Creator of Le Misanthrope and French playwright Jean-Baptiste Poquelin had written Tartuffe, or the Impostor during the 17th century. Among the classical stories of the Chinese literature entitled Journey to the West, otherwise known as "Monkey" is created by Chinese scholar Wu Cheng'en. The comedy Tartuffe and the Monkey by Wu Cheng’en are stories accentuating on the exploration of the concepts of appearance and reality.
Tartuffe is a simple, realistic story about understanding the real deceivers and those who are deceived in life as represented by the antagonist in the comedy named Tartuffe. In examining the entire story, there is only one deceiver in the story specifically Tartuffe. As the title character of the story, Tartuffe is highly remarkable for depicting various attitudes towards the other characters to hide his real intentions. Only the readers can truly see what was he really up to. He has tremendously played with every character in the story by hiding his true motive by means of presenting his holiness to Madame Pernelle at the beginning of the story as well as to Orgon. Orgon's two-sided character is revealed in the following lines, "some joys, it's true, are wrong in Heaven's eyes, yet Heaven's not averse to compromise... any wrongful act you care to mention, may be redeemed by purity of intention" (Lawall and Mack 360). On the other hand, the major character in the story of Wu, the Stone Monkey showed realism as they search for the Buddhist scriptures with the help of Tripitaka, Zhu Bajie and Sha Wujing or Sandy.
The stories may be derived from different periods and diverse countries however both characters of the stories showed similarity in character. The appearance of both characters, Tartuffe and the Monkey...
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...even disinherited his son for believing in Tartuffe instead of his own kin. On the other hand, the Monkey King showed candor in his dealings as he wanted to seek the Buddhist scriptures.
Examining the difference between reality and appearance is strongly manifested in this story. The author has made an impressive account of what is really happening to families whether during the earlier days or the modern times. The story of Tartuffe is a great lesson for every person that people should not be easily deceived by first impressions and the story of the Monkey King showed outspokenness along with truthfulness in intentions.
Works Cited
Kherdian, David, and Cheng'en Wu. Monkey: A Journey to the West : a Retelling of the Chinese Folk Novel. Boston: Shambhala, 2005. Print.
Lawall, Sarah N, and Maynard Mack. The Norton Anthology of World Literature. New York:
Although the chosen writer’s style structure is similar in Saint Monkey and “Trilobites,” the writer’s voice and word choice is different. The structure that an author has chosen is important for a author because of the way the story has happened. After reading the biographies of both Breece D’J Pancake and Jacinda Townsend, I realized that even growing up in different parts of the region is different. Both authors’ of Saint Monkey and “Trilobites” grew up in different states and had different lifestyles which has an effect on the writer’s writing
Tartuffe, a con artist, knows that if he can give an answer to the ultimate question then he must be of great importance. Tartuffe uses the established hierarchy and ideology of Orgon’s faith to mold himself into an exemplified “holy” individual. Blinded by his own faith Orgon fails to see through the carefully crafted facade. Tartuffe’s holiness resigns Orgon to, “my heart…surrendered to him” (1.5.24) certifying Tartuffe’s influence over Orgon. When questioning Tartuffe, the other characters are questioning Orgon’s faith. Once established an authority figure’s power will be met with confirmation bias. Nothing will convince Orgon of the deception, rather he will rationalize anything he is told. Tartuffe uses Orgon’s faith to manipulate him into evicting Damis who accused Tartuffe of infidelity by a display of faith: “I beg you on bended knee, to pardon him.” (3.6.40-41) This reaffirms Tartuffe’s holiness to Orgon and through this
At the top of the ladder sits the father, a high and mighty figure, like that of King Arthur. He towers above his family as if a king on a throne, looking down upon his royal subjects. He is the sole ruler and therefore must set himself apart from them. This is reflected in the position of his arms, which he keeps close to his body, like the independent child who refuses to hold his mother's hand when crossing the street. Even his manner of dress holds a stately aura. The yellow hat upon his head is golden and pointy similar to that of a royal crown worn by the great rulers of the past. The fringes on his costume surround his neck like the golden mane of a fearsome lion, king of the jungle. The leotard, itself, is an almost fleshy tone like soft peaches in the summer. It reminds one of an acrobat in costume during his death-defying tightrope act, high above the audience. His shoes, however, are thin and black like a bat in the night, contrasting sharply with the rest of the colors of the painting. It were as if they are demanding the well-deserved attention they have earned in all the effort it had taken them to get to the top. Yet, he looks down at the child with great hope, as would a king to his newborn successor, who would follow in his footsteps, performing great deeds to society and loved by all his people. It is also a look of unconditional love that cannot dissipate even if the child were to accidentally burn their house down or fall on top of him, breaking a few ribs in the process.
Tartuffe was an odious hypocrite whose apparent piety ingratiated him with the credulous Orgon and his mother Mme. Both Orgon and his mother believed that Tartuffe's pious example of immaculate ethics would be good for the remaining members of the fa...
Gordon accurately depicts the varied and vibrant Asian culture, by showing the reader this world instead of simply describing it. Each of the men whom Gordon uses to tell the story undertakes expeditions which are mixed with hardships and triumphs. The varied spectrum of Asian cultures is covered. Readers will find Gordon’s take on tackling this topic fresh and straightforward.
In life, people experience different situations and live different realities. It is not illogical to say that the different journeys in life sometimes give us different ways of viewing the world. This was evident upon a closer examination and analysis of Wu Cheng’en’s “The Journey to the West”, and Mary Shelly “Frankenstein”, where the two main characters of the book, a Monkey and a creature, each have a different way of viewing life. The monkey see’s life as a journey that should be explored, while the creature has no way of exploring and sees life as something he cannot enjoy. In the end, what can be taken away from the works of literature is that no matter the journey taken, it is important to remember that one’s subjectivity, built on our experiences, determines reality.
The idea that resulted in the Little Seamstress leaving the mountain maybe viewed as ironic by the reader. The ideas of being different and individual, that Lou held and put to practice were what communist Leader Chair man Mao Zedong originally feared. This was why the texts were originally banned in the first place, and viewed as revolutionary trash. As it was thought that they may result in an u...
is the understanding of this "rich" character. In this study I will try to analyze some of his traits (invisibility-lack of indentity , blindness) and his journey from idealism to a grim realism about the racism that confronts him in the story.
Woan, Sunny. "Interview with Gene Yang American Born Chinese." Kartika Review - an Asian American Literary Journal. Kartika. Web. 25 July 2011. .
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations.
Tartuffe is a satirical comedic play written by Molière in 1664. It is focused around the family of Orgon and the character of Tartuffe, who has become Orgon’s personal holy man. Before being brought into Orgon’s home, Tartuffe was nothing more than a common beggar who learned how to act pious. Throughout this play, we see Orgon give everything he owns to Tartuffe: his love, his money, his daughter, and even the deed to his house. While everyone else in the household sees Tartuffe for who he really is, Orgon remains blind to it throughout most of the play. Orgon is warned many times by different members of the household, including his own son, yet he only chooses to lash out against those speaking. From early on in the play we as readers are able to recognize that Tartuffe is no more than a hypocrite and Orgon is a blind fool. In the play Tartuffe by Molière there are several different important themes that impact this work,
This page is completely devoid of captions. The only words on the page are sound effects within panels. The author leaves you with only pictures and lets you figure out what’s going on for yourself. These two panels take place in the middle of the Monkey King’s battle with the gods and goddesses at the party. The panel sizes and shapes are very relevant and effect the scene much. There are two big panels that are diagonally sliced at the bottom. I think that the diagonal slice on the panels shows that the actions in these panels are choppy and ungraceful. The slice between the panels shows violence and turbulence. The layout of these panels is the smaller sliced panel on top and the larger one on bottom. This may show that with each panel, his violence is growing.
Within Tartuffe there are many stock characters that play into Molière’s farcical satire. None of which bring as much order and clear thinking as Dorine. This sassy thinking maid stands her ground against those in higher social standing, and is not blind forward to the madness in her surroundings like the other characters in Tartuffe. Dorine supports the theme naïve and awareness in of Tartuffe by using her position as a housemaid and knowledge of the social dynamics in the household to point out and address the corruption made by Tartuffe.
2. Journey from the Fall. Dir. Ham Tran. Perf. Kieu Chinh and Long Nguyen and Diem
Tartuffe is a comedy, but it still follows these characteristics. Firstly the appearance of a tragic hero. In this play, our tragic hero is not Tartuffe for whom the play is named, but is instead Orgon, the head of the household where the play takes place. Orgon is our tragic hero because he really isn’t a bad person. He isn’t seeking to ruin anyone with hidden plans or deception, he is just very unaware of what’s happening right under his nose. The tragic flaw that Orgon shows is just taking everything that tartuffe says as absolute truth and not questioning it at all. This is what ultimately leads to his error in judgement which is telling his daughter that she is to marry tartuffe and not Valere who she’s already proposed to. Of course, this doesn’t