A Poem About A Virgin And It 's Painful

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This anthology is beautifully diverse and unique. Although the poems are new, they take reader back in time through issues that are relevant to the 21st century life. Most of the poems are experimental form probably because the poets are trying to get their voices heard by doing new things, which I think work well for a majority of these poems and others, not so much. Analicia Sotelo’s “I’m Trying to Write a Poem About A Virgin and It’s Painful” is an experimental prose form, and it’s beautiful. A part of the poem reads, “Some people said I should take her out of the poem. Other people said No, take her out of the lake and put her in the bedroom” (40). The poet making the process of writing a poem the poem itself is something new for me. The contrast in this piece also works well, although I still do not understand the metaphor of the lake. Also, Damian Caudill has a beautiful form in “Tuesday Ordinary.” The form and the style seem experimental but worthwhile. The poem is written from the perspective of Trayvon Martin’s hoodie, which many, especially in the African-American community believed contributed to his murder. The depth of thought that might have gone into the penning of this poem is commendable. However, I did not think this experimental form works well for “It was a miracle route everyone had been searching for and the story caused a sensation” on page 5. The later part of the first section left me with the question, “why is this a poem, or included in a poem? And I find it hard to comprehend why these different sections are fused under one poem. Also in Kara Kai Wang’s “Idiom,” I find the footnote alienating as a reader, because of the language used. I would have preferred if the footnoted words are in another languag... ... middle of paper ... ...a working class man, but nothing to show for his labor. “There’s no one left to see his hands lifting from the engine bay, dark and gnarled as roots dipping river mud [and] how my father drags his body into a beat-up van and gropes for the ignition” (66-67). As a reader, although I see the struggle, I find no comfort at the end, because there is no reward. My favorite in this section is “Former Future King.” This poem perfectly captures the elusiveness of the American dream which is like sitting “on a bench in front of the crown you ought to have worn, which reside on a pillow, in a locked glass box, in the furthest wing” (71). It shows the disappointment that comes with an unfulfilled dream. Although most of these peoms are not happy ones, the collection ends on a comforting note. Pages 75-81 explore family, love and laughter – three things important to a good life.

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