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Henry IV part 1 politics
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Henry IV part 1 politics
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In the Shakespearean play, Henry IV part I, Hotspur and Hal are portrayed as valiant soldiers. They are not afraid of a good battle or of even dying in a fight. On the other hand, the fearful Falstaff is putting up a performance. He is pretending to be intrepid like Hal and Hotspur, when in truth he is just a coward, to gain the same type of honor Hotspur and Hal have.
Hotspur is displayed as a valiant soldier. He is not afraid of a fight and is the one who initiated a battle with Hal. Shakespeare writes, “Nor shall it, Harry, for the hour is come/ To end the one of us; and would to God/ Thy name in arms were now as great as mine!” (Shakespeare, 5.4.67-69). Hotspurs is not afraid to die in this battle, and knows that there is a chance he will
In this sense, he fakes his death to save his life and pretends to kill Hotspur to gain some honor. Shakespeare writes:
The better part of valour is discretion, in the which better part I have saved my life. Zounds, I am afraid of this gunpowder Percy, though he be dead. How if he should counterfeit too and rise? By my faith, I am afraid he would prove the better counterfeit. Therefore I’ll make him sure; yea, and I’ll swear I killed him. Why may not he rise as well as I? Nothing confutes me but my eyes, and nobody sees me. Therefore, sirrah (stabbing him), with a new wound in your thigh, come along with me. (Shakespeare, 5.4.118-126)
Falstaff is full of play pretend. His is such a coward that he admits he is afraid of Hotspur, a valiant man, even after he is dead. However, he is going to pretend that he is valiant and that he is the one who killed Hotspur. His use of the word counterfeit is to express who he really is. In this sense, counterfeit means fake or forgery. By pretending he is the one who killed Hotspur he is faking an act of heroism. Therefore, the actor who plays Falstaff, plays a coward, who plays a hero. Thus, differently than the valiant Hotspur and Hal, Falstaff is nothing but a fearful man who forges the performance of
Humans are addicted to judging others on their first impression. Humans will never read into the book, they just look at the cover. Many people, both fictional and nonfictional can not be judged until you study them. Someone who first appears to be only comic relief, could end up to be a very important character. Sir John Falstaff is but one of these people. Falstaff's righteousness hides under his vocalization. John Falstaff's character is hard to understand without analyzing his words. He loves to play games with his speech. Falstaff tricks his audience with complex words and phrases. Often John would win over his opponent by tricking them into saying things that they did not mean or getting them to think that he is not that bad. Falstaff said this in Part I act II scene IV. "... A question not to be asked. Shall the son of England prove a thief and take purses? A question to be asked. There is a thing, Harry, which thou hast often heard of, and it is known to many in our land by the name of pitch. This pitch, as ancient writers do report, doth defile; so doth the company thou keepest. For, Harry, now I do not speak to thee in drink, but in tears; not in pleasure, but in passion; not in words only, but in woes also; and yet there is a virtuous man whom I have often noted in thy company, but I know not his name." In this passage, the Prince and Fastaff trade places in speech and try to make the other look dumb. Fastaff later goes on to say that this wonderful person that the King is talking about. The way Falstaff does this proves him to be very keen. He proves that even though he may look dumb, he will still put up a good fight. Falstaff is very bold about his thoughts and opinions. He stands out because he is not afraid to think his own way. While most people agree, because of the other people around them, Falstaff chooses to make his own decisions and think for himself. This is proven when Falstaff and the prince switch places in a verbal fight. Every one else in the book thinks of the Prince as a perfect young man because he is the prince, however Falstaff is too smart for this, he points out that the prince is a thief.
Before the final battle Falstaff asks for Hal’s protection. Hal’s response is, "Say thy prayers, and farewell. Why, thou owest God a death"(5.1.124-126). This statement gives the impression that Hal has had a change of heart. In Act 5.2, Hal shows a different kind of honor when he attempts to take away all of Hotspur’s honor.
These three flashbacks display a great deal of information that the play did not give to its readers. The first scene was with Henry and Falstaff drinking and having a good time. It was used to show that Henry got along with the common people and in addition it also how Henry cared about how his subjects thought about him. Falstaff died of a broken heart. He died because during Henry's coronation, Henry disregarded Falstaff as if he never existed. Henry could not be friends with Falstaff when he was crowned king due to the fact that Falstaff was not a noble person to have around because criminals constantly surrounded him. As a result Henry chose his thrown over his family.
...in themes similar to those found in the two Henry IV plays, such as usurpation, rebellion, and the issue of lineage of royal right. But Richard II and King Henry V are decidedly more serious in tone, and in comparing them to I Henry IV and II Henry IV, the argument can be made that it is these two latter plays which resound with greater realism with the broader spectrum of life which they present. Shakespeare carefully balances comedy and drama in I Henry IV and II Henry IV, and in doing so the bard gives us what are perhaps the most memorable characters in all of English literature.
Prince Harry’s plan to kill Hotspur puts his life on the line to prove his valor. He swears all this in the name of God, a solemn oath. Act five shows Harry’s final development. In act five, scene four, King Henry IV fights against Douglas, a leader in the rebellion. Just as Douglas is about to kill the King, Prince Henry shows up to defend his father.
Falstaff is a central element in the two parts of Henry IV, he is supports the structure of the play. Yet he does seem to be a mainly fun maker, a character whom we laugh with and laugh at. The perfect example for this was the fat knight's account of the double robbery at Gadshill. The part of plump Jack is joyously expanded and diversified, for the delight of men and the glory of, Shakespeare. It is plain that the role of Sir John is not restricted to what is indispensable to Shakespeare's main purpose. Falstaff lies at the very foundation of these plays, that it is a structural necessity.
In order for one to keep their political status and please their country, there are some qualities, traits and skills required. For some, political skills may be a natural or intuitive trait. For others, it feels uncomfortable and takes excessive effort. In either case, political skills must be practiced and honed in order to recap its benefits. For instance, one may naturally possess skills such as listening to others, communicating and commitment. On the other hand, one may not possess those skills and it may require excessive effort to possess those skills. Prince Hal realizes that he must learn to possess these characteristics if he wants to be a successful king. Henry IV, Part 1 by Shakespeare deals with the struggle of King Henry IV to maintain his control of the English throne which he usurped from Richard II. The play deals with the conflict between King Henry IV and his son, Prince Harry, and their tense relationship. King Henry is the ruling king of England. He is worn down by worries and guilty feelings about having won his throne through a civil war. Hal, the Prince of Wales who demonstrates his ability to manipulate others to complete his selfish goals. Hal is an effective leader because unlike his father, his mastery of language shows that he will be a virtuous ruler, able to understand lower and upper class and manipulate them to believe his words.
He is happy being a drunkard and someone who indulges what he wants. But he also realizes that it is not the type of life that a prince, or a king, should associate himself with, which leads him to his pleading—another reason the scene is prophetic. He pleads with Henry about his morality, much like he will do later in the play and in Henry IV: Part II. Though the play extempore is supposed to prepare Henry for his encounter with his father. Falstaff realizes it may be a good time to practice the inevitable encounter that he will have with Hal once he becomes king. This argument can be further developed when one realizes that it was Falstaff that called for the play extempore, not Hal. Falstaff knew he wanted a trial run before Hal’s kingship, so he gave himself one. However, Hal’s only reaction to Falstaff’s final speech is his line, “I do, I will” (2.4. 465). Some may take this as his answer to Falstaff that he will pardon him, and continue to be his friend. But the argument could be made that Hal is saying that line more to himself than to Falstaff. He is saying that he will do what’s necessary to be a good king. That he does have what it takes to leave a life he enjoys for a life of
first we think that as Falstaff is the older one of the two, that he
As soon as the king leaves, Falstaff immediately proclaims his unashamed cowardice, asking Hal to protect him in battle. The prince retorts with an insult to Falstaff’s enormous size, and abruptly bids him farewell. Gone are the jests that would accompany a conversation between these two at the beginning of the play, and Hal’s reactions to Falstaff now represent his moving away from the tavern world, and that he now belongs to the court world. Falstaff is extremely honest about his feelings towards the whole affair, bluntly stating that he wishes it all were over, exposing his strong reluctance to fight and interest in self-preservation. Again the prince offers only a rude retort before his ...
...gton, 2009, pp. P1139 L190,191) Clearly, this is short-lived as but a few scenes later, he slays Hamlet in a fencing match by a poison blade as planned earlier. (Shakespeare & Bevington, 2009, pp. P1146-1148)
Falstaff’s honor speech does not imply cowardice, rather it exemplifies the contrast between himself and King Henry IV. In King Henry IV part one, act 5, Fallstaff explains why honor is not an ideal he strives for. He says that honor drives him to battle and asks, if he dies for honor, what is the reward? Honor will not assist him if he is wounded, it is nothing but air, a word. It is only achievable through death, and it is useless to the dead. Therefore, in the upcoming battle Falstaff will not, as characters in heroic plays had done for centuries, sacrifice himself for love of country. He will instead look out for his own self interest, and attempt to earn acclaim from the actions of others.
Shakespeare and Stevenson illustrate how the protagonist faces a battle of desires and submits to the manifestation of evil. Their desires somewhat stunned the audience and readers at this time and to an extent, it still astonishes the audience/readers to this day.
By More dying, he proved a point to himself and the public. That he was honorable and not going to succumb to the deceitful thinking of Cromwell and the King. “I have not disobeyed my sovereign. I truly believe no man in England is safer than myself.” (pg. 40)
At the start of the play, the reader sees that Prince Hal has been acting in a manner which has disappointed his father. The King compares Hotspur to Hal, saying that Hotspur is ìA son who is the theme of honour's tongue,î and that ìriot and dishonour stain the brow of [Hal] (I.i.3).î He even wishes that the two were switched: ìThen would I have his Harry, and he mine (I.i.3).î The King obviously does not approve of Hal's actions, and believes that, if Hal does not change his ways, he will be a poor successor to the throne.