Edmond Dantes: Reborn as the Count of Monte Cristo
Everyday people seem change themselves in one way or another, but sometimes people change their appearance and personality to the point where those who were close to them, can not even recognize them in a crowd. The Count of Monte Cristo, by Alexandre Dumas, is a story of a sailor, Edmond Dantes, who was betrayed during his prime time of his life by the jealousy of his friends. Dantes is sent to prison where he spends countless years planning an escape with the help of a fellow prisoner. The prisoner informs Dantes that he knows where a treasure is that one man can not even dream about. Dantes friend then happens to die, leaving Dantes with the information of where the treasure is. After escaping, and cheating death, Dantes strikes it rich when he discovers the treasure of which his friend talked about. From here on, the Count of Monte Cristo is born, and he sets off to seek revenge at those who put him in prison. Many people believe that Edmond abandoned his former self and tried to became the Count of Monte Cristo however, there are still some traces of Edmond Dantes locked up inside the Count.
Edmond Dantes easily changed his name to the Count of Monte Cristo, but at times he also changed his personality for this new title. As soon as Edmond Dantes was reborn as the Count of Monte Cristo, he gained his wealth and power and soon invested some money into servants to pamper him from head to foot everyday. One day while Albert de Morcerf is over, he remarks to the Count, “what I admire is your way of being served without a question... [ it is ] as though your servants guessed what you desired by your manner of sounding the gong, and as though everything were ready and waiting upon your desire“ (Dumas, 426). This shows that, the Count is a new and completely different person since when he was old Edmond Dantes he had no servants to pamper him every waking moment of his life because, he was also, one of lower class. Also, when Maxamillian Morrel comes to the Count in help for ill-fated Valentine, the Count rather tries to ignore the subject rather than help, like old Edmond would do. Once hearing that Valentine had been poison, the Count states, “What is it to me?
In the story “The Count of Monte Cristo”, there is also a meaning full theme to the story too. The story talks about a man named Edmond who hears noises in his jail cell, then wonders who is making the noise, why they are making
“Humble yourself or life will do it for you.” Having too much pride can cause karma to hit you very hard in life. The Count of Monte Cristo and Ozymandias are very common because they have very similar themes of being humble instead of having too much ego. In The Count of Monte Cristo Edmond Dantes, the main character, is in love with a beautiful young lady, Mercedes. His life is going very good to begin with anyway. He was promoted to captain of the Pharaon and was now making much more money than he used to be making. Although Edmond was a very happy and sympathetic person, some people were very envious of him. So Ferdinand, Danglars, and Caderousse, which were envious for very diverse reasons, decided to write a letter to the public prosecutor stating edmond’s visit to The Isle of Elba actually did indeed happen. The public prosecutor, Villefort, sees that the letter was intended to be
	The story of Edmond Dantes starts out as him being a sailor, aboard the Pharaon; he’s soon to become captain of the ship. Monsieur Morrel is the name of the owner of the Pharaon and a great friend of Dantes. He treats Edmond with great respect. There’s also a little special lady in Dantes life, the beautiful and wonderful Mercedes. A dream job and a dream wife, who could possibly want more?
Alexandre Dumas is the author of the adventurous love story The Count of Monte Cristo, used both internal and external conflicts along with imagery. These literary elements enhanced the theme that revenge can drive a man to do the unthinkable. Dumas used these elements to tell the story of France’s history. His bestselling novels are not deep but have spectacular adventure, action, and larger-than-life-characters.
Inferno is only a piece of a much larger story written by Dante Alighieri. The entire story is called the Divine Comedy, which is composed of Inferno, Purgatorio, and Paradiso. Together these three pieces tell the story of Dante's journey through Hell, Purgatory, and Paradise; something that is easily discernible through reading the titles of each part. Dante wrote these poems somewhere around the year 1300. Originally written in what Dante referred to as Latin, there have been many different translations of his Divine Comedy. This has cause some variations in small details of the text, but the main story has stayed the same. Dante was highly involved in some political conflicts at the time which influenced some of his writing. The one thing that influenced Dante more than anything else in his writing was love. His love for the love of his life Beatrice was never ending. It was completely amazing how much he loved her. Now especially in Inferno it would definitely seem like love does not play a major part in the story. It does, love is the main reason the journey is imparted upon in the first place. A major but very overlooked theme in Dante's Inferno is love.
Though he may seem acquitted and amiable, Gerard de Villefort can be dangerous and even murderous. Gerard has done numerous things in his life to corroborate his sinfulness, including the assayed murder of his son, Andrea, by burying him alive when he was a newborn. Gerard is also one of the three main conspirators in the Count's arrest and imprisonment; it is he who is the most measurable of the three. The Count, Edmond Dantes, was an innocent man about to be married, before Gerard’s conception between right and wrong was twisted by the name of his father in a letter. Also, Gerard forces his wife to commit suicide; even though he had had many faults of his own.
Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a nave, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
Revenge is best served cold or so says the well-known expression. This idea of revenge that they seek is usually to restore a balance and take an “eye for an eye” as the bible says. Revenge, if by chance everyone were in Plato’s perfect utopia, would be in a perfect form, where justice and revenge would be one, and the coined phrase an “eye for an eye” would be taken literally. By taking an eye for and eye, and punishing those who did wrong equally as they did wrong, there is justice. However, this revenge sometimes goes to far and is consequently not justice. This notion of Revenge and justice is often in literature, one of the better-known being the novel The Count of Monte Cristo, written by Alexandre Dumas. However, literature is not the only time that revenge and justice is discussed in. Works and Rules and real-life events that took place like the Bible, Hammurabi’s code, Twelve Tables, and others each have something different about the topic. More religious texts seem to forbid violence, while laws, such as the Hammurabi’s code, recommend revenge, but equal revenge. By judging from literature, it can be concluded that most authors have different opinions on the matter at hand, and revenge is sometimes justice, but usually not, and tends to lead to violence that was not intended.
In the passage from “The Count of Monte Cristo” it’s about a man named Edmond who was a prisoner at a jail. While he was lying down on his bed he was experiencing strange hollow sounds through the wall he was lying against. He thought that it was Heaven warning him about why he’s in prison and that he made many mistakes through his lifetime and that’s why he got into jail in the first place. Edmond was terrified, but then he noticed the jailer walking by who could help him with what he was experiencing. Thankfully the jailer did help and the whole problem was solved knowing that what was in the wall was a prisoner trying to escape, but didn’t happen to get out.
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
is the understanding of this "rich" character. In this study I will try to analyze some of his traits (invisibility-lack of indentity , blindness) and his journey from idealism to a grim realism about the racism that confronts him in the story.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
"The Count of Monte Cristo" is a book which contains few characters but many identities. Edmond Dantes if not the main character, than one of the main characters kind of has a reality dysfunctional problem. In the book, Edmond Dantes creates various identities to fulfill his missions(fantasies). One of the few characters that Edmond Dantes transformed into was Sinbad the Sailor.
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.