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The ascent by ron rash summary
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Recommended: The ascent by ron rash summary
As a kid we are all taught to trust and obey what our parents say because it is supposed to benefit us, but when your parents are addicted to drugs it can be hard to trust them. In Ron Rash’s story “The Ascent” Jared learns a great deal about himself and his family. When Jared comes to the realization that his parents may never make bad situations okay, he decides to take matters into his own hands even if it means taking his own life. Unlikely revelations occur in “The Ascent” due to the author’s use of a naïve narrator, foreshadowing, and setting through imagery.
The audience can tell that Jared is naïve because he is simply a kid who does not understand all that the world throws at him. When Jared imagines Lyndee Starnes, a girl from his class, walking throughout the woods with him he finds a ring and plans to take it to her. The author states, “Once he gave it to her, Lyndee would finally like him, and it would be for real” (282). Jared’s imagination and his subsequent actions show that he is naïve because Lyndee already told him he smelled just days before he finds the ring, but he still plans on Lyndee loving him once he gives the ring to her. The author declares in the story, “There was a seat in the back, empty. Jared placed his knife in his pocket and climbed into the back seat and closed the passenger door. Because it’s so cold, that’s why they don’t smell much, he thought… He’d been sitting in the back seat for two hours, though it seemed only a few minutes” [280-81]. If he understood the idea of death he would not have been curious enough to get into the plane with the dead bodies in the first place which makes him a naïve little boy.
When Jared realizes his parents are addicted to drugs and are not going to change ...
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...hild. Rash declares, “The glass pipe lay on the coffee table, beside four baggies, two with powder still in them. There’d never been more than one before” (283). Jared finally realizes that his parents will always find money for drugs and that because of their addiction they can never love him the way he wants to be loved.
A naïve narrator, foreshadowing, and the setting all conclude to the revelation Jared has as a kid. Being young there is a lot that is a mystery, but for Jared to be so young and understand that some things will never change is an amazing revelation. Rash’s story teaches us a lesson on how being loved matters at any age and that being addicted to drugs is not the best condition to raise a child.
Works Cited
Rash, Ron. “The Ascent.” The Best American Short Stories. 2010. Eds. Richard Russo and Heidi Pitlor. Boston: Mariner, 2010. 280-87. Print.
...g the various reports concerning his father’s suicide, he is drinking, sweating and crying. The full impact of what his father had done to him finally hits him. “What the hell do you mean there were no others involved? I screamed. What were we, chorizo con huevos? No, the sneering voice in my poisoned mind explained, you were chorizo without huevos.” (78 ) Ricky cries out that he was left with his mother and sisters to raise him and he believes he was raised as a weak man. “…and because of your stupid, dramatic abandonment I’ve become a drunken, drug-abusing misfit.” (78 )
Throughout David Sheff’s book, he incorporates detailed diction in describing his environment, past, and the people around him as to allow the reader to be able to imagine what he had seen during this course of his life. As the father of a drug addict, Sheff had also had his own experience with drugs, in which he describes this experience with words and phrases such as “I heard cacophonous music like a calliope”, “[The brain’s neurotransmitters flood with dopamine], which spray like bullets from a gangster’s gun” and “I felt
Where they grew up, kids as young as 8 years old were recruited into illegal operations; Wes and Tony included. Mary tried everything she could, but had lost her sons to the wonder and curiosity that money brings. The important place a mother should hold in her son’s life vanished and she was left to take care of their mistakes. Later in their lives, both boys were caught in a heist that set them up for an entire lifetime in jail. Their arrest sent “cheering responses” from everyone in their community. The boys were not only involved with a robbery, but a murder as well. The word spread quickly about their sentences and a “collective sigh of relief seeped through Baltimore. At home, Mary wept” (Moore 155). Many families go through traumatic experiences comparable to Mary’s situation. The choices her sons made left her alone, parallel to the isolation the boys were experiencing as
Tindall, G.B. & Shi, D.E. (2010). America a narrative history 8th edition. New York, NY: W.W. Norton & Company, Inc. p.205-212.
Charters, Ann. The Story and Its Writer – An Introduction to Short Fiction. Boston: Bedford/St. Martin’s, 2011. Print.
Tindall, G. B., & Shi, D. E. (2010). America, a narrative history (8th ed., Vol. 1).
Drugs are not only a problem for older generations, but often times those in younger generations become involved in the drug trade as well. According to Anderson (1990), “Children who become deeply engaged in t...
Shear, Walter. "Cultural Fate and Social Freedom in Three American Short Stories", Studies in Short Fiction, Newberry, S.C., 1992 Fall, 29:4, 543-549.
Brands, H. W.. American Stories: A History of the United States. 2nd ed. Boston: Pearson Education, 2012. Print.
Rash uses Jared's character to show why he cannot give a trustworthy, objective truth. In the story, Jared's actions show that he does not understand death when entering the plane after discovering the dead bodies of a pilot and passenger. Rash writes, “Jared placed the knife in his pocket and climbed into the back seat and closed the passenger door” (281). He does not fully understand the seriousness of death and it does not frighten him. Jared has a big imagination and tries to help by bringing tools and repairing the plane. After he meddles around with the tools, Jared says, “I fixed it so it’ll fly now” (287). He sees what he wants to because he ca...
Ignorance is bliss as one who is ignorant does not fully understand all the issues occurring around him or her and is therefore somewhat innocent to them. In “Revelation”, by Flannery O’Conner, the main character Mrs. Turpin is ignorant of the fact she is the same as everyone else, but she has different classifications of people of which she is of the higher category. O’Connor uses “Revelation” as a tool to represent people who are both ignorant and not ignorant and what it almost takes for some people to fully overcome ignorance.
Drugs are used to escape the real and move into the surreal world of one’s own imaginations, where the pain is gone and one believes one can be happy. People look on their life, their world, their own reality, and feel sickened by the uncaringly blunt vision. Those too weak to stand up to this hard life seek their escape. They believe this escape may be found in chemicals that can alter the mind, placing a delusional peace in the place of their own depression: “Euphoric, narcotic, pleasantly halucinant,” (52). They do this with alcohol, acid, crack, cocaine, heroine, opium, even marijuana for the commoner economy. These people would rather hide behind the haze than deal with real problems. “...A gramme is better than a damn.” (55).
David Sheff starts the story of his family with Nic’s birth and goes all the way long to the present days when his son had survived several years of drug abuse, rehabilitations and relapses. Sheff confesses that his son started to use different kinds of drugs when he was very young. At the age of 11 he would try alcohol and some pot. “In early May, I pick Nic up after school one day …When he climbs into a car I smell cigarette smoke. I lecture him and he promises not to do it again. Next Friday after school…I am packing an overnight bag for him and look for a sweater in his backpack. I do not find a sweater, but instead discover a small bag of marijuana.” (Sheff, 200...
Baym, Nina et al. Ed. The Norton Anthology of American Literature. Shorter 8th ed. New York:
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.