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Edgar allan poe motifs
Edgar Allan Poe literary elements
Literary devices examinable
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Allusion and symbol are used in prose and poetry to add meaning, but the way it is used and where it is used are what make it most effective. Different authors use dissimilar allusions to make varying points. They will use allusion and symbol to say a lot in a little bit of time. An example of allusion is found in “Nothing Gold Can Stay” by Robert Frost. In the last three lines it says: “So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.” Eden is referring to the fall of mankind in Garden of Eden in Genesis. According to literarydevices.net says that “humans are often their own downfall”. This adds depth by to the poem by alluding to what happened when Adam and Eve ate the apple in the Garden of Eden. Since that happened nothing is eternal and everything on earth doesn’t bring pure joy. “The Masque of the Red Death” contains many instances of symbolism. The use of symbolism is prevalent in this tale. In Poe’s tale each room stands for a part of life. The blue room stands for birth, the purple room stands for maturing, the green one represents bodily growth, and the orange room symbolizes adulthood. Later, the tale goes on with more rooms such as; the white, violet, and black rooms which represent old age, imminent death, and death …show more content…
In line 41 it says, "Perched upon a bust of Pallas just above my chamber door....", which alludes to Pallas the Titan god. According to talesbeyondbelief.com, Pallas is the Titan god of warfare (1). Also in line 89 it alludes to Jeremiah 8:22. It talks about Gilead which is a city known for it’s herbs and balms (The Raven Shoutouts. 1). These allusions add depth. It brings out better understanding for the reader. If a person catches these allusions they will grasp a better connection and be able to see what the author is trying to get at. Poe used classical and biblical allusion in these lines of “The Raven” to connect with the
In “The Masque of the Red Death,” the location of the rooms represents the cycle of life and death, with the bright blue room all the way to the east, where the sun rises and the day begins, and the black, morbid room all the way to the west, where the sun sets and the day ends. The reader comes to understand that the most eastern room represents the beginning of life, while the most western room
“The scarlet stains upon the body, and especially upon the face of the victim, caused terror in those watching the afflicted” (7). The story starts off with the prince getting away to a castle with his healthy friends. They were going to throw a masque party, and all was going well until the masker showed up. Everyone was scared including the knights. As the masker made its way from the blue room to the black room, nobody moved. The prince felt like it was his job to get up and take control. He entered the black room with the Masker and that’s when everyone heard a scream, the prince was dead. Eventually, all his friends dropped dead too. In “The Masque of the Red Death” the seven rooms represent the seven stages of life; infancy, childhood,
The author, Edgar Allan Poe, using illusion or misdirection keeps the reader is suspense throughout this story called "The Masque of the Red Death". Symbolism such as the colored rooms, the impressive clock, the feeling of celebration being at a party all makes this story feel like a fairytale. Poe used this fairytale style and converts it into a nightmare in disguise.
Alliteration is the occurrence of the same letter or sound at the beginning of adjacent or closely connected words. Poe uses this literary device to describe the in bird in line 71 he says, “What grim, ungainly, ghastly, gaunt, and ominous bird of yore.” It gives the line a rhythm and tone that is easily understood and read. This use of alliteration tell the reader how dark, and evil the narrator felt around this bird. In line three he uses alliteration again by saying, “While I nodded, nearly napping, suddenly there came a tapping...” Gives a flow to the line that is not
In the short story “ The Masque of the Red Death,” Edgar Allen Poe uses symbolism to express ideas to develop his theme and characters. “ The Masque of the Red Death” tells a story of prince Prospero who locks his friends and himself in a castle to escape the Red Death, a deadly disease. Much to Prospero’s dismay, in the end, the deadly disease causes them to perish. Poe uses the dark room to reveal Prospero’s unusual character and reveal that death is always there and cannot be avoided.
The unreliable narrators within both of these stories deal with heavily with bad intentions. 5. Edgar Allan Poe’s “The Masque of the Red Death” does provide one with symbolism. The seven colored rooms can portray the meaning of life by representation of each color, such as red meaning death, blue meaning joy, green meaning life, etc.
Allusion is defined as a figure of speech that alludes to popular, or well-known literature, event, setting, or person. (Jason Lineberger, Allusion in Literature) In ancient Greek mythology, Phaethon was the demigod son of Apollo who took on more responsibility than he was ready for-eventually forging his own downfall. Within the piece, the speaker tells his son the story of Apollo and Phaethon, tying ancient mythology to the present day. Similar to the way Phaethon believed he held the responsibility to drive the sun chariot in the archaic myths, the speaker’s son boasts the same mindset- believing he could drive the car; however, the speaker believes his son will follow the same path as Phaethon and fail in his attempts to drive the car. To illustrate this idea, the speaker begins by introducing Apollo and Phaethon’s parent-child relationship: “Apollo through the heavens rode/ In glinting gold attire/… His darling son was Phaethon, / Who begged to have a try.” (Lines 1, 2, 7, 8) The father, is the one in charge, carrying more responsibility and has to “… [hold the horses] to their frantic course” (line 5). Subsequently, the son is the one who wishes to carry more responsibility than
The first technique Poe uses in both stories is symbolism, which aids the reader in understanding the theme. In “The Masque of the Red Death,” Edgar Allan Poe uses symbolism to aid the reader in teaching the theme that death is inevitable. While explaining the setting, Poe describes a black room with red windows and then begins
To better a story or emphasize a point, authors sometimes use allusions that involve references to myths or classical texts. Allusion is an imperative part of understanding literature because they give us an unfathomable understanding of an author 's message. An author can carefully draw upon allusions to give a story, poem, or other works of literature from more meaning or to provide clues about the author 's message. The most familiar are Greek and Roman myths. The Greeks and Romans had an abundance of gods and goddesses in common, but the Roman name often differed from the Greek name. Gods and goddesses are often alluded to in other pieces of literature. Writers sometimes condense big ideas or intricate emotional issues by referring to a
Behind this form of allusion there is also examples of vivid image that make the poems come to live. Right away, in the first sentences I can picture the speaker performing
In “The Masque of the Red Death,” Edgar Allan Poe uses imagery, sensory detail and symbolism not only to build suspense, but also to convey the idea that an individual can not hide or run away from death which becomes closer as time passes on. Throughout the story Poe uses imagery details to create suspense in the story. For example when the author is describing the disease that has taken many lives he describes the unfortunate event as, “ Blood was its Avator and its seal- the redness and the horror of blood. One can understand that in the story the tragic death of someone might occur as tragically as the disease is described. Accordingly, as the story progresses the deep shade of the color red is evident in many areas to represent symbolism.
Alliteration is used to stress the importance of love. “Stevenson’s exercise of word craft [is] devoted to emphasizing her characters and ideas” (White 382). Her continual use of words beginning with ‘b’ does just this. They describe the brute Eros with Stevenson’s “instinct for the click of words against each other” (White 382). The poem has alliteration in both the opening and closing stanzas. Eros is seen as a “bully boy,” “battered,” and “bruised” (5-22). These phrases describe a beaten and broken god who would rather personally feel the pangs of love than not have love exist. This illustrates Stevenson’s portrayal of Eros, giving him “insight, wisdom, and strength” (Mills 2753). The alliteration of this poem helps give life to the author’s view of the god.
W.H. Auden once wrote, “About suffering, they were never wrong… how well they understood its human position.” In W.H Auden’s poem “Musée de Beaux Arts” and Pieter Brueghel's painting Landscape with the Fall of Icarus, both express a theme of apathy in mankind toward the suffering of others through their use of allusions and juxtaposition. The poem uses both juxtaposition and allusions in their comparison of daily life to a significant event.
The first two stanzas of The Raven introduce you to the narrator, and his beloved maiden Lenore. You find him sitting on a “dreary” and dark evening with a book opened in front of him, though he is dozing more than reading. Suddenly, he hears knocking on his door, but only believes it to be a visitor nothing more. He remembers another night, like this one, where he had sought the solace this poem thinking daffodils and sunshine, but howling winds and shadows. By using these words, Poe gives you the sense of being isolated and alone. He also contrasts this isolation, symbolized by the storm and the dark chamber, with the richness of the objects in the library. The furnished room also reminds him of the beauty of his lost Lenore. Also, Poe uses a rhythm in his beginning stanza, using “ta continue reading. And at the end of each stanza, “nothing more” or “nevermore” is like the door slamming of the library. One of the genius factors of Poe’s writing is his way of working his way into the human psyche, with nothing more than a few words and a perfect setting. You can not really relate to someone, who is being chased by a monster, because even though it only answers in the negative over and over again to whatever question is asked, slowly driving the narrator insane. One wonders if Poe himself wrote this poem late at night, under the flickering of candlelight, not having enough sleep or enough to eat, yet under influences such as alcohol, etc. With the narrators mention of the angel-named Lenore, “Nameless here for evermore,” Poe is possibly reaching out for his lost love long dead to him. People wanted to be taken away from the torments of the physical world, the Revolutionary War had ended years before, yet the country was still trying to be a united country, and to clean up the ravages of war. Families had lost vital members of their home, and more and more immigrants were coming into the country to make something of themselves. The cities were filled with business and urban development, while the rural areas were filled with crops growing up again on the torn land, and people progressed closer and closer to the edges of needed a release from everyday life, something they could read by the fire at night that would take them away into another world. Poe was a master at this. In the first two stanzas of Poe’s The Raven, we learn of the setting for the narrator’s psychological breakdown. The tone and mood is set from the opening line, “Once upon a midnight dreary,” which captures the reader and holds tight. heritage. The sandstone of the sandstone. And the silken, sad, uncertain rustling of each purple curtain.
It was because of this reason, I had a hard time grasping the importance of his work, “The Masque of the Red Death.” The story is about the struggles that people have trying to escape and avoid death; however, death eventually finds us all. I can respect his view on this, and even his darker side of writing. I had a hard time finding the importance in this story, and it took some research to grasp this concept. I am still missing some of his intended information, especially when Poe wrote, “These windows were of stained glass whose color varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue—and vividly blue went its windows” (319). I understand the colors are different stages of life, but what are those stages, and what does each color in that stage in life represent. Again he is a talented author, so I do not want to take anything away from him. I personally had a hard time understanding his work, and because of that reason I had a hard time grasping what he was trying to express to his