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Genesis of magical realism in literature
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History and Theory of Magical Realism The world is full of magical realism. Magical Realism may just become a word that people thought of in the 1930's; however, magical realism has been here for as long as the people have been able to tell and write stories. Whether the stories are true or made up, they are all magical realism. The first author who started associating the words of magical realism to out was a German art critic, by the name of Franz Roh. Roh considered magical realism an art category. It represented and responded to reality and depicted the enigmas of reality. In Latin America in the 1940's, magical realism was a way to express the realistic American mentality and create an autonomous style of literature. One feature of magical realism is ironic distance from the magical worldview should not compromise reality. The writer should strongly respect the magic or else the magic would go into folk belief or complete fantasy and split from the term of magic that relates it to Angel Flores (111). Authorial reticence another feature of magical realism, refers to the lack of clear opinions of the accuracy of events of the worldviews expressed by the characters in the stories. This technique promotes acceptance in magical realism. The simple fact of explaining the supernatural worldview can be part of reality (Wendy Faris, 165). Magical Realism can be art, poetry, and literature. Gabriel Garcia Marquez was linked to the style of literature known as magical realism. Literature is only one type of magical realism that is expressed wildely. The books of many different authors who have written literature can make a person's mind go far and beyond in their imagination. Scott Simpkins has stated that there are no limitations on the words of magical realism. He states that the truth is that the magic realist is always short of his her goal to explain reality. Many authors state that in the material state that some are deceived by the strategies and the failure as to the way the authors portray the words of magical realism. Wendy B. Faris wrote in her essay about children and their imagination. Children act upon their imaginations. The books that she talks about are for entertainment for readers. The fiction that Wendy B. Faris spoke is are modern and contemporary and is all basically magical realism. Irene Guenther is an author who has spoken of expressionism describing magical realism. Irene spoke of Roger Fry and the post-impressionism. He believed that the children had their own expression. The essay that she wrote states the date of 1920 as the time of magical realism. Basically, the words magical realism has been with us for a long time. Each and every author has a different date as to when the words magical realism came into focus. Amaryll Chanady speaks of control in her essay. Imagination and fiction are aspects of daily life. She speaks of imagination and what people are lacking in the world today. Amaryll Chanady spoke of the articles that artist and writers put in their books, and she states that they would not be able to do their thing without the imagination of magical realism. Franz Roh spoke of magical realism compared to painting and music as well as literature. Most people may or can understand magical realism upon reading a book; however, when art and music are involved some people have trouble with comparing them to magical realism. Magical realism is offered within the music and art, and some enjoy the sounds and the looks. They do not even realize that they are actually enjoying magical realism. Angel Flores evaluates magical realism as "Romantic" and "Poetic". He states the different opinions that other authors give. Each and every one has a different opinion of what magical realism is and does. Each author gave a different book or title of a book as an example of their interpretation of magical realism. What would this world be today if everyone had the same opinion? Luis Leal finds that the different authors have distinguishing characteristics and a style with interest and transforming the common and everyday world into the awesome and unreal. The article Leal wrote is mentions that the authors do not agree with anything each other have to say. In reality, magical realism has basically everything each and every author has said and written about. They are all combined together as a total of magical realism. Magical realism expresses emotions of the real and the unreal. Life is magical and unreal. The combination of the articles or essays written on magical realism provide a large impression of the meaning of magical realism. Different authors have written some great books who likes that should be read by everyone who likes to read things that have imagination and mystery. The world is full of magical realism.
The controversy surrounding Magical Realism makes the classification of what is and what is not Magical Realism very difficult. Gabriel Garcia Marquez, a famous Latin American author, has written many pieces of what is generally conceived to be Magical Realism. Marqez's "A Very Old Man with Enormous Wings" fulfills every characteristic of Magical Realism..
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
For all the reasons previously stated, it is concluded that magic realism played a huge role in society during the 20th century. It gave authors the ability to channel negative emotions in fictional writing. Although the three pieces of writing used magic realism differently, the three authors Julio Cortázar, John Steinbeck, and Raul Dahl were still able to give readers an escape from reality through use of magic realism.
Witches, Warlocks Vampires, are all magical realism. Magical realism is somewhat like different types of fiction, however, there are certain characteristics that make magical realism what it is. These genres are expressed in different ways and different situations demonstrated in stories and movies. Magical Realism is a genre that is not written the same way or demonstrated each time. Magical Realism has many elements that can either be individual or combined within a story.
Magic Realism was a term used by a group of art critics in the 1920’s. It was used to characterize a group of painters that were post expressionist. Throughout Latin America magic realism became the term to describe the style of work of the authors from 1950-1970. This period of time was also known as the “Latin boom” in literature.
Roh, Franz. "Magic Realism: Post-Expressionism." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995: 15-30.
The term Magical Realism is thought by most critics to have originated in the early twentieth century as a new art form. Franz Roh, to whom we attribute having coined the term, describes this "new" art form in his 1925 article "Magical Realism: Post Expressionism." Roh defines Magical Realism through a chronological examination of artistic styles preceding this "new art." The two periods on which he focuses primarily are Impressionism and Expressionism. Impressionism, which preceded Expressionism, focused on the artists' desire to portray something that existed in reality. An artist may examine the texture, light, or the shapes of an object. The portrayal was simply a caricature of reality, with no significant meaning or stimulation other than the obvious, realistic qualities with which viewers were already familiar. Expressionism, in contrast, sought to portray something with a very deep meaning, refusing to portray reality because it was too mundane and familiar. Intelle...
It is hard to decide at times what is Magical Realism and what is not, but there are many characteristics inside Magical Realism that helps us to decide what is. One of the characteristics is that "we recognize this world, although now- not only because we have emerged from a dream- we look on it with new eyes" (Roh). The artist achieves this characteristic by "the amalgamation of reality and fantasy" (Leal). However, in Magical Realism both the reader and characters of the novel must accept the unreal as real.
One month ago, I had never heard of Magical Realism. Since reading the four essays by Franz Roh, Angel Flores, Luis Leal and Amaryll Chanaday and various internet articles, I have a much better understanding of Magical Realism - what it is, how it applies to literature, how it applies to art, and its theory, history, and style.
“Magical realism combines realism and the fantastic in such a way that the magical elements grow organically out of the reality portrayed”. (Faris. 169)
While reading Franz Roh, Angel Flores, Amaryll Chanady, and Luis Leal, I have learned many things about magical realism. I also learned that there are many different definitions for magical realism. I have learned that magical realism is not considered a
[2] The definition of Magic Realism is based on a seminar hand-out, a lecture and Abrams, M. H. A Glossary of literary Terms. USA: Harcourt, 1999.
Obviously the most concise definition of magical realism is that it is the combination of magical and real elements. The magical elements that exist in works of magical realism are; superstitions, exaggerations, dreams that come true, universal humor and the coincidence of bizarre events. All of these Elements are present within Chronicle of a Death Foretold.
Faris, Windy B. "Scheherazade's Children: Magical Realism and Post Modern Fiction." Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Windy B. Faris. Durham & London: Duke University Press, 1995. 163-190
Franz Roh originally coined the term magical realism as pertaining to art, magical realism also evolved as a form of literary writing that began in the Latin and Central American countries. Magical realism is an amalgamation of the real and unreal, a fusion of dream and reality, and confusion within clarity. Magical realism became known for changing the way in which one thinks. Instead of seeing the ordinary and mundane, the Magical Realist brings a spark of life to the imagination that in turn enlightens the reader on a whole new level of thinking. As magical realism was defined as confusion within clarity, so is the world of probability.