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Explain revenge as a theme in literature
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Examining themes of revenge english literature essay
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The novel, The Count of Monte Cristo, written by Alexander Dumas, is a story with a plot that is full of madness and vengeance. This story taking place during the Napoleonic Era shows us how a very naive character, Edmond Dantes, is betrayed by his “friends”. He is put in jail where he is to live the rest of his life. This unjust act stimulates anger in Dantes which arouses a feeling for vengeance in him. When he escapes from prison he plans his revenge and takes action until he has completed what he started and wished for. Since every part of this novel leads to something Dumas structures the book in three major sections. The three major sections into which the structure of the novel is divided up are Dante’s desire for vengeance, carrying out of his vengeance, and completing his vengeance. The first section of the novel is Dantes building of desire for revenge on those who betrayed him. Dumas writes about Dante imposing, “No, I want to live, to fight on to the end. I want to win back the happiness that was taken away from me. I must punish my enemies before I die and I may ...
During Dantès’ time in the prison Château d’If, he becomes good friends with his neighboring prisoner, Abbé Faria, a priest who helps Dantès figure out who put him in prison and why. When Abbé dies from a disease he obtains from his past relatives, Dantès considers killing himself because he cannot bare the loneliness. Right before he makes the final decision to commit suicide, he cries out to himself “I want to live, to fight in to the end...
In Frederick Nietzsche’s The Death of God, his madman cries, “God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us?”(The Madman) To Nietzsche, the phrase "God is dead" is not to be take literally in the sense that he believed in an actual God who existed and then died. Rather, he is implying that the Christian God is no longer the go to for absolute moral principles. In a way, Nietzsche’s The Death of God is explaining that because people are starting to no longer believe in god, their morality isn't tied up in the idea of some imaginary being. It seems that Nietzsche's intended purpose was to do away with the traditional idea of “Christian” morality as he believed that because people were evolving to a place where they could create their own morality, God was unnecessary and irrelevant.
After Dante demands the narrator to leave, and then calls him a scrub, the narrator is confused and wonders if Dante is right. “You’re confused almost to the point of paralysis. Because what did you do wrong? Why does he hate you? Your heart thump-thump-thumping inside of your chest. Doubt setting in. Maybe he's right. Maybe you really are a scrub. Maybe you shouldn't be allowed to show up like this everyday, uninvited” (de la Peña). The narrator’s thoughts contribute to the character’s motivation because at this moment it seems like the narrator is thinking of giving up. However, the narrator doesn’t give up which shows he is persevering and has confidence in himself. With these thoughts we can infer that the character builds up motivation to prove Dante wrong about all the things he
Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a nave, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
I want to introduce you to, “The Count of Monte Christo,” by Alexandre Dumas. It is a story that starts as a love story that turns to betrayal and revenge. The Count of Monte Christo is set in France about 1804 in a large city. There was confusion to who led France, King Louis or Napoleon. France was divided by the two ruling parties. The main character is Edmond Dantes. He did many things in this story. He was a sailor, a lover, a friend, a captain, and a prisoner. Edmond was a tall, skinny black haired man in his twenties. When he was on the boat Pharon, the captain died and he was promoted to captain. When they return, he was convicted of treason and put into prison.
This quote symbols all feelings of sympathy and kindness have left Datnes heart as he now get revenge on all those who betrayed him. Dantes wants to be the instrument that hands out the punishment to his enemies.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Dantès knew there was a possibility that the people around him would be plotting against him, however, being so trusting he completely ignored this warning. While Dantes is at sea Alexandre Dumas mentions that Dantes and Danglars were in a quarrel. Danglars is jealous that Dantes is such a young man, and is going to be awarded the position of captaincy. Thus, Danglars determines to put an end to Dantes’ prosperous career. Before Dantès went away to sea, he owed a debt to Caderousse which he had not paid.
In conclusion, we can see that Dante presents the reader with a potentially life-altering chance to participate in his journey through Hell. Not only are we allowed to follow Dante's own soul-searching journey, we ourselves are pressed to examine the state of our own souls in relation to the souls in Inferno. It is not just a story to entertain us; it is a display of human decision and the perpetual impact of those decisions.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
...te become surer of himself and less of a coward. Dante lost respect for some of the shades, at the beginning of the poem he spoke with respect to the shades and pitied them immensely. Towards the ending of the poem Dante lost most respect for the shades and went as far as kicking a shade in the head demanding that the shade answers him. This shows a decline in the value of respect rather than gaining more knowledge in how to be respectful. Excellence is a core value related to personal development and Dante shows in increase in excellence as his journey comes to an end. Over all Dante’s character improves by the ending of the poem. Though he has been through hell he comes out with a new understanding of life, appears less depressed and more courageous.
The Scarlet Letter is a blend of realism, symbolism, and allegory. Nathaniel Hawthorne uses historical settings for this fictional novel and even gives historical background information for the inspiration of the story of Hester Prynne in the introduction of The Scarlet Letter, ‘The Custom-House’. The psychological exploration of the characters and the author’s use of realistic dialogue only add to the realism of the novel. The most obvious symbol of the novel is the actual scarlet letter ‘A’ that Hester wears on her chest every day, but Hawthorne also uses Hester’s daughter Pearl and their surroundings as symbols as well. Allegory is present as well in The Scarlet Letter and is created through the character types of several characters in the novel.