In Hesiod’s Theogony , Chaos was the beginning. Next came Gaia, the earth, who gave birth to Ouranos, the sky. Gaia and Ouranos coupled and produced the Titans, the Cyclopes’, and the Hecatonchires. All the products of Gaia and Ouranos are thought to be agents of Chaos. Ouranos, knowing his children were monsters, trapped them in the womb of the earth. Gaia upset with Ouranos, and in pain, asked her children to help overthrow their father. The youngest Titan, Cronus, obeyed his mother and castrated his father from inside the womb. Cronus then threw Ouranos’ dismembered privates across the earth and they landed in the sea. Seafoam appeared where they landed and from the foam rose a full-grown woman: Aphrodite. She is the goddess of beauty, …show more content…
Aphrodite cursed her, causing her to have children by a bear. The resulting offspring, Agrius and Oreius, were wild cannibals who incurred the hatred of Zeus. Ultimately the whole family were transformed into birds and more specifically ill portents for mankind.”
This is another act in which Aphrodite is aiding in Chaos, as her siblings do. Her vanity and intolerance caused the birth of monstrosities, something Zeus had to destroy. Aphrodite’s beauty itself could be said to cause chaos. She was married off to Hephaestus, an ugly, disabled god, as to not cause violence among the gods in a battle to possess her. She not faithful to that relationship and is often with Ares, the violent Gog of war and bloodshed, instead. Her attraction to his violence is another sign of the chaos within Aphrodite. Although, Aphrodite is not a purely chaotic being, she helps Zeus in the quest for Cosmos as well. Her vanity, selfishness, and intolerance of worship for other Goddesses, bring out the chaotic nature of her parentage. Being born of a single entity, Ouranos, she is not nearly as chaotic as her other siblings born of both Ouranos and
In Hesiod’s Theogony, the tensions within a family seem to be an intensified version of issues that are relatable to people. The results of these tensions are also dramatic and have a tendency to have a fulfillment of the fears that were causing the tensions as a result. This implies that there is a natural cycle of destruction between father and son. Tension seems to arise with the implication of the woman’s creative nature juxtaposed to the destructive nature of her husband.
He was responsible for violent storms and earthquakes. The following story showed of Poseidon’s adventure. The god, Poseidon, was known to have an ill temper. At one point, he released tempests and earthquakes out of loneliness and anger. To combat his loneliness, he went out to find a wife and eventually set his sights of a Nymph named Amphitrite. She was the daughter of the Titan Oceanus who wanting to keep her virginity. Titan ended up rejecting Poseidon saying he was too violent, so he fled to the Atlas Mountains. The love struck Poseidon sent the dolphin king and messenger Delphinus to find his love. When Delphinus found her, he promised her that if she married Poseidon he would calm the seas. Thus, they were wed eventually having two children: Rhode Benthesicyme,
Roman and Greek mythology are filled with multiple interpretations of how the creator, be it the gods or nature, contributed to the birth of the world. These stories draw the backgrounds of the gods and goddesses that govern much of classical mythology. Ovid’s Metamorphoses and Hesiod’s Theogony are two pieces of work that account for how our universe came to be. A comparison of Theogony with Metamorphoses reveals that Hesiod’s creation story portrays the deities as omnipresent, powerful role whose actions triggered the beginning of the universe whereas in Metamorphoses, the deities do not play a significant role; rather the humans are center of the creation. The similarities and differences are evident in the construction of the universe, ages of man, and the creation of men and women on earth.
In the Greek society women were treated very differently than they are today. Women in ancient Greece were not allowed to own property, participate in politics, and they were under control of the man in their lives. The goddess Aphrodite did not adhere to these social norms and thus the reason the earthly women must comply with the societal structure that was set before them. Aphrodite did not have a father figure according to Hesiod, and therefore did not have a man in her life to tell her what to do. She was a serial adulteress and has many children with many men other than her husband. She was not the only goddess from the ancient Greek myths to cause doubt in the minds of men. Gaia and the Titan Rhea rise up against their husbands in order to protect their children. Pandora, another woman in the Greek myths, shows that all evil comes from woman. Aphrodite, Gaia, Rhea, and Pandora cause the ancient Greek men to be suspicious of women because of her mischievous and wild behavior.
Aphrodite, goddess of love and beauty, later rose from the sea where Uranus's body had been thrown. Now Cronus became king of the universe. Cronos married his sister, Rhea, and they had six children. At the time of Cronos's marriage to Rhea, Gaea prophesied that one of his children would overthrow Cronos, as he had overthrown Uranus. To protect himself, Cronos swallowed each of his first five children -- Hestia, Demeter, Hera, Hades, and Poseidon -- immediatly after birth.
It is ironic that the entity in existence was the being called Chaos, for although it's Greek translation is Chasm, or emptiness, I believe that chaos and disorder will be their fate if the gods continue this eternal cycle of increasing self destructive behavior. All of this, however, was created as through the beliefs and imagination of Hesiod. Historians and mythologists still can not concretely separate, in his two stories, the Theogony and the Works and Days, which parts were of his imagination and which were not; it is therefore difficult to determine what the author's overall message was to the readers. It is possible that Hesiod wrote these stories in order to discredit the gods with gossip of their alleged human-like violence and sexual transgressions.
The very creation of women was set as a punishment to man because Prometheus, son of Iapetos, tried to trick Zeus into eating bones and then, with the tube of a fennel, steals fire to give to mankind. Zeus then proclaimed, "To set against the fire I shall give them an affliction in which they will all delight as they embrace their own misfortune." Out of Zeus' anger came Pandora, the first woman. Zeus ordered Hephaestus to mold women from the earth and water, Athene to dress and adorn her, Temptation to give her necklaces of gold, and Hermes to implant a bitch's mind and a thief's temper. Hesiod describes women as a "precipitous trap, more than mankind can manage." Hesiod states, "even so as a bane for mortal men has high-thundering Zeus created women, conspirators in causing difficulty." And thus the first woman was named Pandora, Allgift,-"a calamity for men who live by bread." And so Pandora and all the evils of the world, except Hope, were released into the world by a punishing Zeus. Hesiod explains how formerly the tribes of men lived "remote from ills, without harsh toil and the grievous sickness that are deadly to men." From Pandora descended the female sex, "a great affliction to mortals as they dwell with their husbands- no fit partners for accursed Poverty, but only for Plenty." An analogy is then used to compare women to drones who, according to Hesiod, feed off hard-working bees all day. Hesiod immed...
And so for men Zeus plotted grief and trouble. He hid fire. And Prometheus, bold son of Lapetus, stole it back from the side of wise Zeus, in a fennel stalk, and gave it to men and Zeus who delights in the thunder did not notice” (Bauschatz, ). Clearly, disobedience and deceiving the gods leads to chaos because Prometheus who tried to steal the fire from Zeus enraged him and therefore ordered the creation of Pandora as punishment and evil delivered to men.
“Theogony” which means “birth of the gods,” a poem written by Hesiod meant to be sung to tell the story of how the Olympian gods and Zeus came to rule over all of the earth/ heaven and it’s inhabitants. First there was Chaos, a yawning void where Gaia (Earth), Tartaros (Hell) and a few other fundamental chief deities came from. Through parthenogenesis, Ouranos (Heaven) came from Gaia (Earth). Gaia and Ouranos had a sacred marriage, which was a sacred wedding of the heaven and earth. From this sacred marriage came the children of Gaia and Ouranos, better known as the Titans. Ouranos found his offspring to be annoying and monstrousness. He hated his children and decided to hide them away in earth and did not allow them to ever see the light of day. Gaia was not pleased with Ouranos’ actions. Hiding her children within her brought her great discomfort. Gaia tried to have all her hidden children rebel against their father but the only one brav...
In Hesiod’s Theogony, the Muses, which are the nine singing goddesses who he came across one day while taking care of his lambs, serve as a guide to the poet’s genealogy and organization of the origins of the gods by inspiring him to write down the lineage as they sing it. Using their angelic voices, the Muses presented Hesiod with the history of the cosmos in order. Thus, inspiring him to become a poet; he made this major change in his life and that resulted in Theogony, a chronological poem that consists of short life lessons, punishments, and roots of many Greek gods and goddesses. In this poem, Hesiod described these accounts as songs, when in fact, they were long verbal stories of how the gods of Olympus came to be. The sole purpose of
“The beginning of female art found in this Aphrodite depict her as a slightly overweight, broad-shouldered, wide-hipped figure with rougher textures and harsher lines” (Berz). The Greeks found this so appealing because it looked very similar to themselves in form but because Aphrodite is na...
She tempted many, even Zeus: “she beguiles even his wise heart . . . mates him with mortal women, unknown to Hera” (Hesiod). The goddess of love, “she was a particular favourite with the city’s many prostitutes but also supervised the sexual life of married women” (Blundell, 1998). To curb her promiscuity, Aphrodite was married to Hephaistos (god of the forge), who cared deeply for her, and made he...
The gods in power, like Zeus, exhibit bias, dishonor, betrayal, deception, and many other humanly characteristics. One memorable scene is when Zeus and Poseidon are in conflict with each other over the Achaens versus the Trojans. Zeus controls the battle by “lifting the famous runner Achilles’ glory higher,” (Homer 13: 404). Zeus plays both sides in this scene, acting like a double agent which is dishonorable. Zeus’s bias is prevalent throughout the poem; specifically, he is “bent on wiping out the Argives, down to the last man,” (Homer 12: 81-82). Just like mortals such as Agamemnon and Achilles view each other with suspicion and intolerance, the gods experience identical emotions of wariness, anger, and irritation. This human-like behavior is not restricted to Zeus. Later in the text, Hera lies to Aphrodite to use her powers to manipulate her own husband Zeus. If one looks at Hera as a heavenly entity, her reaction may not make sense, but when it is viewed as a manifestation of human emotion, it become almost reasonable. Her scheming response to Zeus’s meddling with the war is spurred by her support for the Trojans. Hera’s manipulation and Aphrodite’s ego don’t stand alone as examples of this divine humanity. These instances suggest that the deities are being presented in this unique way to help explain behavior of the humans in The
Aphrodite and Athena were both great powerful women who were revered as goddesses in greek mythology. They both were greatly worshipped, however due to their distinct personality traits they were worshipped and spoken about and very different ways. Both goddesses are immortal and female, and both seem to distinguish the incongruous gender roles between men and women throughout ancient Greece. What makes these two goddesses interesting, however, is their differences, which will determine how they will be reflected in myth. On one hand you have Athena, the androgynous goddess of war and wisdom. On the other you have Aphrodite, the goddess of love and sexuality. During this time, even among the immortals, women were seen as inferior and less
allowed her to have Ares. Zeus really didn't care for Ares, once during infancy Ares had been