. This sticker once simplified and made into what today is known as the Obey logo. Fast forward to the presidential election of 2008, Fairey produces the Hope poster. The poster almost immediately turns into a global icon which is still recognized and even derived from today. This is the second art piece, to be discussed in this essay. Shepard Fairey’s Artwork, and Shepard Fairey’s influence on the world, each with their own various sub-topics such as the global iconography and impact within the means of copyright law. These pieces stress that from the smallest pieces within an artist’s portfolio to the largest can have a major impact on the world around us. The Obey Icon is one of the prime examples of the idea of street art, …show more content…
The creation of a graphic should be simple enough to always recognize but also impactful enough that it is memorable and synonymous with the identity or brand it is created for. This also comes into play with the idea that as an artist your goal, “is about getting people to engage their environment” whether it is through sonically making them experience something or viewing something which can change their entire viewpoint. Within Shepard Fairey’s manifesto, he touches upon two key elements that should be looked upon within all pieces of art that you interact with, these being the phenomenology and the human nature to follow trends and the “CONSPICUOUSLY CONSUMPTIVE nature of many members
Gallery 19 of the Museum of Modern Art features Pop Art trailblazers of the early 1960s, ranging from Roy Lichtenstein’s “Girl with Ball” to Andy Warhol’s “Gold Marilyn Monroe.” Alongside these emblematic works of art, there hangs a more simplistic piece: a six foot square canvas with three yellow letters, entitled “OOF.” The work of art, created by Ed Ruscha in 1962, is a painting that leaves little room for subjective interpretation as does the majority of his work. Ruscha represented the culture in the 1960s through his contributions to the transition from Abstract Expressionism to Pop Art, efforts to redefine what it meant for a painting to be fine art, and interpretation of the Space Race.
When I first encountered my first Obey Giant sticker poster was when I went to San Francisco with my Mom. Immediately upon arriving in the city, where the artist Shepard Fairy is from, It was on almost every block we passed riding in the taxi you could find a sticker, poster, or stencil of the Obey Giant image. The image is merely a black and white stamp of Andre the Giants’ face with the word OBEY in red and white underneath it. When I first saw it I didn’t really think anything of it, it was only when I would see the image almost everywhere we went around the San Francisco area when I began to wonder what it meant. After reading about it on the Internet and learning that these images can be found across the United States and around the world, I was amazed and intrigued. I immediately became almost obsessed with this idea. I just loved everything about it. It is to this day the most interesting thing I have ever encountered. Many people, like myself have demanded the sticker, merely because they have seen it everywhere and possessing a sticker provides a sense of belonging. I collect them mainly because I love the idea, and part of the experiment is spreading them around and making others aware. There are many other imitations, and other artist who are fascinated with the idea and come up with their own visuals used for the same purpose as Shepard Fairey.
Art is something that can be viewed and interpreted by a million different people in a million unique ways. Symbolism, color, texture, and size can all change the way it is viewed by others. However, certain distinct qualities have to be met for it to be actually considered “art.” The piece, American Icons, by Robin Murray, is a piece of art for many reasons, it has symbolism found throughout it, and many intriguing techniques are used with it.
Before you begin reading this paper, look through the appendix. Are you shocked? Disgusted? Intrigued? Viewers of such controversial artwork often experience a wide spectrum of reactions ranging from the petrified to the pleased. Questions may arise within the viewer regarding the artistic merit and legitimacy of this unorthodox artwork. However, art's primary purpose, according to Maya Angelou, “is to serve humanity. Art that does not increase our understanding of this particular journey or our ability to withstand this particular journey, which is life, is an exercise in futile indulgence” (Buchwalter 27). To expand on Angelou's analogy, because everyone experiences a different life journey, art is different to everyone. In other words, art is subjective to the viewer. The viewer creates his own definition of what is art and what is not art. Some may recognize the artistic value of a piece of artwork, while others may find it obscene. Some may praise the artwork, while others will protest it. Censorship is derived from these differing perspectives on artwork. Through censorship, communities seek to establish boundaries and criteria that limit an artist's ability to produce “proper” artwork. However, some artists choose to ignore these boundaries in order to expand the scope of art and, in their view, better serve humanity.
Street art is a classic example of how art can express a 'zeitgeist', art as immediate expression of feeling and rage. Rage against the meta-narrative, rage against lack of opportunity and rage against the dead hand of conformist art leaving mediocrity as a handprint. Both Banksy and Basquiat form part of this virtually neo-anarchist emergent art discourse. Basquiat used challenging social commentary to “springboard to deeper truths abo...
It’s often unacknowledged that there are designers that are behind creating and drawing out the designs we see on our everyday products, whether it be toilet paper, bleach, or a can of soup. There are people behind creating the enticing labels that urge us to crave and need that product. Andy Warhol shined a light on a whole world of unrecognised artists,
Jane Golden demonstrates the Philadelphia Anti-Graffiti Mural Art Program that has changed the appearance of the city in a positive way and that gives people a way to embrace how they feel. While Harriet F. Senie in Reframing Public Art and is stating that most public art is being ignored by people and is slipping away into urban-scape. Public art is often ignored art, we don’t know how those pieces of art are actually successful. Public art such as sculptures
.... Government officials consider any act of producing street art as rebellion when honestly it is not. Shepard Fairey is a great example of this. He made street art for about ten years before he met Thierry and he claims he made this art because he thought that it looked cool. He did not want to really anger anyone with his work. He just wanted to share his passion with the world in manner he deemed fit.
..., but that should not subtract from the overall perception of a piece. This critical delve into thinking about art is a reason why, “experimental intelligence needs reflective intelligence to manage its powers for a fuller perception of art-and more generally for a better thinking about anything" (Perkins 16). Art is not about what is visually there, but the reaction that comes from it. Without a reaction, the piece of art has no purpose and is therefore meaningless. Exit Through the Gift Shop is a true testament to the power that street art holds. The film demonstrates the thought and learning that street art provokes out of its viewers. From Shepard Fairey’s “Andre the Giant” sticker to Banksy’s outlandish piece, Elephant in the Room, there are many forms of street art that provoke deeper thinking just as fine art does.
an article on a writer named Taki 183. Graffiti is just about anywhere you look, from subway stops to tall skyscrapers. A lot of artists use spray paint cans and chalk to make their graffiti on. ``Art in the Street`` unrolled at the Museum of Contemporary Art in Los Angeles, California in 2011. This exhibit shows the works of U.S and international artists including Shepard Fairey, Margaret Kilgallen, Banksy, and JR. Jean Michel Basquiat's works are shown in a special gallery dedicated to 1980`s artists. In the last few decades, Graffiti art has even made its way into some of the most famous art galleries. People use graffiti as a way to express themselves and show their perspective of the world (youthvoices.net). Everyone has their own opinions on what graffiti is to them. Some people like it and other people hate it because they think it is a crime or it ruins the urban environment they live in ( Liz Gogerly). For some people, Graffiti is a powerful way to preach a point or share their opinions in a hands on way ( Liz Gogerly). The Cyber Bench documents New York City by saying that political activists use it as way to express their ideas and street gangs use it as a way to label their territory (www.at149st.com).
Modern street art and graffiti are undeniably tied together. Graffiti could be considered the forefather of street art in many ways- it has paved the way for the development of modern street art. Yet, while both are still hotly debated topics, street art is seen in a more positive light while graffiti is still considered to be a negative term. Graffiti is associated with the vandalism that the government desperately wanted to erase. Graffiti has played a huge role in the development of street art that we all know today. Conklin notes this in her paper. She describes graffiti as an exclusive world that only those inside the group are privy to. However, to Conklin, street art is made accessible to all in that it is not necessarily exclusive and that anyone can understand street art, as it is supposed to be a way to communicate with their community. The very form of street art and graffiti differ from one another, as do their messages and end point. Graffiti is a tag of sorts- it relies mainly on text and is used to announce an individual. While some graffiti artists, like the Mission School did plan out their works, graffiti is more about the actual form of rebellion and establishing oneself than it is about the message that it is trying to get across. If it was more inclusive, it would be understandable to people outside to graffiti culture. Street art, on the other hand, takes its surroundings into consideration. Conklin herself notes that the term "street art" was supposed to be in an attempt to portray the work and other similar works in a more positive light. It should be noted, however, that street artists and graffiti artists have often clashed over a difference in opinions.
...ate it so that it shows who they are, they create it so it shows who they want to be known as. This causes their art to lose meaning. When it’s created with the intent of impressing a group of people instead of expressing the artist’s culture, it loses functional meaning and becomes something pretty for people to look at in a museum.
Having realized art as a structured cultural phenomenon, and having emptied its direct and apparent meaning, it is possible to identify all its possible significations. Interestingly enough, I find that art reveals many diametrically opposed significations: expression and oppression, bias and acceptance, individual and society, creativity and confinement, and freedom and convention, among others. Art signifies the de-politicization of our culture, for even the most political of pieces cease to cause a stir among the masses.
Emotion and life are intertwined within the creations, unlocking another layer of humanity, bringing art its value and use. Despite the fact that art is a visual form meant to be looked at, there is much more usefulness to it than what meets the eye or that is taken into consideration.
I was interested particularly in doing graphics design and the visual communication that I was inspired by combining images phrases and ideas to illustrate to the target and audience so that they would impact and react on those kind of illustrated for e.g. the billboards, poster, the product packaging and lots of more advertisement there. There are lots of elements on different types of media that I have already mentioned but there are also examples like Logos which really encourage people and make those people to think about logos. There are also lots of books designs and magazines advertisements thinking from these graphics design use of socially, morally ethical thinking mainly it happens when people do mostly think about positively and negatively so it would affect people’s mind and they would think more in detailed meaning which is called graphical visual communication, to demonstrate the recycle logo which would be advertise the recycling of ‘trees hunger and suffer do recycle paper’.