Olive Schreiner published The Story of an African Farm in 1883 with the pseudonym “Ralph Iron” (Waterman, 43). Like many other women writers of the Victorian era, Schreiner used a male pseudonym to exploit the sexism of the Victorian publishers (Younge, 4). In doing so she demonstrated the necessary role-playing required by women to be involved in the literary culture (Tigges, 189). Women writers like Schreiner disguised their identity as men to secure their place in the literary world and criticize the foundations of the society that made such disguises necessary (Younge, 4). Schreiner attempted to explore the Victorian ideologies of gender and the possibility of going beyond gender stereotypes in this novel. In particular, through the experiences of the characters in The Story of an African Farm the “separate spheres" rule is presented as restrictive and unfair, especially in the area of a woman’s education, work and personal relationships (Waterman, 45).
The dominant gender stereotypes of Victorian society are criticized in The Story of an African Farm primarily through the characters of Lyndall and Em. Schreiner explores the gender role by analyzing the gender stereotypes of Victorian women through the character of Em and presenting untraditional gender roles played by Lyndall (Tigges, 191). While the character of Em presents the picture of an ideal woman, character of Lyndall is known as “the first wholly feminist heroine” and one of the most confusing heroines in Victorian fiction (Waterman, 47). Strongly contrasted with Em and other Victorian women characters, which easily conformed to male authority and choose domesticity, Lyndall represents a “New Woman” in the colonial setting (Younge, 8). Her feminist awakening form...
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...s. The use of sexist language presents a pessimistic vision of society as frustrating and unchangeable. The novel challenges Victorian ideologies of gender through Em which later gets challenged by the action of Lyndall who conforms to many societal rules of gender.
Bibliography
1. Schreiner, Olive. “The Story of an African Farm.” London : Hutchinson & Co. 1893
2. Tigges, Wim. "A Feminist Mirage of the New Life: Utopian Elements in the Story of an African Farm." DQR Studies in Literature. 46.1 (2010): 189-208.
3. Waterman, David. "Olive Schreiner’s The Story of an African Farm: Power, Gender and Age." English Studies in Africa. 40.1 (1997): 43-52.
4. Younge, Chantal. "Challenging Victorian Ideologies of Gender, The Problems of Contradiction in Olive Schreiner’s The Story of an African Farm." Edith Cowan University. 24 June 1991. 20 February 2014. 2-36.
Even though women such as Lucy demonstrate stereotypical female weakness, characters such as Mina defy the conventional submissive female, as an independent woman, a role uncommon of novels in this era. In addition, Mina, in comparison to men, possesses substantially stronger emotional fortitude and controls her emotions, while the men who are supposed to be strong expose emotional weakness and frailty. Ultimately, however, no matter Mina’s intelligence or strengths, the men continually suppress Mina’s vast amount of wisdom in order to maintain their perceived dominance. Nonetheless, Stoker’s messages throughout the novel regarding women silently protest the sexist expectations of the overly limiting Victorian era. Should today’s modern feminists take Stoker’s peaceful approach and protest subtly hoping for long-term change? Or should feminists act with violent protests in hope for prompt change? Gender equality will not happen overnight, however, instead of rushing minuscule modifications with violent protest, society must patiently wait for productive and peaceful change, in order to prevent an even larger
In today’s society, gender issues are often discussed as a hot topic. In literature, feminist views are used to criticise “societal norms” in books and stories. Two popular pieces by authors Kolbenschlag and Hurston paint two very different views on women. One common assumption in the use of a feminist critical perspective is that gender issues are central. Kolbenschlag who wrote the literary criticism “Cinderella, the Legend” would most likely disagree with this statement, she feels that women bare greater burdens in society and are more largely affected by social norms.
Howard, Jean E. “Gender, Race, Sexuality, and National Identity in Heywood’s Fair Maid of the West.” Women, “Race,” and Writing in the Early Modern Period. Margo Hendricks and Patricia A. Parker, Ed. New York: Routledge, 2004.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
In the late 19th century and early 20th century, idea for the equality of women began to ignite a fire within the world. Women wanted to fight oppression and have a chance to experience the same rights as men. However, although suffragettes would not fight fire with fire until a couple of decades later, the idea of escaping societal roles and gain freedom within society and marriage possibly inspired literary works during this time period. These issues of the inequality between men and women in marriage and society plays strong roles in literary works. In “A Doll’s House” by Henrik Ibsen, “Trifles” by Susan Glaspell, and “The Yellow Wallpaper” by Charlotte Perkins Gilman all have something in common: the women are oppressed by the men and society, and ultimately pull away from their societal roles and break free.
Margaret Atwood’s novel, Alias Grace, nominated for the Arthur Ellis Award for Best Novel, depicts a young 16 year old girl who is found guilty of murdering her employer and his lover in conspiracy with James McDerrmott. James McDermott is put to death by hanging, but Grace is brought to prison because she is of the “weaker sex.” This is a reflection of the construction of femininity and masculinity of the mid and late nineteenth century. A social issue of the Victorian age was women being treated as subordinate to men. Queen Victoria says, “Victorian ideology of gender rested on the belief that women were both physically and intellectually the inferior sex”(YILDIRIM). Women were seen as highly susceptible to becoming mentally ill because of this belief. Women were subject to only be “housewives.” The novel, Alias Grace, accurately shows the construction of this gender identity through society, sexuality, and emotion while challenging it through Grace’s mother and Mrs. Humphrey.
Society’s gender roles have been changing and evolving, though not necessarily a positive change. Women’s expected and defined role have changed and broken by women who refuses to follow their expected roles in society and decide to rebel against the norm. The pages of history have their own evidence of evolution of these female gender roles into the roles they are following now. Susan Glaspell’s “Trifles” and Henrik Ibsen’s “A Doll’s House” both contain a female protagonist and make us observe and understand how society in their period of time expects of them and their roles. Both these plays let us rethink and compare a female’s role in their period of time with our modern time through points and events that led them into realization of their roles and identity.
Nilsen began this study of the dictionary not with the intention of prescribing language change but simply to see what the language would reveal about sexism to her. Sexism is not something that existing independently in American English or in the particular dictionary that she happened to read. Rather it exists in people's minds.
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
However, omissions in his account of his time spent with the tribe provoke questions regarding the role of women in the society and the power dynamic in Cameroonian tribes, such as the Dowayo. In order to answer such questions, one may look to Miriam Goheen’s experience and fieldwork with the Cameroonian Nso people. Her fieldwork, which closely examines exactly such questions affords great insight into the role of the women in these regions and how their labors are regarded by the other tribespeople. Juxtaposed, Barley’s The Innocent Anthropologist and Goheen’s Men Own the Fields, Women own the Crops: Gender and Power in the Cameroon Grassfields provide a very interesting look into the people of the Cameroonian
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
Achebe, Chinua. “An Image of Africa.” EXPLORING Novels. Online Detroit: Gale, 2003. Student Resource Center – Gold. Gale. Ascension Academy. 9 June 2008.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
A feminist analysis on the other hand shows that Anowa is a woman who is struggling against the 1870’s African feminist identity (the identity of weakness). The drama surrounds the story of a young woman called Anowa who disobeys her parents by marrying Kofi Ako, a man who has a reputation for indolence and migrates with him to a far place. Childless after several years of marriage, Anowa realises that Kofi had sacrificed his manhood for wealth. Upon Anowa’s realisation, Kofi in disgrace shoots himself while Anowa too drowns herself. In a postcolonial analysis of “Anowa”, we can see some evidence of colonialism.