Brutality, humor, religion, and violence are a few themes portrayed throughout many of Flannery O’Connor’s short stories. In many of her short stories, O’Connor exposes the dark side of human nature and implements violent and brutal elements in order to emphasize her religious viewpoints. In the short stores “A Good Man Is Hard to Find” and “Revelation”, O’Connor explicitly depicts this violence to highlight the presence and action of holy grace that is given to a protagonist who exudes hypocritical qualities. During the family trip in “A Good Man Is Hard to Find” to Georgia, the grandmother attempts to exude a lady-like facade. The grandmother wears “white cotton gloves...a navy blue straw sailor hat with a bunch of white violets … a navy blue dress with a small white dot in the print. Her collar and cuffs were white organdy...In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady”(O’Connor 450). Despite trying to appear prim and proper, the grandmother’s pretensions and superficiality become lucid through her hypocritical nature. When June Star pointed to a pant less black child, the grandma feel no sympathy and responds by saying, “Little niggers in the country don’t have things like we do. If I could paint, I’d paint that picture” (O’Connor 450). Her claims to be a lady cannot be justified with her racist and hypocritical actions. In addition, the selfish desire of the grandma to make a detour and her decision to bring the cat leads the family to wreck the vehicle and to be found by the Misfit. Before the accident and ensuing massacre occurred, the grandma was completely condescending, hypocritical, and complacent in her own world where she feels safe. The final confrontation bet... ... middle of paper ... ..., and this allows her to make this revelation. The parallels between “A Good Man Is Hard to Find” and “Revelation” both demonstrate that O’Connor’s use of violence resulted in the protagonist to acquire divine redemption. The grandmother acquired redemption when the Misfit used violence; similarly, Mrs. Turpin got a revelation when Mary Grace used physical and verbal violence onto her. Her use of violence can be related back to the reader by emphasizing the greatness and necessity of God and trying to convert some of her secular audience to Catholicism. Works Cited O’Connor, Flannery. “A Good Man Is Hard to Find.” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. New York: Bedford, 2011. 449-459. Print. O’Connor Flanner. “Revelation.” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. New York: Bedford, 2011. 474-488. Print.
Flannery o 'Connor. Known as the southern United States, the second after Faulkner writer. "A good man is hard to find" the religious fable story, the story is very simple, an elderly woman with her son a family trip to Florida, due to the old woman wanted to see a supposed to be on the way but somehow thought in Tennessee plantation in Georgia, and the way for the old woman with a bad idea to turn over a car, then the escaped from prison that inappropriate happens by men, finally killed all of them a six people, including the baby.
Throughout all of Flannery O’Connor’s work, there are three dominant themes that show themselves: Christianity, irony, and grotesqueness. In nearly every story of hers, O’Connor is able to make a tragic story very grotesque in the way that she describes the events and characters of her story. [add more to introduction]
In "A Good Man is Hard to Find," the grandmother is a typical Southern lady. This constant effort to present herself a Southern lady is where her pride is grounded. She criticizes the mother's traveling outfit, but she herself is wearing a prim and proper-and probably uncomfortable-outfit so that "anyone seeing her dead on the highway would know at once that she was a lady" (O'Connor, "A Good Man" 382). She recalls exactly how to find a certain plantation she used to visit, and the children convince their father to turn the car around. However, the grandmother realizes that the plantation is in another state but is too prideful to admit so. This pride follows her to the point of grace when The Misfit forces her to see reality.
The grandmother, the main character of the story, is manipulative. Her definition of a ‘good man’ refers to the characteristics that a ‘good man’ should possess. She believes that the true definition of a good man is a southern gentleman: respectful, chivalrous, and courageous when necessary. From the beginning, the reader is given the indication that the grandmother is determined to get what she wants and will do whatever she can to do so. And, from the second line of the story, O’Connor suggests that anything the grandmother says might have an alternative motive. “The grandmother didn’t want to go to Florida. She wanted to visit some of her connections in east Tennessee and she was seizing at every chance to change Bailey’s mind” (1284). This is relevant to the theme in that a person may have alternate motives, even if they seem to be doing things selflessly from an outsider’s perspective. When the grandmother mentions that she doesn’t want to go to Florida, her son Bailey assumes it’s because of the Misfit killer who has escaped from prison. However, in actuality, she wanted to visit other family and friends in Tennessee.
In the short story, A Good Man is Hard to Find, by Flannery O'Connor, every object including the characters are symbols. The Grandmother, who is the one and only dynamic character, represents all of us who have repented. The story is, as Flannery O'Connor has suggested a spiritual journey because of the Grandmother's Plight. In the beginning of the story the Grandmother is obsessed with everything worldly and superficial. She cares far too much about how others perceive her,
In the short story, 'A Good Man is Hard to Find', the main character is the grandmother. Flannery O'Connor, the author, lets the reader find out who the grandmother is by her conversations and reactions to the other characters in the story. The grandmother is the most important character in the story because she has a main role in the stories principal action. This little old lady is the protagonist in this piece. We learn more about her from her direct conversation with the son, Bailey, her grandchildren, June Star and John Wesley, and the Misfit killer. Through these conversations, we know that she is a lady raised from a traditional background. In the story, her attitude changes more than once to accommodate the surroundings that she is in. With the data provided, we can tell that the grandmother goes from not wanting to go to Florida, to anxious to go, and in the end, I felt as if she went off the deep end. All of the sudden, the only thing she really concentrates on is Jesus and her not being killed.
.... The title states that a “good man” is hard to find because of the grandmother’s definition. She makes it hard for anyone to fit her definition besides Red Sammy Butts, who she can relate too because they have the same mindset. Grace was another important theme in the Short story because the grandmother and The Misfit received the grace of God at the end of the short story they were longing for the whole time. The last theme I found in the story was class because all the grandmother wanted was to be a “lady.” She dressed and acted like “a lady” through the whole story because she came from a respectable family and wanted everyone to know if they found her dead that she was a lady.
1) O’Connor, Flannery, A Good Man Is Hard to Find (Women Writers: Text & Contexts Series). Rutgers University Press, 1993.
Flannery O’Connor’s A Good Man Is Hard to Find is one of the most well-known short stories in American history. A Good Man Is Hard to Find is a disturbing short story that exemplifies grace in extremity as well as the threat of an intruder. The story tells of an elderly grandmother and her family who embark on a road trip to Florida. The grandmother is a stubborn old woman with a low sense of morality. While on the trip, the grandmother convinces her son to take a detour which results in a broken down car and an encounter with a convicted fugitive, The Misfit. Although the grandmother pleads for mercy, The Misfit kills off the rest of her family. Through the grace she finds in her extreme circumstance, the grandmother calls The Misfit her own and implores him to spare her life. The Misfit does not oblige her and states after her death, “She would have been a good woman if it had been someone to shoot her every day of her life.” Through Flannery O’Connor’s disturbing and shocking display of the grandmother’s demise, she gives the reader a sense of the threatening power of an intruder and the idea of extreme situations bringing about a state of grace. The reason for such a powerful work may have resulted from Flannery O’Connor’s religious upbringing as well as the state of the nation at the time.
In this short story, O’Connor depicts a violent character to the reader known as ‘The Misfit.’ The Misfit can be described as a distorted, violent character that questions the true meaning of life and his role within it. The Misfit uses the anger that he possesses inside of him as a form of violence, and this is why he is known to be a wanted murderer, ever since he escaped from the penitentiary. This Misfit was put into the penitentiary when he was accused of murdering his own father, which might have been a lie based upon the head-doctors accusations. O’Connor reveals violence in a very peculiar way, and this is based upon the struggle of living in a world where finding a good man is hard to find in our society.
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.
To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.
In A Good Man is Hard to Find, the grandmother and the Misfit both experience a life-changing event that leads to them having a clear understanding of who they should truly be. After the Misfit kills the rest of the family, the grandmother is left alone with the Misfit in the ditch. Once she sees the Misfit wearing her now dead son’s shirt, she is reminded that the Misfit is no worse than she is (Whitt 47). She is reminded of her son because of the shirt, but this thought inspires an even deeper understanding and thought beyond being confused as to why he is wearing that shirt (Whitt 47-48). She goes as far as to tell the Misfit “Why you’re one of my babies. You’re one of my own children!” (Whitt 47). She realizes that her beliefs and thoughts of the old fashioned southern social class structure that everyone must be good or they must be beneath an individual do not make sense or is applicable when faced with a serious event in life such as death (Whitt 47). The Misfit is taken back by what the grandmother has said to him and quickly shoots her three times without thought, as if by instinct, “as if a snake had bitten him” (Whitt 48). The truth that the grandmother speaks is too much for the Misfit to the point that he violently tries to reject it. Even though the grandmother is dead...
In Flannery O 'Connor 's short story, A Good Man is Hard to Find, the theme of good vs. evil unravels throughout the series of tragic events. The Grandmother’s epiphany introduces the idea of morality and the validity is left to the interpretation of the reader. By questioning the characteristics of right and wrong, morality and religion become subjective to personal reality and the idea of what makes individuals character good or bad becomes less defined.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.