Mina is the most well developed female character in Dracula and is the only female that is present almost throughout the entirety of the novel. The character is first introduced to the reader as the fiancé of Jonathan, and it gives the reader a domestic association of her that remains throughout the novel. She is intelligent, self-sufficient, has a career, has a willi...
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...t women should have advanced sexual identities. The novel works to warn us of the dangers of explicit female independence, desire and sexuality.
Demetrakopoulos, S. “Feminism, Sex Role Exchanges, and Other Subliminal Fantasies inBram Stoker’s Dracula.” FAJWS 3 (1997): 104-113.
Dixon, S. “Dracula and the New Woman: the Underlying Threat in Bram Stoker’s Classic.” Cross-Sections 1.2 (2006): 47-56.
Fry C.L. “Fictional Conventions and Sexuality in Dracula.” The Victorian Newsletter 1.24 (1972): 20-22.
Senf C.A. “‘Dracula’: Stoker’s Response to the New Woman.” Victorian Studies 26.1 (1982): 33-49.
Senf C.A. “Rethinking the New Woman in Stoker’s Fiction.” Journal of Dracula Studies 9 (2007): 1-8.
Sehmby, Dalbir S. "Wrestling and Popular Culture." CCLWeb: Comparative Literature and Culture 4.1 (2002): n. pag. Web. 29 Mar. 2009.
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