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Blanche, the key catalyst for the play, presents herself as a lost character, entirely out of place in New Orleans and the setting her sister lives in. When first introduced, the narrator describes her as “incongruous” to the setting because of her high-end clothes and jewelry in a normal New Orleans neighborhood. Blanche also looks visible “uncertain” of her sister’s abode, appearing “lost” to Eunice because of her foreignness to the setting. Even after told by Eunice she has arrived, Blanche still feels uncertain whether this can be her sister’s home. She faces a severe culture shock, as she grew up in a “big place with white columns” in luxury compared to her sister’s status. She continually shows surprise at how small her sister’s house is, at Stanley’s crudity and general lack of sophistication, and at his …show more content…
She claims that “one’s [her] limit” even though she had already drunk multiple glasses, enough for Stanley to visibly see “its depletion.” Many times, alcoholism stems from a desire to forget or the need for alcohol to make a person feel better. In Blanche’s case, she probably tries to drown out her traumatic memories of staying behind and caring for her aging relatives through alcohol. She continually denies this alcoholism because of her insecurities; Blanche tries to disguise a weakness she has, drinking, in order to maintain the image she tries to convey to others. Another example of Blanche’s insecurities occurs when she is “flirting” with Stanley while changing clothes. Blanche makes it evident that she does not feel comfortable around Stanley and is not accustomed to the type of man he is, calling him a “brute”, an “ape”, and “common”. Through flirting with him, she establishes control through her feminine wiles that creates a distraction from her insecurities, something I suspect Blanche will continually do throughout the
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Superficial is the first impression that Blanche gives when she enters the play. Consumed by appearance and face value, she is unable to see that Stella’s new lifestyle is not as horrid as she imagines. In comparison to Belle Reve, it is true that these New Orleans slums may not meet Dubois standards, but Blanche is unable to see beyond the way things appear in order to realize that Stella’s world does not revolve around material items. This flaw is intertwined with her vanity and her need keep up appearances. On the surface, Blanche appears to be snobbish and conceited.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...
When Belle Reve is lost, Blanche loses her grip on reality a bit more, not helped by being chased out by the locals and having to maintain a constant charade that she is years below her age. The loss of Belle Reve, whether or not caused by the events leading up to Blanche's expulsion, causes Blanche to begin one of her most extravagant delusions: living life as if she were not homeless and sleeping next to an abusive husband. After getting off of the streetcar, Blanche acts as if her trip was circular and her exit was Belle Reve. Instead of acting thrifty and economical, she continues living a bourgeouis lifestyle, seemingly refusing to acknowledge her situation. She exists in New Orleans, but she lives at Belle Reve. Her quarters, in her mind, were never meant to be the French Quarter. Blanche's clothing choices also reflect how she has never completely left Laurel: “Look at these feathers and furs that she come here to preen herself in! What's this here? A solid-gold dress?” (Williams 35). Stanley's harsh yet accurate observation summarizes how Blanche fails physically and mentally to change to the new atmosphere. She has lost her job, house, and livelihood, but lives in clothes worth enough to at least compensate some of the losses she suffers. The stress of leaving Laurel and Belle Reve escalates from refusing to change clothing style to creating a possibly
Throughout Tennessee Williams’s ‘A Streetcar Named Desire’ and Sylvia Plath’s ‘The Bell Jar’ dependency on alcohol and drugs is prevalent in the texts female characters. Within ‘A Streetcar Named Desire’ and ‘The Bell Jar’ alcoholic dependency is prevalent within romantic and intimate relationships in the characters of both texts. Blanche DuBois, in an attempt to further connect with Mitch after their tragically dismal first date, searches the apartment for her alcoholic crutch: “Well, now you talk. Open your pretty mouth and talk while I look around for some liquor!”. This display of dependency demonstrates Blanche’s addictive and unstable personality, especially when in relation to romantic and intimate events. Throughout the play Williams alludes
In this play, Blanche is the older sister of Stella and she comes to Elysian Fields to live with her sister because she has nowhere else to live because she was asked to leave the last town that she was living in because of the life that she was choosing to live there. Blanche also lost her family’s estate, Belle Reve. Therefore, she had to go to the last place that she could think of and that was the house of her sister, Stella. From the start of the play, it is imminent that Blanche is the victim of her own life, and not a victor. She first lost her husband when she was a very young girl because of the fact that she found out that he was gay. She was in love with this man and when she found out, she was just heartbroken. However, she didn’t want to tell him that she knew about his secret so she kept it a secret for a while. But then, one night while they were dancing, she all of sudden just came out and told him what she knew. He was so embarrassed by this that he ran out of the room and shot and killed himself. That is one of the battles that she was the victim of. Then when she loses Belle Reve and is forced to live in a town called Laurel, she chooses to live a life that she doesn’t want to. She forces herself into prostitution because she has no other way of making money to help support herself. During this time, she is living in a hotel called the Flamingo and many men are coming up to her room every night. This disturbs the peace within the hotel and when the hotel and the town of Laurel figure out what she is doing in the hotel, they tell her to leave the hotel and also the town because they don’t want anyone like her to be there.
Blanche who had been caring for a generation of dying relatives at Belle Reve has been forced to sell the family plantation. Blanche is a great deal less realistic than Stanley and lives in illusions which bring upon her downfall.
Blanche also becomes disconnected from reality because of her delusions of music and gunshots from her husband’s death. She seeks relationships with strangers in the hopes of recreating the love she had for her husband. When the relationship fails to satisfy her craving for love, she sinks further into her fantasy. When Mitch rejects her, saying “I don 't think I want to marry you anymore.” (Williams 131) she once again finds comfort in her fantasy. She has sunk so far into her fantasy that she has a response to all of Stanley’s questions. She is no longer up holding the illusion for others. She truly believes her delusions enough to maintain the façade while she is
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
To begin, Blanche fails to keep her sanity because of all the lies she has told to others about her past. Blanche told small lies throughout the play but she also told big lies that causes no one to believe her even when she is telling the truth. A small lie that she tells is when she first meets Mitch and says, “she doesn’t drink and that Stella is older than her” ( Williams scene 3). Even though she does drink and is actually older than Stella. However, as the play progresses people begin to question whether everything
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
Blanche, Stella's older sister, until recently a high school English teacher in Laurel, Mississippi. She arrives in New Orleans a loquacious, witty, arrogant, fragile, and ultimately crumbling figure. Blanche once was married to and passionately in love with a tortured young man. He killed himself after she discovered his homosexuality, and she has suffered from guilt and regret ever since. Blanche watched parents and relatives, all the old guard, die off, and then had to endure foreclosure on the family estate. Cracking under the strain, or perhaps yielding to urges so long suppressed that they now could no longer be contained, Blanche engages in a series of sexual escapades that trigger an expulsion from her community. In New Orleans she puts on the airs of a woman who has never known indignity, but Stanley sees through her. Her past catches up with her and destroys her relationship with Mitch. Stanley, as she fears he might, destroys what's left of her. At the end of the play she is led away to an insane asylum. This is indeed the story of what happened to Blanche in the play but what flaws in her own character were to blame for her subsequent tragedy. Blanche is by far the most complex character of the play. An intelligent and sensitive woman who values literature and the creativity of the human imagination, she is also emotionally traumatised and repressed. This gives license for her own imagination to become a haven for her pain. One senses that Blanches own view of her real self as opposed to her ideal self has been increasingly blurred over the years until it is sometimes difficult for her to tell the difference. It is a challenge to find the key to Blanche's melancholy but perhaps the roots of her trauma lie in her early marriage. She was haunted by her inability to help or understand her young, troubled husband and that she has tortured herself for it ever since. Her drive to lose herself in the "kindness of strangers" might also be understood from this period in that her sense of confidence in her own feminine attraction was shaken by the knowledge of her husband's homosexuality and she is driven to use her sexual charms to attract men over and over. Yet, beneath all this, there is a desire to find a companion, to find fulfilment in love.