One may ask how is it that two stories that are written by different authors from different cultures at different times can similarly resemble each other’s features? “The Grasshopper and the Bell Cricket” written by Yasunari Kawabata and “The Flowers” written by Alice Walker are two stories written about childhood. Although both short stories include similarities in their themes of innocence and use of detail and symbolism when describing the emotions that correlate with growth, the stories contrast in their perspectives and settings.
When compared, both Walker’s and Kawabata’s short stories reflect related themes about childhood and innocence. In “The Flowers” the theme surrounds the subject of childhood by telling a story about a little girl named Myop. Myop, according to Walker, “She was ten, and nothing existed for her but her son”( __), this reflects Myop’s young age and innocence. The theme in Kawabata’s story resembles similar aspects of childhood and innocence. In “The Grasshopper and the Bell Cricket” Kawabata expresses the theme of his story through narrating his observations of children chasing insects with beautiful lanterns. Kawabata strongly insinuates a theme of childhood and innocence by comparing “The bobbing lanterns, the coming together of children on this lonely slope” to a “scene from a fairy tale”(1)
Both Walker and Kawabata include vivid details and frequently use symbolic literacy when referring to the emotions that correlate with the end of childhood and innocence in their stories. In “The Flowers”, Walker uses symbolism to express the end of Myop’s innocent childhood. In Walker’s story after Myop steps on a skeleton, Myop lays down the flowers that she had been collecting on her explorative nature ...
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...lings only through what he observed while on the other hand, by using an objective perspective, Walker is able to describe Myop’s feelings without any personal bias. Walker writes, “She has explored the woods behind the house many times”(1), this illustrates the narrator knows more about the character than what is being observed in the present.
While both “The Grasshopper and The Bell Cricket” by Yasunari Kawabata and “The Flowers” by Alice Walker include similar themes about childhood, one could contend that these stories are distinct from one another. Undeniably, both authors correlate childhood with innocence and the two authors use literary symbolism when describing their attitudes toward the imminent end of innocence. However, the stories contrast significantly by their setting, perspectives, and attitudes towards the end of innocence.
Works Cited
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Helena Maria Veramontes writes her short story “The Moths” from the first person point of view, placing her fourteen year old protagonist female character as a guide through the process of spiritual re-birth. The girl begins the story with a description of the debt she owes her Abuelita—the only adult who has treated her with kindness and respect. She describes her Apa (Father) and Ama (Mother), along with two sisters as if they live in the same household, yet are born from two different worlds. Her father is abusive, her mother chooses to stay in the background and her sisters evoke a kind of femininity that she does not possess. The girl is angry at her masculine differences and strikes out at her sisters physically. Apa tries to make his daughter conform to his strict religious beliefs, which she refuses to do and her defiance evokes abuse. The girl’s Abuelita is dying and she immerses herself in caring for her, partly to repay a debt and partly out of the deep love she has for her. As her grandmother lay dying, she begins the process of letting go. The moth helps to portray a sense of spirituality, re-birth and becomes, finally, an incarnation of the grandmother. The theme of the story is spiritual growth is born from human suffering.
After a four week survey of a multitude of children’s book authors and illustrators, and learning to analyze their works and the methods used to make them effective literary pieces for children, it is certainly appropriate to apply these new skills to evaluate a single author’s works. Specifically, this paper focuses on the life and works of Ezra Jack Keats, a writer and illustrator of books for children who single handedly expanded the point of view of the genre to include the experiences of multicultural children with his Caldecott Award winning book “Snowy Day.” The creation of Peter as a character is ground breaking in and of itself, but after reading the text the reader is driven to wonder why “Peter” was created. Was he a vehicle for political commentary as some might suggest or was he simply another “childhood” that had; until that time, been ignored? If so, what inspired him to move in this direction?
In “The Flowers,” by Alice Walker, the flowers are used throughout the story to symbolize the beauty and naivety of childhood. In the beginning of the story the author shows the main character Myop walking down a path along the fence of her farm. Myop sees “an armful of strange blue flowers with velvety ridges…” The flowers are bright and colorful, reminding the reader of an innocent type of beauty often associated with them. This suggests the flowers were inserted in the story by Walker to reveal how young and innocent Myop appears to be. Later in the story, after Myop had discovered the dead body of a man who seemed to have been hung “Myop laid down her flowers,”. As Myop put down the flowers she was also putting down the last of her innocence.
Loss of innocence can happen in many ways. Some losses are enormous and hugely impactful, like killing, while others are small and subtle like growing up. Innocence is lost in the most innocuous ways, most of which aren’t noticeable, which brings this paper to a closing question, something implied through both of these works; something to think about. Is every loss of innocence bad, or are they just stepping stones on the path to becoming an adult?
‘Some idea of a child or childhood motivates writers and determines both the form and content of what they write.’ -- Hunt The above statement is incomplete, as Hunt not only states that the writer has an idea of a child but in the concluding part, he states that the reader also has their own assumptions and perceptions of a child and childhood. Therefore, in order to consider Hunt’s statement, this essay will look at the different ideologies surrounding the concept of a child and childhood, the form and content in which writers inform the reader about their ideas of childhood concluding with what the selected set books state about childhood in particular gender. The set books used are Voices In The Park by Browne, Mortal Engines by Reeve and Little Women by Alcott to illustrate different formats, authorial craft and concepts about childhood. For clarity, the page numbers used in Voices In The Park are ordinal (1-30) starting at Voice 1.
Both of these stories served as mile markers in the history of children's literature, and marked turning points in our Society. For the first time, children were allowed to think freely, and learn. They independently formed their own thoughts on life, God, and many of the other highly regulated aspects of their society. Until this time most of the children were taught to think as their parents or feel the wrath of vengeful and often cruel God.
Marita Bonner starts her short essay by describing the joys and innocence of youth. She depicts the carefree fancies of a cheerful and intelligent child. She compares the feelings of such abandonment and gaiety to that of a kitten in a field of catnip. Where the future is opened to endless opportunities and filled with all the dream and promises that only a youth can know. There are so many things in the world to see, learn, and experience that your mind in split into many directions of interest. This is a memorable time in life filled with bliss and lack of hardships.
Instructor’s comment: This student’s essay performs the admirable trick of being both intensely personal and intelligently literary. While using children’s literature to reflect on what she lost in growing up, she shows in the grace of her language that she has gained something as well: an intelligent understanding of what in childhood is worth reclaiming. We all should make the effort to find our inner child
her grandmother) and grief, Viramontes successfully paints an endearing tale of change. “The Moths” emphasizes the narrator’s oppression by her
In the stories written by John Updike and Jamaica Kincaid, both are completely different in terms of plot and the manner in which each were written, however through the elements of character and theme, the two can be closely associated to one another. By looking further into stories one will find that there is usually more than what meets the eye as illustrated in “Girl” and “A&P.”
Child and Insect is a lovely poem about the disappointment in life, which a little boy is just running into and starting to realize. Robert Druce has portrayed a simple but very appealing image of a very humane situation in a child’s life. The writer has delivered his massage to the readers trough a game of the little boy and the grasshopper. Child and Insect is a poem filled with great a variety of literary terms such as alliteration, symbolism, onomatopoeia, repetition, comparison, contrast, personification and run on lines which work all together in order to reveal three different stages in the poem characterized by a drastic change in the mood and the tone of the writing.
Throughout history the concept of innocence in literature has been a topic in which author’s have held an obsession with. According to Harold Bloom, the loss of innocence has played a large role in western literature since the Enlightenment when man was said to be initially good and then corrupted only by his institutions. (Bloom 6) The institution in which Bloom speaks of is nothing more then society. Society is what is believed to be the cause for the loss of innocence in children. Bloom has stated that a return to the childhood mindset would eliminate the social problems in which people suffer. This is unerringly why the cause of many physiological problems can be traced back to a problem or unsettlement in one’s childhood. (Bloom 7) The history of innocence continues further back in history as it is said that the first encounter of loss of innocence or “original sin” was from Adam and Eve when they ate the fruit of the forbidden tree. (Bloom 7) These historical events and ideas are what influence the works of authors from the 19th century to modern day.
Walker uses the positive imagery of “The Flowers” at the beginning of the novel to set up a naïve, sweet world in which a gruesome appearance of the lynched victim turns out to a reasonably unexpected, shocking event that robs Myop of her innocence. The first half of the text focuses on Myop’s childlike innocence with sweet kinesthetic imagery of Myop feeling “good and warm in the sun” to hit specifically on Myop’s childlike inhibitions. In the same case, sweet and gentle visual imagery continues to play in the first few paragraphs of a happy agricultural lifestyle where “each day a golden surprise” and a ten year old girl like Myop could “skip lightly from her house to pigpen” and bounce “this way and that way”. Myop’s joyful rapping of the stick that goes “tat-de-ta-ta-ta” enables auditory imagery to play on a merry sort of onomatopoeia that goes strongly with Myop’s innocence. Imagery had little direct prepa...
In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults are placed in opposition of one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I happy am,/ Joy is my name.’” (Line 4-5) The speaker in this poem is portrayed as being immediately joyful, which represents Blake’s larger view of childhood as a state of joy that is untouched by humanity, and is untarnished by the experience of the real world. In contrast, Blake’s portrayal of adulthood is one of negativity and pessimism. Blake’s child saw the most cheerful aspects of the natural wo...
Elwyn Brooks White, or E.B White is best known for his children’s books The Trumpet of the Swan, Stuart Little, and one of his best known books; Charlotte’s Web. E.B was not a children’s writer from the beginning, he wrote pieces such as poems and short stories for Harper’s Magazine. For that magazine, E.B “wrote three children’s books- Stuart Little, Charlotte’s Web, and The Trumpet of the Swan- which became classics” (The New Yorker 375). White has a very different style that he writes with, “White developed his books for children in the manner of Kafka, The books are Kafka with an American twist, they are Kafka with happy endings” (Epstein 380). William Dean Howells had once said, “What American public wanted ‘was a tragedy with a happy ending’” (Epstein 380). “The combination of seriousness and whimsy, or of the minute and the momentuous, is effective, and at times profoundly true. Because human experience is a curious mixture of shifting tones and moods there is a basic honesty in White’s writing: he reveals himself as a man unafraid of surface contradictions or of simple and natural responses” (Sampson 530). White used experiences he had throughout his life and incorporated them into his children’s books. He also uses animals in his books, because “children love living things and have their own fascination with the animal world. Children, they are permitted to love things they do not understand” (Epstein 380).