Throughout the history of literature, several narrative elements become prevalent in order to effectively create an appropriate literary framework unerring to each contributing piece. In various cases, setting often marks a considerable plot drive. The two individual pieces, Life of Pi by Yann Martel, and “A Good Man Is Hard to Find”, by Flannery O’Connor, appear entirely unrelated on the surface; however, they share an undeniable thematic parallel- the innumerable facets that setting encompasses often prompts individuals to persist in a specific manner impartial to their well being. Whether fighting for life in the desolate ocean, or vulnerably anticipating death, surrounded by the seemingly endless woodlands, characters must learn to adapt to their given circumstances. As leading protagonists, Pi and the grandmother adjust to their environments and process what remains to contend with, evolving accordingly for survival. Although in Pi’s situation he battles physically, both he and the grandmother emotionally confront their hardships, coping with both inward battles and personal seclusion. Their minds create an imaginative world which they utilize as a form of protection. Piscine Molitor Patel, widely known as Pi throughout the riveting novel, strives himself to handle instances in a manner opposite to his previous beliefs in his time on the open ocean. Encountering a sea of distresses that alter him completely, Pi’s ability to extensively grasp situations aid him in his time of need. Ultimately, Pi’s aptitude reaches its brink. Initially, Pi professes his vegetarianism, but given his predicament he applies new logic. Moreover, with consideration of his survival, he recognizes that he must consume fish. As the novel progresses,... ... middle of paper ... ...asket, and the subject in control of the vehicle, Bailey, wrecks the car (O’Connor 426-427). Surrounded by the seemingly infinite setting, similar to Pi’s location, The Grandmother and her family confine within the forest. Without the ability to escape their reality, both physically and mentally, the family’s dismay thrives. The desolate ocean which Pi endures and the utterly remote woodlands that The Grandmother and her family experience evoke an inevitable correspondence; Moreover, they both must learn to cope with the seclusion in which they resist. Works Cited Martel, Yann. Life of Pi: A Novel. New York: Harcourt, 2001. Print. O’Connor, Flannery. “A Good Man Is Hard To Find And Other Short Stories.” Literature: An Introduction to Reading and Writing, 4th edition. Edgar V. Roberts. Upper Saddle River, New Jersey: Pearson Education, 2008. 418-427. Print.
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Show MoreIn 1953, Flannery O’Connor wrote “A Good Man is Hard to Find,” which turned viral and preemptive, due to a very controversial ending. Although Flannery lived only 39 years, she successfully made a name for herself as an American writer, publishing two novels and 32 short stories. Her southern gothic stories examined questions regarding morality and ethics, and featured flawed characters. Growing up in Georgia, she set out to highlight the sentimental nature of Christian realism, and although her stories were disturbing, she refuted the opinions of those who characterized her as cynical. In the last decade of her life, she wrote over a hundred book reviews, which were inspired by her religious Roman Catholic faith. She successively demonstrated her intellect, often confronting ethical themes from some of the most challenging theol...
Religion is a vital theme in many of the works of Flannery O’Connor, but it is mostly displayed in her works, A Good Man is Hard to Find and Revelations. Her stories portray a symbolic vision with the combination of traditional Christian values and the various social scenes of the twentieth century. In both stories, Christian signs were displayed. In both of Flannery O’Connor’s short stories, there are many similarities within the author’s characters and themes. O’Connor’s stories reveal connections to us through her characters. Although many differences are depicted between them, by the end of the story they show many resemblances.
To conclude, Flannery O’Connor’s “A Good Man Is Hard To Find” is filled with irony and it is what makes the story so interesting. Without the use of these ironies the story would have been very different for the readers. Flannery O’Connor uses irony to enhance her writing and to push the readers to want to read further. She also uses this irony to explain some of her own concerns about the human condition. Verbal, dramatic, and cosmic ironies are all present in Flannery O’Connor’s “A Good Man Is Hard To Find” and are used skillfully by the author to enhance the reader’s experience.
The story describes the protagonist who is coming of age as torn between the two worlds which he loves equally, represented by his mother and his father. He is now mature and is reflecting on his life and the difficulty of his childhood as a fisherman. Despite becoming a university professor and achieving his father’s dream, he feels lonely and regretful since, “No one waits at the base of the stairs and no boat rides restlessly in the waters of the pier” (MacLeod 261). Like his father, the narrator thinks about what his life could have been like if he had chosen another path. Now, with the wisdom and experience that comes from aging and the passing of time, he is trying to make sense of his own life and accept that he could not please everyone. The turmoil in his mind makes the narrator say, “I wished that the two things I loved so dearly did not exclude each other in a manner that was so blunt and too clear” (MacLeod 273). Once a decision is made, it is sometimes better to leave the past and focus on the present and future. The memories of the narrator’s family, the boat and the rural community in which he spent the beginning of his life made the narrator the person who he is today, but it is just a part of him, and should not consume his present.
1) O’Connor, Flannery, A Good Man Is Hard to Find (Women Writers: Text & Contexts Series). Rutgers University Press, 1993.
As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
Douglas, Ellen. "O'Connor's 'A Good Man is Hard to Find.'" Contemporary Literature Criticism. Eds. Carolyn Riley and Phyllis Carmel Mendelson. Detroit, MI: Gale, 1976. Vol. 6. 381.
Bandy, Stephen C. "One of my babies": The Misfit and the Grandmother in Flannery O'Connor's short story 'A Good Man Is Hard to Find'. Studies in Short Fiction; Winter 1996, v33, n1, p107(11)
“A Good Man Is Hard To Find” and “Good Country People” are two short stories written by Flannery O’Connor during her short lived writing career. Despite the literary achievements of O’Connor’s works, she is often criticized for the grotesqueness of her characters and endings of her short stories and novels. Her writings have been described as “understated, orderly, unexperimental fiction, with a Southern backdrop and a Roman Catholic vision, in defiance, it would seem, of those restless innovators who preceded her and who came into prominence after her death”(Friedman 4). “A Good Man Is Hard To Find” and “Good Country People” are both set in the South, and O’Connor explores the tension between the old and new South. The stories are tow ironically twisted tales of different families whos lives are altered after trusting a stranger, only to be mislead. Each story explores the themes of Christian theology, new verses the old South, and fallen human nature.
Flannery O’Connor’s short story “A Good Man Is Hard to Find” is about the misfortunes a family experiences while embarking on a vacation, but it goes further to depict the divergence between the superficial conflict in everyday life and the true battles in life threatening situations. O’Connor’s use of tone, syntax, and diction helps to develop the characters and illustrate the struggle of good versus evil, shedding light on the harsh reality of the prevalence and depth of real evil.
O’Conner, Flannery. “A Good Man Is Hard To Find.” The Backpack Literature: An Introduction To Fiction. Eds. X. J. Kennedy and Danna Gloria. New York: Longman, 2010. 355-368. Print.
In the short story A Good Man Is Hard to Find, written by Flannery O’Connor, the theme that the definition of a ‘good man’ is mysterious and flawed is apparent. The reader must realize that it is difficult to universalize the definition of a good man because every person goes through different experiences. Thus, these experiences affect his or her viewpoint and in turn flaw ones view on a good man. O’Connor conveys this theme through her excellent use of diction, imagery, foreshadowing, and symbolism as well as through a creative use of repetition and an omniscient point of view.
O’Connor, Flannery. "A Good Man Is Hard to Find.” The Story and Its Writer. Charters, Ann. Compact 8th ed. Boston: Bedford/ST. Martin's, 2011. 676-687. Print.
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.