In “A Rose for Emily,” William Faulkner stated that "When the next generation, with its more modern ideas, became mayors and aldermen, this arrangement created some little dissatisfaction” (803). “A Rose for Emily” was first published in 1931 during the Great Depression. The transition of the main character, Miss Emily, from an old generation into a new generation relates to the tension between the public and the private. Willow D. Crystal is a student at Harvard that wrote a model paper for The Norton Introduction to Literature. In “One of us..,” she draws on scholarly research to support her claims about the tensions between private and public constructs in Faulkner’s “A Rose for Emily.” According to Willow D. Crystal, William Faulkner's "A Rose for Emily" suggests …show more content…
Crystal analyzes the short story with supporting details for her claim about the tensions between private and public constructs in Faulkner’s “A Rose for Emily.” I agree with the main idea of Crystal's essay because she discusses and supports her main idea with supporting details. William Faulkner introduces the short story with this sentence: When Miss Emily Grierson Died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man-servant—a combined gardener and cook—had seen in at least ten years. (803)
Miss Emily’s life became vulnerable to the public when she died and had a funeral. Crystal stated “The men of the small town of Jefferson, Mississippi, are motivated to attend Miss Emily’s funeral for public reasons; the women, to see “the inside of her house,” that private realm which has remained inaccessible for “at least ten years” (803). Miss Emily lived a private life mostly while she was alive. My theme of transformation is important because both her private and public life were significantly tremendously impacted by the changing
In a “Rose for Emily”, Faulkner uses Emily’s house as a symbol of the barrier Emily forms between herself and society. As society moves through generations and changes over the years, Emily remains the same, within the borders of her own household. The house is described as “in the heavily lightsome style of the seventies, set on what had once been our most select street”(125), but years passed and more modern houses had “obliterated even the august names of that neighborhood” (125). Faulkner set the house apart from the rest of the neighborhood, and Emily is described in the beginning as “a fallen monument” and a “tradition” indicating that she had not changed in an extended amount of time. The symbol of the house, remaining unchanged through the decades that passed becomes stronger when Emily does not permit tax collectors to pass through the threshold of the house, “She vanquished them, horse and foot, just as she had vanquished their fathers thirty years before”. Emily’s image of a “monument” to the community’s small society caused her to become exempt from the demands of the state that the rest of the population had to adhere to. Emily’s house enab...
6. West, Ray B., Jr. "Atmosphere and Theme in Faulkner's 'A Rose for Emily'." William Faulkner: Four Decades of Criticism. Ed. Linda Welshimer Wagner. Michigan State University Press, 1973. 192-198. Rpt. in Short Story Criticism. Ed. Laurie Lanzen Harris and Sheila Fitzgerald. Vol. 1. Detroit: Gale Research, 1988. Literature Resource Center. Web. 5 July 2011.
Faulkner, William. “A Rose For Emily.” Literature Reading, Reacting, Writing. Kirszner, Laurie. Mandell Stephen. 4th edition. Sea Harbor: Harcourt College Publishers. 2001. 87-94
For years Miss Emily was rarely seen out of her house. She did not linger around town or participate in any communal activities. She was the definition of a home-body. Her father was a huge part of her life. She had never...
William Faulkner’s "A Rose for Emily" is perhaps his most famous and most anthologized short story. From the moment it was first published in 1930, this story has been analyzed and criticized by both published critics and the causal reader. The well known Literary critic and author Harold Bloom suggest that the story is so captivating because of Faulkner’s use of literary techniques such as "sophisticated structure, with compelling characterization, and plot" (14). Through his creative ability to use such techniques he is able to weave an intriguing story full of symbolism, contrasts, and moral worth. The story is brief, yet it covers almost seventy five years in the life of a spinster named Emily Grierson. Faulkner develops the character Miss Emily and the events in her life to not only tell a rich and shocking story, but to also portray his view on the South’s plight after the Civil War. Miss Emily becomes the canvas in which he paints the customs and traditions of the Old South or antebellum era. The story “A Rose For Emily” becomes symbolic of the plight of the South as it struggles to face change with Miss Emily becoming the tragic heroin of the Old South.
Faulkner, William. “A Rose For Emily.” An Introduction to Fiction. 10th ed. Eds: X.J. Kennedy and Dana Gioia. New Yorkk: Pearson Longman, 2007. 29-34.
Kurtz, Elizabeth Carney. "Faulkner's 'A Rose for Emily'". Explicator. Heldref Publications. 44.2 (1986): 40. Academic Search Complete. Blinn College, Bryan, Lib. 18 Oct. 2007
William Faulkner takes us back in time with his Gothic short story known as, “A Rose for Emily.” Almost every sentence gives a new piece of evidence to lead the reader to the overall theme of death, isolation, and trying to maintain traditions. The reader can conclude the theme through William Faulkner’s use of literary devices such as his choice of characters, the setting, the diction, the tone, and the plot line.
Up to the very end of Miss Emily’s life, her father was in the foreground watching and controlling, and Miss Emily unrelentingly held on to the past. She went as far as keeping a loved one’s body locked upstairs in her home for years. While admiring her loved one’s body from up close and afar, she managed to maintain a death grip on the past.
Emily had a servant so that she did not have to leave the house, where she could remain in solitary. The front door was never opened to the house, and the servant came in through the side door. Even her servant would not talk to anyone or share information about Miss Emily. When visitors did come to Emily’s door, she became frantic and nervous as if she did not know what business was. The death of Emily’s father brought about no signs of grief, and she told the community that he was not dead. She would not accept the fact that she had been abandoned because of her overwhelming fear. Emily’s future husband deserted her shortly after her father’s death. These two tragic events propelled her fear of abandonment forward, as she hired her servant and did not leave the house again shortly after. She also worked from home so that she never had a reason to leave. Emily did not have any family in the area to console in because her father had run them off after a falling out previously. She also cut her hair short to remind her of a time when she was younger and had not been deserted. Even though people did not live for miles of Emily Grierson, citizens began
This story takes place throughout the Reconstruction Era from the late 1800’s to the early 1900’s in Jefferson, Mississippi. Emily was raised in the period before the Civil War. Her father who was the only person in her life with the exception of a former lover who soon left her as well raised her. The plot of this story is mainly about Miss Emily’s attitude about change. While growing up Emily was raised in a comfortable environment because her father possessed a lot of money. Considering that her father was a very wealthy person who occasionally loaned the town money Emily had everything a child could want. This caused Emily to be very spoiled and selfish and she never knew the value of a dollar until her father left her with nothing but a run down home that started to decay after a period of time. She began to ignore the surrounding decay of the house and her appearance. These lies continued as she denied her father’s death, refused to pay taxes, ignores town gossip about her being a fallen woman, and does not tell the druggist why she purchased rat poison. Her life, like the decaying house suffered from a lack of genuine love and care. Her physical appearance is brought about by years of neglect.
Miss Emily’s isolation is able to benefit her as well. She has the entire town believing she is a frail and weak woman, but she is very strong indeed. Everyone is convinced that she could not even hurt a fly, but instead she is capable a horrible crime, murder. Miss Emily’s actions range from eccentric to absurd. After the death of her father, and the estrangement from the Yankee, Homer Barron, she becomes reclusive and introverted. The reader can find that Miss Emily did what was necessary to keep her secret from the town. “Already we knew that there was one room in that region above stairs which no one had seen in forty years” (247).
The thematic content in the above passage is very representative of the overall short story A Rose for Emily. The passage describes the scene of Miss. Emily Griersons funeral. Emily has a unique relationship with the townsfolk of Jefferson. She is both pitied and admired. Emily disconnects herself from the outside world as she attempts to hang on to her past while denying the present. The men and women of the town gather at her funeral, and are reminded of the tragic life of Emily. Much like the townsfolk the reader may not understand Emily however they are led to sympathize with her. Faulkner’s description of Emily’s funeral also establishes the point of view the story is being told from, and helps the reader in understanding the plot structure and passing of time throughout.
While she is still alive, the townspeople have a certain respect for her because she has been there so long; they do not feel a need to change what has always been. Nevertheless, once she dies what is left of her, such as her house, is a disgrace to the town. “Only Miss Emily’s house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps-an eyesore among eyesores. Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town” (Faulkner, “A Rose for Emily” 119). In the same way, the people of the South followed tradition in their lifestyles.
The narrator is vague about the intricate details of her life, perhaps because he presents her story as a member of the town, which means he is only able to narrate it from an observational point of view as opposed to an interactive point of view. “‘A Rose for Emily’ is told from a community point of view, so that the narrative voice in the story is the voice of “our town” and “we,” a group .” (Skei, 150). Certain representations of social expectations can be gleaned from parts of the text. This is especially the case when it comes to gender relations and family. William Faulkner’s short story shows how the nineteenth century was set in certain limiting social expectations especially for women, especially