Although these two movies move me so deeply, I think the nature of their solidarity and protests are worth considering. First, the solidarity of protesters does not equal to the solidarity of Japan. As the title of the film ANPO, Art X War: The Art of Resistance suggests, art is a powerful tool to resist war. While the title probably means painters like Ishii Shigeo use art to reflect upon the past and to express his opposition, the movie as a whole also suggests that a medium film is also a great way to resist war. Just as in other medium such as paintings and novels, a movie cannot reflect all perspectives and hence is more or less biased. In ANPO, Art X War: The Art of Re...
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...arena. What a compromise between two nations on a territory dispute is mutual understanding and love. At the end of his article, Sendal likewise advises that “it is possible to bring together the two types of issues—territorial and historical injustices—within a broader frame work of common understanding and a shared future … such an approach would have to transcend the aggressive nationalism” (355).
Therefore, while I admire protestors in these two movies, I think achieve peace in the long run it is indispensable to have an international perspective and to understand foreign nations. Furthermore, it is necessary that this thought replace the prevalent nationalism to become the mainstream ideology. Hugo says, “governments are sometimes bandits, peoples never”. Indeed, peoples are never criminals, yet
the silent in the crowd are accomplices who acquiesce in the crime.
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