admitted, writing to a publisher that she did not want her work promoted in Palmers Green where she lived, because “a lot of the people here are in the novels and poems” according to William May, who wrote reviews on a number of Smith’s poems in the Oxford Journals (324). May infers that in “The Jungle Husband”, Evelyn must have been a middle class wife, at home sitting in a very tidy sitting room, knitting, or perhaps sipping tea with a friend. (332). From my interpretation, I believe that Evelyn most likely had lived in a somewhat sheltered, closeted environment, which gives her hardly any conception of her husband 's daily experiences-for she has never worked outside the home. Evelyn and Wilfred are two people still living together after …show more content…
However, in making the claim that Evelyn is completely not concerned about her husband’s safety in the jungle, there would have to be context clues within the poem that illustrate the lack of an affection or love within the two’s relationship. The poem begins with “Dearest Evelyn, I often think of you”, illustrating that there is at least some type of affectionate connection between Evelyn and Wilfred that makes him capable and comfortable enough in addressing his wife in the way that he …show more content…
Smith uses many metaphors that illustrate what he is doing on this trip. Wilfred states that “yesterday I hittapotamus” a word that could easily be coined by someone trying to say ‘hit a hippopotamus’ after a few drinks. This suggests that he may have been an alcoholic. However, in the letter he writes to Evelyn, “I have practically given it up my dear”, in an attempt to assure her that he is a reformed man. Wilfred has obviously tried to impress Evelyn by shooting the hippopotamus, but says that there was a fuss as he “put the measurements down” for her. This suggests that something went wrong in his attempts and that he failed to measure up to his wife’s expectations. He goes on to say that he is going to be travelling “ alone, a long way” into the jungle adding to this theme of isolation and introducing his suffering in which he describes the jungle to be an awful place. “It is all gray, But green on top” stating that the jungle is a very dark place and he cannot see a way out of the agitated depression which results from his fears and his sense of failure and alienation. Smith then uses a jaunty tone to bring light to the situation stating, “Only sometimes when a tree has fallen”, “The sun comes down plop, it is quite appalling”. The way that the sun that occasionally brings light to the jungle appalling him
The tree “swings through another year of sun and leaping winds, of leaves and bounding fruit.” This sentence evokes images of happiness and serenity; however, it is in stark contrast with “month after month, the whip-crack of the mortgage.” The tone of this phrase is harsh and the onomatopoeia of a “whip crack” stirs up images of oppression. The final lines of the poem show the consequences that the family accepts by preserving the tree—their family heritage. When the speaker judges the tree by its cover she sees monetary value, but when she looks at the content in the book she find that it represents family. Even though times may be tough for the family, they are united by memories of their ancestors.
As he slouches in bed, a description of the bare trees and an old woman gathering coal are given to convey to the reader an idea of the times and the author's situation. "All groves are bare," and "unmarried women (are) sorting slate from arthracite." This image operates to tell the reader that it is a time of poverty, or a "yellow-bearded winter of depression." No one in the town has much to live for during this time. "Cold trees" along with deadness, through the image of "graves," help illustrate the author's impression of winter. Wright seems to be hibernating from this hard time of winter, "dreaming of green butterflies searching for diamonds in coal seams." This conveys a more colorful and happy image showing what he wishes was happening; however he knows that diamonds are not in coal seams and is brought back to the reality of winter. He talks of "hills of fresh graves" while dreaming, relating back to the reality of what is "beyond the streaked trees of (his) window," a dreary, povern-strucken, and cold winter.
In the stanzas of Elizabeth Bishop’s poem, the speaker very honestly observes the scenes from outside her apartment. From her point of view, she sees a both a bird and a dog in the process of sleeping. The speaker views these animals as having simple lives unbothered by endless questions or worries. Instead, the two live peaceful, uninterrupted existences, rising every morning knowing that “everything is answered” (ln. 22). However, the speaker lives in contrast to this statement instead anxiously awaiting the next day where uncertainty is a likely possibility. Unlike the dog and the bird, the speaker cannot sit passively by as the world continues in its cycle and she carries a variety of emotions, such as a sense of shame. It is evident here that the speaker has gone through or is currently undergoing some sort of struggle. When she states that “Yesterday brought to today so lightly!” she does so in longing for the world to recognize her for her issues by viewing the earth’s graces as so light of actions, and in doing so, she fails to recognize that she can no longer comprehend the beauty of nature that it offers her. In viewing the light hitting the trees as “gray light streaking each bare branch” (ln. 11), she only sees the monotony of the morning and condescends it to merely “another tree” (ln. 13.) To her, the morning is something
The book, The Jungle, written by Upton Sinclair, has portrayed how conditions and social norms of the early 1900’s helped shape society through social reform. Sexism, racism, and class, shaped the experiences and choices of the immigrants in The Jungle throughout the book. The huge difference between the classes was the most significant of the three. Sinclair used the story of one immigrant and his family to help show what was going on in society at that time, to raise awareness, and to promote socialism.
“I tried to have a real earnest reasonable talk with him the other day and tell him how I wish he would let me go and make a visit. But he said I wasn’t able to go, nor able to stand it after I got there,” she isn’t even able to visit others because John believes it will make her more “sick” (Gilman 453). The narrator doesn’t have any control of her life, John is constantly telling her what to do and what medicine to take, he also carries her around and up to her bedroom where she spends most of her time. Between John’s need to dominate his wife, and the narrator’s naiveness their marriage is one similar to Edna’s and Mr. Pontellier’s. Both marriages hindered the wives’ choices towards themselves and kept them trapped inside the marriage and their homes, but the difference between Edna and the narrator is that Edna escapes Mr. Pontellier through the “pigeon house” and later
Although readers dive into this poem in the middle of the story, the author still manages to establishes Judith’s character in clear manner through their choice of words. In using words such as “radiant lady” (Judith 14), “bright maiden” (Judith 44), and “brilliant maid” (Judith 124), the author makes it clear
Walker begins the story by describing the yard in which the mother is waiting for her daughter to come home. She shows the yard to the reader as being clean and wavy, which, according to the mother, is "more comfortable than most people know" (875). She feels that it is an extension of the living room. She compares the hard clay to the living room floor being swept smooth. This leaves a cool place to sit under the elm tree and "wait for the breezes that never come inside the house" (875). The reader at this point has already experienced the feeling of the soft grass, hard yet smooth clay, the cool breeze, and the smell of the elm tree.
We are told of Phoenix?s journey into the woods on a cold December morning. Although we are know that she is traveling through woodland, the author refrains from telling us the reason for this journey. In the midst of Phoenix?s travels, Eudora Welty describes the scene: ?Deep, deep the road went down between the high green-colored banks. Overhead the live-oaks met, and it was as dark as a cave? (Welty 55). The gloomy darkness that the author has created to surround Phoenix in this scene is quite a contrast to the small Negro woman?s positive outlook; Phoenix is a very determined person who is full of life. As Phoenix begins to walk down the dark path, a black dog approaches her from a patch of weeds near a ditch. As he comes toward her, Phoenix is startled and compelled to defend herself: ?she only hit him a little with her cane. Over she went in the ditch, like a little puff of milk-weed? (55). Here, the author contrasts the main character?s strong will with her small, frail phys...
‘The woman’ of the poem has no specific identity and this helps us even further see the situation in which the woman is experiencing, the lost of one’s identity. Questions start to be raised and we wonder if Harwood uses this character to portray her views of every woman which goes into the stage of motherhood, where much sacrifice is needed one being the identity that was present in society prior to children.
Though most of the poem is not dialogue, from what little speaking there is between the...
Analysis: This quote has the affect of creating a foreboding mood as if something dreadful is about to happen to gene and the landscape is warning him.
The narrator is trying to get better from her illness but her husband “He laughs at me so about this wallpaper” (515). He puts her down and her insecurities do not make it any better. She is treated like a child. John says to his wife “What is it little girl” (518)? Since he is taking care of her she must obey him “There comes John, and I must put this away, he hates to have me write a word”. The narrator thinks John is the reason why she cannot get better because he wants her to stay in a room instead of communicating with the world and working outside the house.
The narrator’s name is unknown through out the story, yet at the beginning the reader is given her husbands’ name (John), and the narrator’s identity through the novella is as John’s wife, who is dominated by John in their relationship. This effect created by Gillman masterfully establishes the lack of a female determined identity. He diagnoses her, and with the exception of her being tired and wanting to write, John continues to establish that her health is unwell. John is the dominant personality in the marriage he does not see her as an equal in their relationship. This is a wonderful tone and mood used to reflect the cultural norm at the time of Gillman's writing. She is not viewed as an equal, she is treated like and often referred to as being a child. When she decides that she likes a downstairs bedroom next to the nursery, John insists on her having the bedroom upstairs with the yellow wallpaper. The narrator/wife hates the color of the room and describes the color as “repellent, almost revolting” (432) When she asks for her husband to change the color, he decides to not give in to her wants, and the reader is informed that John, who knows best, does this for her benefit. It is reflective of a parent not wanting to give into their child's whims for fear the child will become spoiled and will expect to get everything they ask for. Though her husband belittles her, she still praises everything he does and sees everything he is doing for...
Written on the banks of the Lye, this beautiful lyric has been said by critic Robert Chinchilla to “pose the question of friendship in a way more central, more profound, than any other poem of Wordsworth’s since ‘The Aeolian Harp’ of 1799” (245). Wordsworth is writing the poem to his sister Rebecca as a way of healing their former estrangement.
“On Being Cautioned against Walking on an Headland Overlooking the Sea, Because it was Frequented by a Lunatic,” Charlotte Smith’s sonnet, comments on the poet’s feelings toward this lunatic and the thought process he instigates in her mind. By using different syntax to describe her two characters, Smith draws the attention of the reader to the message in the sonnet instead of the scene on the surface. The structure of the English sonnet also lends to the poem’s power, giving Smith a perfect avenue to deliver her message.