Advertising Analysis: The Great Gatsby

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The image selected for analysis is found on distinguished American clothier, Brooks Brothers’ online store. Clicking through the banner, viewers would be previewed to The Gatsby Collection, where they could purchase even the Ivory Linen jacket of the model. The advertisement makes specific pictorial and textual reference to the movie The Great Gatsby, which itself is an adaptation of the novel of the same name. The protagonist, Jay Gatsby himself is an icon of the American Dream, a myth that if one works hard, one may be whoever one wants to be. By powerfully using these references, the advertisement seeks to present the Gatsby’s American Dream to those who were willing to buy into it by purchasing Brooks Brothers offerings. The mutual representation
The words are symbolic signs detonating the advertisement’s interpellation with Great Gatsby’s textual and filmic mediums discussed earlier in this essay. Beginning with an educational tone through the word “introducing”, it grants credibility to the film’s designer by telling readers that she has won two Academy Awards. The text then proceeds to explain that the movie’s costumes received design inspiration from Brooks Brothers’ archives and was also produced by the clothier themselves. It was by leveraging such design and production experience, that the retailer could produce the “authentic” Gatsby Collection. As evidence, that the purpose of the entire image was to promote the collection, viewers can see that the words “The Gatsby Collection” appears on the top left corner with a different font, in a size larger than surrounding texts, making it stand out a the title of the advertisement. To the right, the young model stands in the opening to the luxurious drawing room of a mansion, allowing viewers to recollect scenes from both the movie and the novel, where Gatsby firmly within his house in East Egg, which represented old American money which aspires to. The intent look in the model’s eyes remind one of Gatsby’s burning desire to achieve even more in his American Dream and pursuit of the love of his life. What lies behind the dark drawing room seems to be
Even before contemporary interpellation, the novel writes with filmic angles. Herman cites examples such as the perspective that readers would have as they look into the window of Tom and Daisy’s house at the couple. Readers of the novel and viewers of the movie would also remember silent scenes where Gatsby looks intently at the green light across the lake, where the love of his life lay in another man’s arms. Fitzgerald even describes the character Myrtle, using filmic language stating that she appeared as if in “a slowly developing picture” (10). More importantly, this moving image serves also to distort time and space. Readers are taken from New Haven and Times Square to Oxford and Paris and then back to Queensboro Bridge, a mythic world of adventure and noble luxury created by Gatsby. Whether intentional or not, this syncs beautifully with Brooks Brother’s advertisement, where viewers are transported through time to the fashion of the roaring 1920s. The aesthetic pursuit of clothing that is at one American and European, and yet relevant to the contemporary period almost a century later is magically mythic. Consumers with a penchant the historic and the modern, North American and European could all potentially be attracted by Brooks Brothers’

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