It is challenging to decide which is of greater importance when finding art pieces or artifacts for a museum: the historical import or the profit margin. For some, cost-effectiveness or revenue produced in future by marketing replicas will be a priority, but for others historical importance and representativeness of the real historical article will be more important. The discernment between buying the work of a young artist with great promise at the expense of a classic art piece being put away or sold, in reference to which decision would be more worthwhile for future generations, is extremely difficult. There are many different priorities, but they should be historical significance, historical representativeness, common sense and, finally, the marketability of the product.
If the marketability of a product is high, there is a chance that the historical value and artistic value were not in the first place. The historical value is often placed on the uniqueness of an object, the rarer it is, the more expensive it is, and the more willing historians will be to protect it. For example, if there were 52,000 soldier uniforms left over from World War 2, but only 10 left from World War 1, the significance in a museum would be placed on protecting the few left from World War 1. Theobald in [Source D] states, “If the shop’s only reason for being is money, then the museum is operating a gift shop.” From previous experience, “trinkets” or “treasures” oft found in gift shops have little or no historical or artistic value. The cause of this lack of value and uniqueness is because of easy replication of the item, which is often mass-produced like the souvenir artifacts mentioned in [Source D]. If there are to be 5,000 replicas of Van...
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...ious, inestimable magnum opus of Pablo Picasso’s or another impressionists’ artwork for a kindergartener’s doodles, even though the works may sometimes look similar or the child may show ‘promise’. It is an opinion that one should wait to buy artwork from an artist to display in a gallery until they are reasonably well known. This ensures some success with the display for the museum, and an escape from relative obscurity for the artist.
The most important considerations of a museum curator or private collector should be firstly the historical import of an artifact or art piece, then on the authenticity portrayed in the display (if in a museum), and finally, using common sense about both the items chosen for the exhibit and the marketing of souvenirs. Museums and art galleries should be about history and art, not capitalism and only the rosy points of history.
If the above mentioned paintings do not sound intriguing, the Frick’s remarkable holdings also include works by David, Goya, Renoir, Bruegel, and Velasquez. However, its collection is not limited to paintings only as significant sculptures like Bernini’s “Head of an Angel” from 1655 and Clodion’s ”Zephyrus and Flora” from 1799 can be found there as well. Along with these sculptures, an extensive collection of Italian bronzes and eighteenth century furniture combine to create a museum which although is small in size compared to the Metropolitan Museum of Art, makes up for it with an extensive collection of carefully selected pieces from some of the world’s most renowned artists.
But what is the real value of a copy? Is the statue on Riverside Drive worth more than the other representations that are exhibited in the Wallach Gallery? What brings the rotational photography to the initial work of art? Is something lost with the evolution of reproductive imagery, like the emotion of the instant, the spontaneity of the artist’s hand - the 'aura' of the original (as Walter Benjamin called it)?
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
The St. Louis Art Museum is one of the United States most renowned art museums that is located in our very own St. Louis. It has over 30,000 pieces of exquisite art that I had the privilege to witness. While there, I mainly examined the art pieces that were modern art, since that is of what I have a good working knowledge. There is a wide range of art that I also got to witness including the sculptures and the museum itself. In the past year, they have recently installed a new sector of their establishment that has done nothing less than enhance the entire museum’s overall beauty. The St. Louis Art Museum, there are many beautiful works, but there were three special projects that caught my eye while I was there. The Contemporary art periods, Modern art periods, the American art periods, and the museum itself.
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
...an picking the artifacts. Although I did learn about William Morris and his designs in my history classes I learnt about the concept behind his design decisions and in depth analysis of Morris’s evolution as a designer only when I started working on this exhibit. It is imperative that you do research before arriving on any decision in regard to putting up any exhibit. Furthermore after analyzing the different options, it is imperative that you have facts to back up your decisions of the artifacts chosen. Every artifact that you pick for your case should have direct relation to your concept and it should be consistent among all artifacts. Overall a lot of thought should be put into the exhibit and the concept must reflect the ideas distinctly.
People go to see artifacts in museums for experience. What could be a better experience than going to the place they are from? Yes, the trip could cost a little more, but you cannot replicate the historical value an object holds in its origin country. The price is nothing compared to the true understanding of the history we gain from going out and visiting the place they should be. The place they should be is their home, where they were found and formed, their origin country.
In Stephen Weil’s essay, he argues “the museum’s role has transformed from one of mastery to one of service” (Weil, 196). According to him, museums have changed their mission from one that cultures the public to one that serves
Imagine that one piece of history that is taken from a town. This piece of history tells l people how this town was built and all the important people that were apart of the community. “Returning Antiquities to Their Countries of Origin” by Joyce Mortimer can many people about how objects are getting taken from Museums. They should be returned immediately. There are so many artifacts out there that could be so important to people, and if someone can just imagine what it would feel to have one of the most important object taken from a museum and to be never returned again. Many people enjoy seeing these objects so why are they being taken?
...troversy as all countries have lost, to a great or lesser extent, treasures of national renown and significance over time. Wars, theft, treasure seeking, changing boundaries and migration have all in some way contributed to this diaspora of art. There is clear evidence that the historic placing of objects in locations remote from their origin has on occasion afforded protection and preservation, The Elgin Marbles in The British Museum being a case in point. However, given the overarching principle of self determination it is difficult to argue that serendipitous historic placement is sufficient reason for items of true national heritage to be kept indefinitely. A world-wide system of touring exhibitions and cultural exchange, with context being provided by the originating society may provide the natural progression to the accessible widening of people’s experiences.
People without knowing these books and paintings are really valuable, they have been keeping them knowing they were passed down generation. Other have just gotten rid of them by selling them and they are looking for others to collect them all once again. FBI's are doing what they can to help locate these valuable works of art, and they have put a reward to the ones who know or have these pieces. Researches
A curator needs to be able to negotiate and be willing to compromise, as it is often the task at hand to borrow from museums or other locations. Teamwork and flexibility are also valued, as the job isn’t completely independent. Museums are designed for public enjoyment, so good communication a...
The subject of art conservation and restoration has long been debated in the art world. Experts and historians have never agreed that all art must be salvaged at any cost. This paper will examine what art conservation and restoration is, what is involved in these endeavors, and what has been done over the centuries to many of history’s cherished art pieces.
Museum defines as an institution housing collections of objects of artistic, historic, or scientific interest conserved and displayed for the educational and enjoyment of the public. Museums are places of memory that provides the link of distant past to the present generation which also help the society to know the path their forebears trod. The main purpose of museum is neither to educate nor entertain but rather creates a memory bank would remind us of the past. No wonder most societies in different parts of the world traced their origin through the works of arts history. There are many types of museum includes museum of Antiquities-in which are housed ancient pieces of furniture or objects of art such as sculptures, paintings, ceramics, textiles and other crafts. Public record office museum serving as collection centre for famous documents, War museum containing relics of national wars, Maritime museum for maritime history, museum for architecture, with types, structures and styles of building, etc., Museum for Local/Indigenous Technologies, Science Museum, with objects depicting history of science and engineering and Natural History Museum. However, all types of these have their own roles of information institutions in national development. The main roles are to identify, acquire, preserve, and exhibit unique, collectible, or representative objects. The role of museum in the life of a nation involves conducting research into the vast natural history heritage and biodiversity of the country, serving as a repository, of natural objects, source materials and taxonomists in that country, creating scientific awareness, on natural history resources of the nation through annotated exhibitions for public enlightenment in display ga...
In exploring and understanding this subject, one must study the history and development of individual museums and galleries, observing the exterior architecture as well as the internal design, and the reasons behind any developments or renovations done to the buildings. In addition to this the location of the museum must be considered, to see if the surrounding architecture influences any modernisation or extensions taken out on the buildings, as well as considering the expectations and ideas of different cultures, and how they might manipulate the evolution of such places over the past fifty years.