Essay on Analysis Of The Literary Guide By Thomas C. Foster

Essay on Analysis Of The Literary Guide By Thomas C. Foster

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In many short stories, characters face binding situations in their lives that make them realize more about themselves when they finally overcome such factors. These lively binding factors can result based on the instructions imposed by culture, custom, or society. They are able to over come these situations be realizing a greater potential for themselves outside of the normality of their lives. Characters find such realizations through certain hardships such as tragedy and insanity.
Characters are able to gain more for themselves by appealing to what is known. In the literary guide, “How to Read Literature Like a Professor” by Thomas C. Foster, he writes, “Sameness doesn 't present us with metaphorical possibilities, whereas difference-from the average, the typical, the expected-is always rich with possibility” (Foster 202). He expresses the idea that a deviating from the norm offers many possibilities rather than following common ways. Foster is stating a need for differentiation in order to achieve something greater. He says this to guide readers in noticing situations where a character is able to find more possibilities and attempt to reach a greater potential for their lives by being different and realizing the benefits of such a difference. Foster’s claim is exemplified through two characters as they begin to deviate towards their own found greatness.
In the short story, “The Story of an Hour” by Kate Chopin, Louise Mallard receives news that her husband has passed. She whispers, “Free! Body and soul free!” (Chopin). Though her situation is sad, she does not have a remorseful response. She locks herself in her room and reflects upon her new reality. She instead comes to find a form of liberation for herself from her husb...


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... husband comes home to find his wife locked in the room, frantically trying to open the door to get to her. She says, “I’ve got out at last in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back,” (Gilman 666). The wallpaper was a symbol for the narrator’s life. Though it was easy for any reader to think she was going insane and just seeing things, the wallpaper was actually a representation of the missing greatness she was yearning for. The yellow wallpaper, yellow being a color of happiness and sunshine, had a woman figure trapped behind it. The woman trapped behind the metaphorical wallpaper was her greater potential. The only way she was ever going to be able to reach such greatness was to strip away all the confounding barriers, such as, living behind her husband, finding her own voice and allowing herself to do what she wanted.

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