Irony and inversion mark the central themes to As I Lay Dying. Faulkner uses these significant themes to challenge the classical quest and invert characters and events to the opposite of what readers would cfonsider normal. The basic plot of the Bundren family travelling from their home to Jefferson portrays as a pointless and destructive quest. Many readers may expect the characters to reach a goal such as finding a valuable treasure or receiving a prize at the end. But in this novel, the quest remains pointless and destructive as the characters bury a dead body. As a modernist writer, Faulkner uses irony and inversion to collapse the hierarchy of a quest, giving readers a need to constantly reevaluate their knowledge of the novel.
For example, the family buries Addie in her wedding dress “laid in reversed (p. 88).” Faulkner literally inverts Addie in a wedding dress to juxtapose a happy future with death. The Bundrens place Addie in the coffin upside down “head to foot so it wouldn’t crush her dress (p. 88).” Vardaman even drills holes in her face and “nail[s] it shut (p. 65)” to make sure she can breathe after she died. Irony and inversion add an extra dimension to understanding the novel by providing insight into the characters’ innermost and absurd actions.
Parallel to the Bundrens’ lives, Addie’s corpse throws the coffin off balance. Therefore, the coffin becomes the gathering point for the family’s dysfunctions. Cash made it “tight as a drum and neat as a sewing basket (p. 88).” The coffin symbolizes the lack of balance (literally and figuratively) that the Bundrens take to bury Addie in Jefferson. Throughout the novel, the coffin also serves to emphasize the absurdity of the Bundrens' journey. For instance, Cash meticulo...
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They go through this entire quest just for the funeral to occur among the pages. They don’t describe the actual funeral at all; readers only read about Anse “borrow[ing] the shovels (p. 258)” and coming back with the new Ms. Bundren. Completing the journey of burying Addie does not actually accomplish anything at all. Ironically, the end of the quest simply results in more misery for the Bundren family. Therefore, Faulkner uses irony and inversion throughout the novel to break the storyline and reveal reality as subjectivity. Therefore, he uses irony and inversion as significant themes to challenge the classical quest and invert everything to the opposite of what readers would consider normal. He collapses the hierarchy of a quest with a modernist way of thinking. Therefore, irony and inversion mark the significant themes in As I Lay Dying.
Yoknapatawpha County is a fictional county made up by William Faulkner in which As I Lay Dying takes place in; this is now the third novel to take place here. As I Lay Dying was one of the last novels written in the 1920’s by William Faulkner and within fifty-nine chapters, this novel features a unique narration of fifteen different first person narrators. Each chapter is written from that particular character’s perspective telling their version of what is happening in the novel, making this not only an interesting take on narration but a compelling read as well. Faulkner uses the characters use of language to help us identify and see glimpses into the lives of the Bundren family; through this we can understand the revenge and secrets from within the characters that is blind to the most if not all-remaining characters within the novel.
In William Faulkner's As I Lay Dying, Moseley provides the reader an escape from the delusional world of the Bundrens and a glimpse of society, as it should be. Appearing only once in the novel, the elderly pharmacist is essential in emphasizing Faulkner's theme of moral values over self-seeking voracity in that he defends what he knows is right at all costs. Moseley is introduced in the small town of Mottson, where Dewey Dell wanders into his drugstore store with ten dollars from Lafe, and the intention of eliminating "the female trouble." (200) After much confusion, it is made clear that Dewey Dell wants an abortion, treatment that Moseley repeatedly refuses, despite her persistency. Discouraged, Dewey Dell eventually leaves, after a stern lecture from Moseley and advice to take the money and buy a marriage license. Moseley's morals, contrasting to the other characters' in the novel, may provide support for Faulkner's religious beliefs while adding a sense of righteousness to a world of iniquity.
He is opposed to the family sitting by the bed and watching Addie die and cash sawing away at Anse's coffin. But at the same time, he tells Darl to shut up when Darl raises an objection to the three-dollar trip Addie tells them to make. Imagery is an integral part of any narrative. The multiple narratives and cross observations made in As I Lay Dying are complex and they consist of many spectrums. Imagery alone can be sufficient to give the reader a rich sense of emotion, but when it symbolizes the themes of the story and reflects on the characteristics of the narrator, it is truly a masterpiece.
Anse Bundren is one of the most exceptional characters in “As I Lay Dying”. He was the husband of Addie Bunden. In the Story, he portrayed himself as being a very selfish individual.
“As I Lay Dying, read as the dramatic confrontation of words and actions, presents Faulkner’s allegory of the limits of talent” (Jacobi). William Faulkner uses many different themes that make this novel a great book. Faulkner shows his talent by uses different scenarios, which makes the book not only comedic but informational on the human mind. As I Lay Dying by William Faulkner is a great book that illustrates great themes and examples. Faulkner illustrates different character and theme dynamics throughout the entire novel, which makes the book a humorous yet emotional roller coaster. Faulkner illustrates the sense of identity, alienation, and the results of physical and mental death to show what he thinks of the human mind.
Toni Morrison’s Beloved tells a story of a loving mother and ex-slave who takes drastic measures to protect her children which later affect her entire life. In contrast, William Faulkner’s As I Lay Dying goes through the life of the Bundren’s after their mother passes away and their journey to get her coffin to Jefferson. The bond between a mother and her children is chronicled in these novels. Both Faulkner and Morrison explain how the influence of a mother can affect how a child grows and matures through her love and actions.
Faulkner, William. As I Lay Dying. 1930. Edited by Noel Polk. New York: Vintage, 1985. Print.
If it had not been for the foreshadowing so well placed in the story we would have no clues as to who lie in the bed. No indication as to what might have led to his murder and for him to be left in the upstairs bedroom. Although Faulkner did not answer such questions for the reader, he gives enough information in the foreshadowing for conclusions to be drawn.
Addie Bundren of William Faulkner's As I Lay Dying has often been characterized as an unnatural, loveless, cold mother whose demands drive her family on a miserable trek to bury her body in Jefferson. For a feminist understanding of Addie, we have to move outside the traditional patriarchal definitions of "womanhood" or "motherhood" that demand selflessness from others, blame mothers for all familial dysfunction, and only lead to negative readings of Addie. She also has been characterized as yet another Faulkner character who is unable to express herself using language. This modernist view of the inexpressiblility of the creative spirit does not apply to Addie simply because she is not an artist; she is a woman and a mother, a person who feminist theorists would desribe as "traditionally mute." To characterize her using universalizing, humanist terms erases the way that her character is marked by her biological sex and by the gender roles she is forced to play. Addie is not a representative of humankind, or even of womankind, but an individual woman trapped in a partriarchal world that represses her desires and silences her; a woman who longs to find an identity of her own that is outside patriarchal constructions and not always definable in relation to the men and the children in her life. Most importantly, Addie is a character who is acutely aware of the linguistic and social oppression that traps her into a life she does not want.
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
In As I Lay Dying (1930), Faulkner creates the deceitful, insensitive character, Anse Bundren, who will do anything to get what he wants, even if it means stealing and injuring his own children, symbolizing the avarice and apathy that can result from a world of non education, poverty, and overall suffering.
William Faulkner, a Nobel Prize winning author, wrote the novel "As I Lay Dying" in six weeks without changing a word. Considering the story's intricate plot, not changing a single word seems like it would take a literary genius to complete. Many people agree that Faulkner could very well be a genius due to the organization of this story. Faulkner uses fifteen different characters to narrate and allow the reader to analyze each of their point of views. Through the confessions of each character, the reader is able to form his or her opinion about different characters and issues. Since some narrators are unreliable for different reasons, it could be confusing to form opinions. One character that is easily understood is Dewey Dell Bundren. She is the only daughter in the Bundren family and ends up being the only woman in the family. "As I Lay Dying", the story of a family's journey to bury their mother and wife, is also the story of Dewey Dell's journey toward maturity. Along their journey to bury their mother, the characters, like Dewey Dell, seem to evolve through their encounters with other people. Faulkner depicts Dewey Dell as a very monotonous person in the beginning of the book. In the beginning, Dewey Dell is seen fanning her mother, picking cotton, or milking cows. However, towards the end of the book, her repetitiveness is lost. Towards the end of the novel, Faulkner specifically shows Dewey Dell in numerous situations becoming a mature individual.
Darl Darl, the second child of Anse and Addie Bundren is the most prolific voice in the novel As I Lay Dying, by William Faulkner. Darl Bundren, the next eldest of the Bundren children, delivers the largest number of interior monologues in the novel. An extremely sensitive and articulate young man, he is heartbroken by the death of his mother and the plight of his family's burial journey. Darl seemed to possess a gift of clairvoyance, which allowed him to narrate; for instance, the scene of Addie's death. Even though he and Jewel were away at the time.
In As I Lay Dying, by William Faulkner, the coffin is an important inanimate object. After the death of Addie Bundren, the Bundren family embarks on a 40-mile journey to Jefferson to respect her wish to be buried there. Cash Bundren builds the coffin while Addie is dying, the coffin goes through many obstacles with the Bundrens during the journey, and the overall objective of the journey is to bury the coffin. Although the coffin literally serves as a box that contains the corpse of Addie, the coffin also serves as the central symbol of the family's love and gratitude towards her as well as their instability.
Many mothers, regardless of age or situation, share sympathetic life ideals. They all share the common goal of raising their children wholesome; they want to create an environment of love, nurture, and support for their children as well. A mother’s effort to implant good values in her children is perpetual; they remain optimistic and hope that their children would eventually become prosperous. However, some women were not fit to be mothers. Thus, two different roles of a mother are portrayed in As I Lay Dying written by William Faulkner. Faulkner uses the literary technique of first person narrative with alternating perspectives. By doing so, Faulkner adds authenticity and the ability to relate (for some) to the two characters Addie Bundren and Cora Tull. The first person narrative acts as an important literary technique because it allows the reader to experience the opposing views of Addie and Cora; they are both mothers who act as foils to each other because of their diverse opinions and outlooks on motherhood, religion and life.