`` Confetti Girl `` By Diana Lopez And Tortilla Sun By Jennifer Cervantes

`` Confetti Girl `` By Diana Lopez And Tortilla Sun By Jennifer Cervantes

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Conflict between the main characters in fictional stories can be so thick, you need a razor-sharp knife to cut it; that is definitely the case in the two literary texts I recently analyzed titled “Confetti Girl” by Diana Lopez and “Tortilla Sun” by Jennifer Cervantes. In the first text, tensions mount when a social butterfly of a teenage girl and her oblivious father lock horns over the subject of homework. In the second passage, drama runs high when a lonely child and her career-driven mother battle over the concept of spending the summer apart. Unfortunately, by the end of both excerpts, the relationships of these characters seem damaged beyond repair due to their differing points of view - the children end up locked behind their barrier-like bedroom doors, seething with anger and distant from the hearts and love of their parents. In these stories, conflict occurs when the child sees the situation from a point of view that is blind to the parent’s best intentions and the parent sees the situation from a point of view that is blind to the child’s emotion.
The nameless narrator in “Confetti Girl” clearly doesn’t understand why her rather harmless and considerate father wants her to complete her homework assignment, and that leads to drama in their relationship. Towards the climax of the passage, the young girl shares her perspective on her dad’s desire to help her achieve her academic goals. “Nothing’s more important than his books and vocabulary words. He might say I matter, but when he goes on a scavenger hunt for a book, I realize that I really don’t” (Lopez 26). This cite illustrates just how sightless the teenage narrator is because she fails to see that her father only left the dinner table to assist her and to do something...

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...ries “Confetti Girl” and “Tortilla Sun” arises due to the youth ignoring the parent’s good will and the parent ignoring the child’s feelings. From these wonderful pieces of fiction, I can apply thematic lessons to my own real life. First and foremost, I have learned that being thankful and accepting when someone is trying to help me is probably a useful technique; otherwise, I might miss out on a golden opportunity. In addition, I have learned that neglecting the feelings of someone near and dear to me is a recipe for disaster; however, if I am receptive to people’s emotions, then it will give me a chance to be there for them when they need me most. The only question that is still dancing around my mind after my analysis of these (rather sullen) texts is the following: why are we as humans so unwilling to accept a different point of view when it clashes with our own?

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