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Some women desire to have the Eurocentric; which is the long hair appearance. Is it because they are insecure about their hair, pressured to straighten it, or is it done for convenience for it to be manageable? Good hair is defined as a colloquial phrase used within the African American community to generally describe African American hair (or the hair texture belonging to those of other ethnicities who fit the same description) that most closely resembles the hair of non-blacks (straight, manageable, long, as opposed to “nappy” or “bad” hair) (Lauren). Those images of hair popularly presented in hegemonic; which is dominant in a social context, society depicts that the closer your hair is to a white person’s, the better. While some women may …show more content…
Over time, the essence of black beauty has disappeared. Many black women claim that natural hair is nappy, or feels like steel wool; it is horrible to handle and enough time or money is not there to maintain it. Black women try to define their beauty which includes hair, skin and color, by Caucasian standards of what beauty is. Chimamanda Ngozi Adichie, award winning author of “Half of a Yellow Sun,” opposed this view when she was interviewed by The Observer, that Linda Ikeji; a blogger adressed, to give a description of her hair. This was her response: That is the best question! My hair is in tiny cornrows; I have a big ponytail on the top of my head. I quite like it. It is natural. I am a bit of a fundamentalist when it comes to black women’s hair. Hair is hair-yet also about larger questions: self-acceptance, insecurity and what the world tells you is beautiful. For many black women, the idea of wearing their hair naturally is unbearable. (Ikeji) Linda Ikeji, who posted this, responded by saying, “I [do not] care what anyone says...weaves for life Hehe” (Ikeji). Both of these women have contradicting views. One is promoting wearing natural hair while the other is …show more content…
It is possible that Ms. Ikeji feels insecure about her own hair. Some women who are not fans of synthetic hair spend lots of money on hair products to straighten their hair and flat iron. Black women invest their time and money into hair salons to put in synthetic hair. If some black women are constantly striving to be identical with other races and comparing themselves to other standards, they overlook how beautiful and unique their natural hair is. Who is society to determine which hair is better? All types of hair are beautiful and uniquely created. Some black women can be broke, earning less than $27,000 per annum, yet, they invest their money installing hair extensions which range from $300-$10,000, while regular maintenance may range from $4,000-$80,000 per year, depending on the location and the service (Grenee). Some of them even go to the extreme of not paying their rent just to get ‘good hair’. All hair is good hair. Hair is one of the characteristics that create one’s identity and uniqueness. There is no need to be insecure
This essay is concerned with issues of identity, body image and the politics of hair within African American culture. It discusses the lived experiences of a number of African American women and is no way generalizable to all African American women. Nonetheless, body image and hair politics are prominent features in African American culture because they have deep historical roots and still feature in present day. Body image is generally understood as a mental image of one’s body as it appears to others (Featherstone 2010). This mental image produces body consciousness, which Samantha Kwan describes as an amplified mindfulness that one’s body does not conform to hegemonic cultural standards (Kwan 2010). In today’s modern context, hegemonic cultural norms are reproduced and widely disseminated by the mass media with the help of new technologies. These new technologies Elliott’s discusses, with some in the form of satellite television and other widely utilized media, give viewers unprecedented opportunities to view and scrutinize their favorite celebrities in close proximity (Elliott 2010).
Some black women have taken it upon themselves to fight what they perceive as racial discrimination against black women maintaining natural hair. It is not uncommon to see many young women creating blogs to share insights about how natural hair can be maintained and the need for African women to accept this as part of their identity
Black women have been the essence of style, originality all while receiving nothing but bad response from critics who secretly envy them. Natural hair tends to be another widespread trend. I think that some do the natural so they can connect with their African roots while I think others just like the look, or maybe it’s easier. No matter what grade of hair society has one marked term for black hair which is “nappy”. Besides pertaining to actions, the word ghetto is used to describe just about every aspect of a black girl's life. "Girl your hair look ghetto" and "You talk/sound ghetto" are two common phrases used around school. Colored hair, weaves, extensions, dyes and relaxers/perms are all things black girls have encountered. If your hair looks "too" nice, it's assumed that you're wearing weave or that you've gotten a fresh
It is no surprise hair texture varies based on ethnic background. But what exactly determines the hair texture of someone based on their ethnic background? In today’s society, image is everything and hair is a great part of one’s image. In fact, the total revenue of the hair care industry in 2013 was $64.8 billion, according to the 2013 Professional Salon Industry Haircare Study. Because the hair industry is so lucrative, it is safe to say that hair is important to many.
African American hair looks gorgeous, attractive and beautiful. Your hair is extremely fragile and needs proper care and gentle touch so that it doesn’t break or get loose. Here are the top African American hair cares FAQs.
She set the theme of the article of expressing that straightening of black people hair is the denial of self acceptance in having the confidence of their individual features. She states “Heterosexual black women talked about the extent to which black men respond more favorably to women with straight or straighten hair” (Hooks 538). She explains how they try to please other people in trying to make themselves more beautiful to others they want to attract. This is a personal opinion. She makes a broad generalization that all black men are attracted to women that have straight hair. This statistic is not efficient because there are different men that are attracted to different styles. The majority of people do not change themselves because they want to appeal to others, but to make themselves feel better about their personal beauty.
bad hair” debate that we often see in the Black community. When Rachel’s clique, the Jiggaboo’s, and Jane’s clique, the Wannabes, cross paths, an argument immediately ensues. The Wannabes are a group of fair skinned girls with long straight hair and blue contacts, while the Jiggaboos are darker skinned with kinky hair. The two groups immediately start throwing around insults, such as, “tar-baby” and Barbie doll”. This exchange embodies an issue that was very large in the 80s and still very prevalent today. In the 80’s and even up until recent, if your hair was not straightened, or permed/relaxed, beauty was a standard that you could not achieve. This is also seen with skin color and it all dates back slavery times with things like Pear’s Soap ads and the narrative that whiteness is
Historically, black woman have been characterized as "other", where a black women 's hair has been seen as unappealing, and directly contradicts the dominant American hair beauty standard that glorifies white women 's hair as most beautiful. With regards to this, I point to Patricia Hill Collins 's ' Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Collins states in regards to Black women 's
Nowadays, beauty is so commercialized that a woman feels she must look a certain way to fit in. A beautiful woman, by the U.S. Standard of Beauty, should be Caucasian (but able to tan); she should preferably be blonde, and her hair should be long enough to provide a secondary fetish (after her body).
By the twentieth century, slavery had damaged black pride, and made it known that black features were inferior. When it came to black women and their hair, black women desperately wanted to match the standard of “white” beauty. Walker’s solution to this was to create a look that was Afro-American without trying to imitate whites. Walker spoke about beauty emphasizing that to be beautiful does not refer to the complexion of your skin, or the texture of your hair, but having a beautiful mind, soul, and character.
Cosmetology has been around since the ancient times and the Egyptians. It was the Egyptian women who gave a lot of importance to hair care, nails, makeup, and overall beauty. The natural look changed the reverted look to the cosmetic look. As years roll by, cosmetology and the business of looking good began to pick up a huge amount of customers. Getting hair curled, ironed, or wavy is very popular now. A lot of women today all over the world want to look like their favorite star. It was that need and craze to look good, which made cosmetology successful as it is today. Shekinah Jo Anderson is a professional hair stylist with just a few years of professional experience. She has already struck celebrity status, and is a rising star in the beauty industry. Shekinah is very successful because she mastered, advanced and contemporary techniques in cosmetology at the Empire Beauty School in Atlanta.
You can have your Afro hair style with the same long hair around the head, or you can have the hair on the sides and rear taper length, the hair line, 1-3 inches lower than the length on top of the head; long hair whatever format you choose, be sure that you choose a competent barber with a lot of experience with curly hair as the hair piece itself is very important for good sport
It is essential to recognize the relative perception of beauty products and hair treatments for different ethnic groups at the time in question. For the white consumer, the use of makeup was the major issue; the disreputable view of the painted lady had to be overcome. The black woman had a more complex situation regarding the products being offered. Hair-straightening and skin-lightening products could be viewed as an attempt to seem more white, and use of these products was thus charged with racial overtones within the black community.
Almost 250 years of slavery and anti-blackness within the United States has created a divide in what type of hair is acceptable. According to Cynthia L. Robinson, “Black hair texture is graded” (Robinson 2011). Precisely, this means that a Black woman has either good hair or bad hair. Good hair has a resemblance of European hair texture, meaning straight and wavy curls. Good hair also diminishes the look of African ancestry. Bad is the complete opposite. The texture is kinky, coiled, and thick, giving the appearance of short hair (Robinson 2011). Hair that bears a resemblance to Eurocentric beauty standards is more beautiful and makes the individual with that hair type more beautiful as well (Robinson
Don’t touch my hair: this should be a sentiment simple enough to understand. However, for many black women this establishment of boundaries can be broken repeatedly and without any regard for personal space. Solange Knowles’ song “Don’t Touch My Hair” and accompanying music video takes this declaration of self and creates an anthem for the empowerment of black women and dismissal of microagressions, white beauty standards, jealousy and appropriation. Her lyrics emphasize the emotional connection that black women have to their hair. But, beyond this pride is an act of self-love militant and radical against white standards of beauty; or is this self-love subscribing to the notion that black women’s hair is an object detached from their personhood- objectifying themselves to other’s gazes and not subverting them? In order to answer this question, theories from Helen