The Transformation of Gilgamesh in the Epic of Gilgamesh
In many literary works we see significant transitions in the hero 's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he 's accomplished. Through all of these transitions, we see Gilgamesh 's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh 's transition
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They were two epics that established the foundations of religion, literature, and all other standards that were followed by every category of people. Both texts entice the audience through antique language, and the stories of epic heroes and immortal gods. Sin-Leqi-Unninni and the many writers of the Bible use love as their central theme, yet it unfolds as having distinguishing effects on all characters throughout both texts. In The Epic of Gilgamesh, the author conveys love as a motivational factor for helping Gilgamesh and other characters transition into better individuals, whereas in the Old Testament, individuals do harm upon others in the name of love in order to follow what is morally correct based on the religious …show more content…
From the beginning of time, man has searched for the holy grail of immortality. People have looked for magical potions and searched for countless ways and spent fortunes in order to find the miracle that was to extend their lives, to turn back the clock, to keep them youthful. In this aspect, our hero, Gilgamesh, is no different. Gilgamesh’s life is somewhat similar tuk and says: “Pace out the walls of Uruk…did not seven masters lay its foundations? One square mile of city, one square mile of gardens, one square mile for clay pits, a half square mile of Ishtar’s dwelling, three and a half square miles is the measure of Uruk!” (pg.
"The Epic of Gilgamesh." The Norton Anthology of World Literature. 3rd ed. Vol. A. New York: W.W. Norton & Compnany, 2012. 99-150. Print
The Epic of Gilgamesh. Trans. Benjamin R. Foster. Text. Martin Puncher. New York: W.W and Company, 2013.Print.
After encountering the death of his friend Enkidu, Gilgamesh realizes that all men will die. Gilgamesh evolves from the beginning of The Epic of Gilgamesh as an unruly king to a realistic king who’s life ends in death. In the end after accepting that he too must die and be subject to fate, Gilgamesh settles back into his city setting, only this time to be a wise king rather than the foolish hero he once was.
---. “The Development and Meaning of the Epic of Gilgamesh: An Interpretive Essay.” Journal of the American Oriental Society 121.4 (2001): 614-622. JSTOR. Web. 28 Feb 2014.
While researching, I consulted the many translations of Gilgamesh found on the web. It seemed that the more sources I sought, the greater the amount of differing opinions and convoluted versions I uncovered. In an effort to remain true to the epic, I will mainly be referring to the book, World Mythology, written by Donna Rosenberg with a few inclusions from Kovacs' translations. Although Rosenberg's version lacks the flair of the latter, it provides a simple doorway opening to a complicated, yet profound, tale of the first great epic that brings time, mortality, and the anguish of humanity into a world of personal destiny basically related to our own (Campbell, OM, p. 87-90). The essay is written with the understanding that the reader has prior knowledge of the main subject matter, Dr. Carl Jung's theories of the unconscious, and Joseph Campbell's idea that myths are synchronistically reproduced across time.
The main character in the book The Epic of Gilgamesh, is Gilgamesh himself. In the beginning of the book one realizes that Gilgamesh is an arrogant person. Gilgamesh is full of himself and abuses his rights as king. He has sexual intercourse with the virgins of his town and acts as though he is a god. Throughout the story, many things cause Gilgamesh to change. He gains a friend, he makes a name for himself by killing Humbaba, and he tries to become immortal because of the death of Enkidu. Through these main actions his personality changes and he becomes a better person.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
The Epic of Gilgamesh has many similarities to the Bible, especially in Genesis and it’s not just that the both begin with the letter “g”’! One major similarity being the flood story that is told in both works. The two stories are very similar but also very different. Another being the use of serpents in both works and how they represent the same thing. A third similarity being the power of God or gods and the influence they have on the people of the stories. Within these similarities there are also differences that need to be pointed out as well.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Myths have been a great example of the hero’s journey. Many heroes have journeys and trials to face throughout their life. Most of their journeys start out with their origin and end with the return. However, the hero’s role remains identical to every other hero. Most heroes like Gilgamesh has heroic traits because of the stages in the hero's journey. Gilgamesh is a man who can turn into a hero by changing himself, even when he has unusual circumstances surrounding his birth. Gilgamesh is viewed as a hero due to the stages of the hero's journey.
In the epic of Gilgamesh, there are many complex characters. Every character involved in the story has their own personality and traits.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
Of all the many similarities of The Epic of Gilgamesh and The Odyssey, the sharing of the main character’s archetype can be considered to be the most significant similarity of the two epics. Odysseus, the main character of The Odyssey, and Gilgamesh, the main character of The Epic of Gilgamesh, both fall under the character archetype of a hero, the man in charge of saving the day. This sameness implies that the two characters had similar fates and characteristics; both had the distinct traits of a hero. Both Odysseus and Gilgamesh were kings, strong, brave, and blessed by the gods. In addition, they both angered a god and suffered from the consequences. In The Odyssey, Odysseus had to change his route to avoid Poseidon’s wrath. In The Epic of Gilgamesh, Gilgamesh angered Ishtar which consequently led to Enkidu’s death as a punishment ( “The Epic of Gilgamesh” 29). Both Gilgamesh and Odysseus had elements of arrogance in their personalities, and it was their arrogance that backlashed and caused...
The king of Uruk, who lived around 2600 B.C.E, Gilgamesh, was one-third man and two-thirds god (Gilgamesh, 61). Known as present day Iraq, Mesopotamia was where the ancient sto-ry “The Epic of Gilgamesh” was originated. The story talked about Gilgamesh’s relationship be-tween his close companions. Meeting the immortal flood survivor and giving him eternal life was Gilgamesh's long journey. The Epic of Gilgamesh teaches about the Sumarian society.
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and