Nathaniel Hawthorne’s short story “The Birth-Mark” is a story symbolic of society’s tendency to pressure on an individual to conform. Georgiana is an ideal wife; she is beautiful, happy, and, most of all, puts her husband’s happiness over her own. She is so shocked to learn that her husband, Aylmer, finds her birthmark appalling, that when he proposes to experiment on it, she is willing to subject herself to the tests to please him. Eventually, though Aylmer is able to eradicate the mark he feels disfigures her face, he loses Georgiana, the woman he loves, because he refuses to accept her slight imperfection. The setting and symbolism of “The Birth-Mark” create allegory by the subtle changes in atmosphere and the character’s interactions …show more content…
Aylmer and his assistant Aminadab experiment on her face, even though Aminadab does not feel comfortable with their actions. He specifically says, ‘if she were my wife, I would never part with that birth-mark.’ Aylmer’s captivation with removing the mark is so intense, that he doesn’t realize all the inhuman trials he is putting his innocent wife through. Georgiana injects a couple lines of foreshadowing, specifically when she mentions to him, “It is terrible to possess such power, or even to dream of possessing it.” Eventually she is the catalyst in the experimentation primarily because she is exhausted of the shudder her husband exudes and wants to bring him udder happiness- even at the expense of her life. Finally, Aylmer makes the treatments increasingly more intense, and Georgiana is his biggest advocate. They are both so blinded by the theory and pursuit of perfection that they lose sight of what it may cost them. Aylmer digs deeper into the realm of sorcery, and Georgiana is still encouraging the adventure into conquering Nature. Aylmer is consumed with making her perfect, and Georgiana complies. He finally succeeds, and she truly is perfect. When she wakes up from the spell and the mark fades away, Aylmer is yelling in celebration, and Georgiana hears out his jubilation. She realizes her impending death and with her last words, she consoles Aylmer and insists that her parting is not his
What seems to be a simple tale of human error at first, Nathaniel Hawthorne’s short story “The Birthmark”, implies a much deeper and darker note upon closer inspection. A relatively short story, it details an event in the lives of Aylmer and Georgiana, a recent wedded couple. Georgiana possesses a birthmark on her cheek that repulses Aylmer more and more as time goes on. When he confronts her about it, she voices that it is a part of her charm, but Aylmer begins to react so violently around it that Georgiana finally agrees to give him a chance to remove it. He spends a few days in the laboratory with her and does remove the birthmark, but also removes her soul from the earth, she dies when the birthmark is gone. This story is wrought with details that support its label as a “dark romantic tale”. To see the story in the correct light, one has to understand what dark romanticism is. Dark romantic writers believed that humans are prone to sin. The human race is not always blessed with divinity and wisdom. Second, they represented evil in their stories with supernatural characters; ghost...
He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradoxical can exist on this earth, and that being imperfect is just part of being human. Being a man of science, Aylmer rendered Georgiana's birthmark "as a symbol of his wife's liability to sin, sorrow, decay, and death." Through the birthmark on Georgiana, Hawthorne is able to portray that nature didn’t intend for things to be perfect. People are not perfect because the human condition is imperfect.
The attempted removal of Georgiana’s birthmark by Aylmer signifies a desire to conquer nature and reveals a hidden quality within Aylmer. The first instance in which the reader sees Aylmer trying to conquer or control nature is subtle, it is near the beginning of the story and the narrator says “[Aylmer] persuaded a beautiful woman to become his wife” (211). The common belief is that love occurs naturally and cannot be forced. It seems as though the narrator chooses to state that Aylmer persuaded his wife, rather than fell in love with her, in order to indicate early on in the text Aylmer’s tendencies toward manipulating nature. Later in the
Uttering heartless words to a partner about their flaws is a reflection of one’s insecurity in the relationship. The short story “The Birthmark” gives readers insight into Aylmer, a questionable scientist who fails at experiments, and his wife Georgiana, an obedient wife who fulfills her husband’s commands. Aylmer is insecure and as a result denigrates Georgiana about her birthmark to purposefully make her despise the mark. Georgiana never thought of her birthmark as a flaw because men were enchanted by her fairy-like miniature hand with a shade of crimson. However, Georgiana being the good wife that she is, agrees to become her husband’s experiment to get the birthmark removed in order to make Aylmer happy. In this story it is evident that
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
When Aylmer tells Georgiana that her so called “beauty” mark is in fact an “earthly imperfection”, she is immediately affected and overcome with a thought that had never occurred to her in all her life. Having always been told that the mark upon her face was that of beauty, she was angered and appalled shouting
& nbsp; The Mark of Ugliness In Nathaniel Hawthorne’s The Birthmark, there is indeed a representation of Although the other underlying personality is not represented within himself, it is rather portrayed through his assistant Aminadab. Since Aylmer is lacking so much within himself, he is unable to appreciate his wife even though she was dying. Basically, if Aylmer had the sensibility of Aminadab, he could have realized how beautiful she was even with her birthmark. During
...ection. By removing the birthmark from Georgiana’s face, Aylmer has taken away her humanity thus leading Georgiana to her death. Georgiana cannot live anymore because she is no longer a human being. Therefore claiming that science has its limits over nature and if those limits are crossed the consequences could be fatal.
Out of love for her husband, Georgina agrees to go on with the experiment. Aylmer shows her that the elixir will cure her of her imperfection by putting it on a plant that was covered in spots and before their eyes, the spots on the plant disappeared. Right away, Aylmer gave his wife the elixir and, like magic, the birthmark disappeared. As the two were looking at what the elixir did to Georgina, they neglected to see the plant dying. Before they knew it, Georgina started to slowly die right in front of her husband’s eyes.
Nathaniel Hawthorne’s, “The Birthmark” was on the darker side of the Romantic Movement, but it was still a love story. There was a love of science and obsessing over beauty and perfection. Aylmer love Georgiana and she loved him. She was willing to die for him, and he was willing to experiment on her, even if meant losing her. Hawthorne put himself into his work, expressing fears, and emotions that was hard to put into words. His surroundings impacted the outcome of his
Georgiana is a fine wife, and a seemingly beautiful one, too. Aylmer expresses deep affection towards his wife, but it is hinted from the beginning that his two passions in life will eventually have to come in conflict. The meaning of the birthmark shifts suddenly in the end, but in the beginning, it is viewed as Georgiana’s ability to be imperfect and to sin. It is in the shape of a human hand because an angel supposedly has a grip on her, linking her to the other world. That is most men’s reactions, but some women viewed it as disastrous to her beauty. Although Aylmer is not initially concerned with it, it eventually gets to him, obsessively occupying himself with it. He would stare at it whenever he had a chance, and tried to be candid about it. When it became apparent that Aylmer was quite concerned with this, Georgiana asked him to elaborate. He was more disgusted by the mark than Georgiana assessed. Her most significant reply to him was “You cannot love what shocks you!”
The character of Aylmer can be seen as a sinister, mad scientist who constantly fights with nature in order to attain human perfection. From the beginning of the story Aylmer’s fight with nature can be seen. “We know not whether Aylmer possessed this degree of faith in man’s ultimate control over nature. He had devoted himself, however, too unreservedly to scientific studies ever to be weakened from them by any second passion” (Hawthorne 218). This shows Aylmer’s passion in trying to discover the secrets of nature and being able to master it. Aylmer’s obsession with perfection and defying nature can be seen again when he is discussing the mark on Georgiana’s cheek. “’No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection’” (Hawthorne 219). This shows Aylmer is not trying to remove the mark as an act of love, but instead trying to remove the mark because it symbolizes a stain of imperfection by nature. Aylmer is obsessed in his efforts to remove the mark and his motivations are not to make Ge...
There are numerous instances of ambiguity in Nathaniel Hawthorne’s “The Birthmark”; this essay hopes to explore critics’ comments on that problem within the tale, as well as to analyze it from this reader’s standpoint.
The tone adopted by Hawthorne from the inception of the narrative toward Aylmer urges the reader to respect Aylmer’s scientific ambition—directly his triumph of head over heart, but indirectly his objectification of Georgiana and subsequent attempts to fix something that she never thought was a flaw. Not only is Aylmer’s obsession with getting rid of her birthmark selfish in that he does it for “the sake of giving himself peace” (647) rather than any desire to make his wife happy, he also admits to feeling guilt over his tyrannical treatment of her. For example, his “horror and disgust” in response to her facial blight rarely escapes her notice, and when she reacts poorly to his “convulsive shudder,” he attempts to soothe her and “release her mind from the burden of actual things” (650) as if she is an empty-headed infant in need of a pacifier. Furthermore, in response to her desperate request for its removal, he isolates her from humanity, administers potentially harmful concoctions into her rooms and body without her knowledge, and ultimately—and rapturously—succeeds in shrinking the mark at the cost of her
Nathaniel Hawthorne did not do much explaining when it came to the characters involved in "The Birthmark". He did not portray the main characters: Aylmer, Georgiana, and Ambidab as human beings, but rather as symbols. While analyzing the story "The Birthmark", I have achieved some great insight of the author 's articulate writing style; especially, his style of making characters have symbolic meaning. In this story, Hawthorne uses his characters to symbolize specific things. In this ambiguous, short story, the three characters each symbolize Science, Beauty, and Nature. Each character represents an unusual force that has equally worked against each other.