On October 6, 1927, cinema was forever changed when Al Jolson’s voice pierced the audience attending New York’s Warner’s Theatre to view The Jazz Singer. “Wait a minute, wait a minute. You ain’t heard nothin’ yet” Jolson exclaimed to the audience, cementing the first synchronized vocal performance in the history of film; and there has never been another more fitting line of dialogue in any other film to this date.1 The impact of this film was so heavy; it received Academy Award nominations for best engineering effects and best-adapted screenplay in 1929 despite the film being a 1927 release 2. Although The Jazz Singer sits as a cinema legend, the history and legacy of the film is not exactly common knowledge, as it extends past the innovative …show more content…
Jolson was a rock star before the dawn of rock music.” 2 It was his fame that made The Jazz Singer a possibility, as the screenplay of the film was inspired by the story of his early life. As his star power increased, he began attracting audiences holding people of significance within the world of pop culture. One of these audience members happened to be famed writer Samson Raphaelson, who claimed to be drawn in by the emotional tone of Jolson’s performance. This led Raphaelson to write the short story “The Day of Atonement”, which loosely follows the early life of Al Jolson and his Jewish heritage.4 After the short story received praise from both audiences and critics alike, Raphaelson further developed the story into a full length play, titled “The Jazz Singer”, which was released to the public via Broadway in …show more content…
There are several scenes in the film that depicts the main character, Jack Robin, performing in blackface.1 This wasn’t viewed as racist at the time of the film’s release, as the character did not necessarily deface African American culture. He used blackface as a theatrical tool, allowing him to sing what was considered “black music” at the time, genres such as jazz and ragtime.4 It is a reevaluation of the film in modern times that allows the audience to recognize that the use of blackface by Jack Robin was not only inappropriate, but also completely unnecessary. It did not serve as a plot device in any way, shape, or form, and did not drive the story in any way. If Jack Robin chose to perform as himself, the film’s resulting outcome would have still been reached. The blackface present in the film serves no purpose other than as a reminder of the racism present in the
Gerard Joseph, or better known as Thomas in the production, acted with extreme poise and tonal regard, considering the unique racial role in which he was cast. Joseph’s character was a black shoe designer, that dealt with an inner conflict on whether or not he himself is be considered “black enough” due to his privileged upbringing, in an affluent white neighborhood. While he exhumes a sense of proudness for his primary sales target (young black males), he still deals with the inner conflict of him feeling too white. Even though that was the character’s persona, I felt Joseph’s facial expressions, attitude, and prominent voice effectively brought this character to life. Joseph also obtained the dry sense of humor that dealt with race such as “You should have seen his face. I don’t think he could get any whiter” and “Its ok I can say that, I’m African American”. He knew his lines of dialogue and effectively portrayed the emotion and facial
Lewis, J. (2008). American Film: A History. New York, NY. W.W. Norton and Co. Inc. (p. 405,406,502).
Jazz music did not become successful on its own. Its huge success during the 1940’s and 1950’s is due to the talented jazz singers and musicians who contributed to music. One of the successful musicians who contributed to Jazz was Louis Jordan. Jordan was an African American singer, bandleader and best known for his amazing technique and style while playing the saxophone. What set Jordan apart from all the other Jazz singers of his time was his appearance; being a comedian before going into music helped him appeal a wider and a more diverse audience. Appealing a more diverse audience was especially important during a time where segregation was an ongoing problem. His success was also due to his amazing band, the Tympany Five. The band included
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
The silent era in film occurred between 1895 through 1929. It had a a major impact on film history, cinematically and musically. In silent films, the dialogue was seen through muted gestures, mime, and title cards from the beginning of the film to the end. The pioneers of the silent era were directors such as, D. W. Griffith, Robert Wiene and Edwin S. Porter. These groundbreaking directors brought films like first horror movie and the first action and western movie. Due to lack of color, the silent films were either black and white or dyed by various shades and hues to signal a mood or represent a time of day. Now, we begin to enter towards the sound era and opposed to the silent era, synchronized sounds were introduced to movies. The classic movie, The Jazz Singer, which was directed by Alan Crosland, was the first feature length film to have synchronized dialogue. This was not only another major impact in film history, but it also played a major part in film technology and where film is right now.
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911.”. This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issues, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz. As the 1930’s began, the effects of the Great Depression still ravaged the United States, which in turn caused a dramatic change in the music industry.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
Charney, Leo. “Historical Excess: Johnny Guitar's Containment” Cinema Journal 29, No. 4 (1990): 28-30. JSTOR. Web. 21 Nov. 2013.
The image on the left is of the Virginia Serenaders, which were a group of white actors that took on the guise of African American individuals. These actors were quite famous amongst the public. The poster allows the viewer to see the transformation from a white man to an African American man, highlighting the profound effect of “black face”. Moreover, it reinforced how society viewed African Americans, since there is a major contrast between the stature of the white men and their black face characters. The white actors appear to be sophisticated and well-kept, while their black counterparts appear to be loud and rambunctious.
Cinema began as short, silent films, spinning away on cellulose. Audiences would follow the plot through mime and title cards in cramped theaters, projectors clanking loudly. It wasn't until the late 1920's that sound would be introduced to the motion picture experience. With the release of The Jazz Singer in 1927and the new Vitaphone system, “talkies” would replace the silent film. Actors and directors of the Silent Era had to adapt quickly to the new technology but would literally find a voice in their art and use it to speak directly to their audience.
Before we get into the movie specifically, we should first talk about representation and how race is represented in the media in general. Representation is defined as the assigning of meaning through language and in culture. (CITE) Representation isn't reality, but rather a mere construction of reality and the meaning behind it. (CITE) Through representation we are able to shape how people are seen by others. Race is an aspect of people which is often represented in the media in different ways. Race itself is not a category of nature, but rather...
Many times in Hollywood, a movie that intends to portray a novel can leave out key scenes that alter the novel’s message. Leaving out scenes from the novel is mainly do to time limits, however doing so can distort the author’s true purpose of the story. In history, Movies were directed to intentionally leave out scenes that could alter the public’s opinion. This frequently let novel 's main points be swept under the rug. There were times of this at the beginning of the Civil Rights Movement, where white Americans were the only ones making movies. Not many African Americans had the opportunity to be involved in the process of major productions. Because racism in To Kill a Mockingbird, written by Harper Lee, is underplayed in the film, it shows
The second is what was going on in America during the time of this films release. No more then fifty years after the Civil War, this film was made. African-Americans were nowhere near finding equality or having civil rights that they were said to have or presumed to have. Separate but equal was still the main mindset in America. Most of the South still hated African Americans, lynched them, and the KKK was strong. When you look at all these social contexts that were going on during the time of the films release, there is no way that this film was seen as racist in the majority of the population. Most of the South probably saw this mov...
Although the concept is off-limits and offensive in culture today, he defends this significant part of American history throughout his book. The impression given to us of the White Negro by Mailer can help us look at it as a form of blackface that has found its was in American society. Although artists like Al Bernard and Bert Williams were performers of physical blackface on stage in the 20th century, the hipster has shown to become a form of non-physical blackface. A type of blackface that isn’t ridiculed or criticized by society, but accepted or sometimes even ignored as a grand section of American Popular
The introduction of sound to film started in the 1920’s. By the 1930’s a vast majority of films were now talkies. ‘If you put a sound consistent to visual image and specifically human voice you make a “talkie”’ (Braun 1985 pg. 97). In 1926 Warner Brothers introduced sound to film but, other competing studios such as FOX, didn’t find it necessary to incorporate sound to their motion pictures production, as they were making enough money through their silent movies. Warner Brothers decided to take what was considered a risky move by adding sound to their motion picture, a risk taken, as they weren’t as successful in the silent movie department. But this risk paid off with the hit release of ‘The Jazz Singer’ in 1927. Though sound in films was then acceptable and successful it wasn’t until the 1950’s that it became feasible to the public as sound was introduced to cinema by the invention of Cinerama by Fred Waller. The Cinerama used 35mm film strip and seven channels of audio.