Unlike the first two waves of feminism, the main goals of the third-wave are still subject to debate. It is generally believed to have formed with the birth of the Riot-grrrl punk rock movement in the Pacific Northwest. The all-female Riot-grrrl bands focused on female empowerment through their message and their music. Carrie Brownstein was a founding member of Sleater-Kinney, one of the defining bands of the Riot-grrrl movement. Her career as a musician, writer and actress over two decades can be seen as a reflection of third-wave feminism in the sense that both are hard to define in concrete terms.
Sleater-Kinney was unlike most of the iconic Riot-grrrl bands to have emerged during this "take back the music" era. Mostly due to timing as their presence was not felt until the end of the Riot-grrrl movement. The band had a deeper focus on the creationism of sound, not just the subcutaneous lyrics other bands channeled their aggression through. It wasn't until the d...
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... The Movie. Dir. Arne Johnson, Shane King. Perf. Carrie Brownstein, Beth Ditto. Ro*co Films. 2008. DVD.
Gloudeman, Nikki. "15 Minutes with Carrie Brownstein." Mother Jones 22 Mar. 2010. Electronic.
Gross, Terry. "Brownstein And Armisen's Comedic Take On Portland." NPR. Natl. Public Radio, 5 Jan. 2012. Web. 12 Mar. 2014.
Leonard, Marion. Gender in the Music Industry: Rock, Discourse and Girl Power. Hampshire: Ashgate Publishing Company, Aug. 2007.
Riordan, Ellen. "Commodified Agents and Empowered Girls: Consuming and Producing Feminism." Journal of Communication Inquiry 25.3 (2001).
Staff, NPR. "Wild Flag: Making Chaos Useful." NPR. Natl. Public Radio, 23 Sept. 2011. Web. 12 Mar. 2014.
Talbot, Margaret. "Stumptown Girl." The New Yorker. The New Yorker, 2 Jan. 2012. Web.
Weil, Elizabeth. "Carrie Brownstein Starter Kit." The 6th Floor, 29 Dec. 2011. Web. 12 Mar. 2014.
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