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Preface to lyrical ballads text
Lyrical Ballads Explain
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Alexandre Dumas is a man who lived his life in a time when racism ran quite rampant. Today, Dumas is known by his constant work toward a literary movement that is recognized even today. Dumas frowned upon an era known today as the “Age of Wit” ("Introductory Lecture on the Neoclassical Period in English Literature”) and advocated a new writing style, which managed to grow prominent throughout the eighteenth and nineteenth centuries.. Despite his racial and writing criticisms, Alexandre Dumas engages his readers with this Romantic, yet adventurous style and was a pioneering author in the Romantic Movement.
The beginnings of Dumas’ life took place in a time in which Neoclassicism was the dominant writing style. Neoclassicism was a movement that began prior to Romanticism that focused on the glorification of the more distant, Roman past and attempted to suppress the immediate past ("Introductory Lecture on the Neoclassical Period in English Literature”). This became the first great age of literary criticism and also advocated journalism ("Introductory Lecture on the Neoclassical Period in English Literature”), where the main focuses during were emotional restraint, order, logic, technical precision, balance, and decorum (“What Is Romanticism?”). This movement, however, was toppled by the Romantic Movement, beginning with the publishing of Lyrical Ballads by Wordsworth in 1798 ("Introductory Lecture on the Neoclassical Period in English Literature”). However, in the 1830s, the French Revolution began to dominate the country (“Alexandre Dumas”). This caused the uplifting of press censorship (“Alexandre Dumas”). Unfortunately, Dumas began to suffer from constant “bullying” by the press due to the fact that he was black. He was subject t...
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... the Neoclassical Period in English Literature.” The Millwall History Files. N.p., 1999. Web. 19 Jan. 2014. .
Mahtab, Rounak. “Alexandre Dumas: The Original Musketeer.” Indian Streams Research Journal 2.11 (2012): n. pag. Print.
Martone, Eric, ed. The Black Musketeer. Newcastle: Cambridge Scholars, 2011. Print.
Phillips, Mike. “Black Europeans.” The British Library. N.p., n.d. Web. 19 Jan. 2014. .
Pilkington, Ace G. “The Three Musketeers: Romance, Humor, and History.” Utah Shakespeare Festival. N.p., 1996. Web. 19 Jan. 2014. .
“What Is Romanticism?” University of Houston. N.p., n.d. Web. 19 Jan. 2014. .
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Alexandre Dumas is the author of the adventurous love story The Count of Monte Cristo, used both internal and external conflicts along with imagery. These literary elements enhanced the theme that revenge can drive a man to do the unthinkable. Dumas used these elements to tell the story of France’s history. His bestselling novels are not deep but have spectacular adventure, action, and larger-than-life-characters.
Probst, Robert, et al. "Elements of Literature sixth course literature of Britain." Austin: Holt, Rinehart, and Winston, 1997. 640-644.
The Romantic period at its height extended over just a bit more than a century, from the latter half of the eighteenth century through to nearly the end of the nineteenth century. During this period, a new school of poetry was forged, and with it, a new moral philosophy. But, as the nineteenth century wound down, the Romantic movement seemed to be proving itself far more dependent on the specific cultural events it spanned than many believed; that is, the movement was beginning to wind down in time with the ebbing of the industrial and urban boom in much the same way that the movement grew out of the initial period of industrial and urban growth. Thus, it would be easy to classify the Romantic movement as inherently tied to its cultural context. The difficulty, then, comes when poets and authors outside of this time period-and indeed in contexts quite different then those of the original Romantic poets-begin to label themselves as Romantics.
As the great Philosopher Nietzsche proclaims boys always resembles their father. Thus I have analyzed the similarities and the traces of parents on their off-springs. And literary creations of them seem to me that they are the mirrors of their real selves. As Oscar Wilde reveals in De Profundis: "Art is a symbol, because man is a symbol." (93) so art symbolizes man. And his art is the symbol of his personality just as Marius the Epicurian is the symbol of Walter Pater's. Consequently, art harbours not only readers and life but also the creators of them. In fiction, Words speak two times; one reveals plot, the other reveals author; whatever a literary men writes, he writes himself but nothing else...
Neoclassicism was a genre of writing based totally on the ideas of rationality, Classic literature, and the ideas of old. Romanticism on the other hand, was based on individual expression, and the nature of mankind. Romanticism emphasized the internal not the external, and focused it`s attention on the spontaneity of the human mind. Flat characters of past writing were now able to take form more so then in th...
London: n.p., 1998. Print. fourth Bloomfield, Morton W. New Literary History. Winter ed. N.p.:
"Romanticism." A Guide to the Study of Literature: A Companion Text for Core Studies 6,
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000. p. 2256
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam's Sons, 1907-21; New York: Bartleby.com, 2000 http://www.bartleby.com/215/0816.html
Literature: The British Tradition. Ed. Roger Babusci etal. Englewood Cliffs: Prentice-Hall, 1994. 69-79.
"Neoclassicism." A Guide to the Study of Literature: A Companion Text for Core Studies. Comp. English Department Brooklyn College. 6th ed. Landmarks of Literature. Brooklyn College. Web. 9 Dec. 2013. .
22 of Studies in English Literature, 1500-1900. Rpt. in Studies in English Literature, 1500-1900. N.p.: n.p., n.d. N. pag.
Ford, Boris, ed, The Pelican Guide to English Literature volume seven: The Modern Age, third edition, Penguin Books, Great Britain, 1973
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