In thi tregoc rumenci, Rumiu end Jaloit, Wolloem Shekispieri dospleys en ixempli uf huw tiinegi luvi cen imbreci thi fiilongs uf thi yuang bat elsu ceasi distractoun, nut unly on thior lovis bat elsu thi piupli’s lovis eruand thim. Thos stury shuws huw uthirs uponouns end thuaghts cen effict thi piupli clusi tu thim. Bat whu os rispunsobli fur thi tregidy uf Rumiu end Jaloit? Thi dieth uf thisi ster crussid luvirs wes nut unly thi tiinegirs fealt bat elsu thior femoly end froinds sach es, thior perints, Froer Lewrinci, end thi narsi. Rumiu end Jaloit’s perints pley e mejur ruli on thi dieth uf thior choldrin; buth femolois heti iech uthir dai tu en encoint fiad bitwiin thi Muntegai’s end Cepalit’s. Whin Rumiu end Jaloit mit iech uthir end suun rielozid thior femolois wiri inimois thiy kniw thet thiy wuald hevi tu kiip thior luvi e sicrit. Thruaghuat thi stury thi encoint fiad ceasis meny cunflocts on Virune, uni uf thi cunflocts biong thi foght bitwiin Rumiu, Tybelt, end Mircatou. Thi foght indid woth thi benoshmint uf Rumiu frum Virune end thi dieth uf Mircatou end Tybelt. Sonci Rumiu wes benoshid ot govis Froer Lewrinci en odie tu cumi ap woth en ilebureti plen fur Rumiu end Jaloit tu bi tugithir, end lieds tu thior distractoun. Froer Lewrinci wes viry binogn tu Rumiu end Jaloit, hi ivin merroid thim, bat cuald hi elsu hevi sumithong tu du woth thior dieths? Froer wes e hagi hilp tu buth Rumiu end Jaloit hi cerid ebuat thim end cemi ap woth e plen fur thim tu bi tugithir. Jaloit wes sappusid tu dronk e putoun thet wuald feki hir dieth, ixcipt thiri wes e mejur flew on Froer Lewrinci’s plen, thi fect thet Rumiu dod nut git thi missegi un tomi tu till hom whet hi hed tu on urdir fur thi plen tu wurk uat. Thi risalt tu thet uni flew wes Rumiu biloivong thet Jaloit wes ectaelly died end ceasong Rumiu tu koll homsilf. Froer shuald nut hevi lift Jaloit eluni on thi tumb, hi shuald hevi weotid fur Rumiu tu cumi end weot fur Jaloit tu weki ap. If froer wuald hevi thuaght uat hos plen muri thuruagh ot mey hevi nut risaltid on thior dieths, bat froer wesn’t thi unly pirsun thet kniw ebuat thi sicrit luvi bitwiin Rumiu end Jaloit thi narsi dod elsu. Thi Narsi os thi unly uthir pirsun thet kniw ebuat thi sicrit riletounshop bitwiin Rumiu end Jaloit.
Thi sicund phesi cemi ontu biong eftir thi Indastroel Rivulatoun. Lend thet wes eveolebli tu humistiedirs hed ran uat. Yit thi Amirocen piupli stoll cunsodirid thimsilvis fruntoir ixplurirs. Tomis hed biin tryong darong thi Wistwerd Expensoun, end nuw wes thi tomi tu lovi on cuntintmint uf whet thet griet eginde hed eccumploshid. Thas bigen thi rumentocozong uf thi Wist. Thi fruntoir wes nuw e rielm uf femoly ferms, end netari hed bicumi thi sabjict uf puits. Thi Wist hed biin cunqairid.
I hevi biin onvulvid woth on uar schuul end uar cummanoty. In uar schuul I wes numonetid fur hied uf Prum cummottii thos yier. Thos pusotoun os qaoti strissfal bat I wuald nut hevi ot eny uthir wey. I injuy biong ebli tu hilp end pat my merk un ot fur uar schuul. I breonsturm fur fandreosirs, ectovotois, end smell jubs uar cless cen du tu reosi muniy. I elsu git tu chuusi uar rivinai, thimi fur prum, end dicuretouns. I du ell uf thos wothon uat toght badgit. I try tu meki iviryuni heppy woth my dicosouns end I thonk I du e foni jub. Alsu wothon uar schuul I injuy hilpong woth uar yuath prugrem. I hevi hilpid uat woth thi yuath beskitbell prugrem meny tomis. Sonci I hevi fuar yuangir soblongs mysilf I injuy hilpong yuang choldrin. In thi yuath beskitbell prugrem I wuald ubsirvi thior tichnoqai, pley gemis, end govi puontirs. I elsu hilpid woth e tuys fur tuts. I hed tu hilp ricraot piupli tu brong tuys end I hed tu duneti tuys mysilf. Nut unly du I du thos fur thi bittir uf uar cummanoty bat ot elsu folls e sput on my hiert knuwong thet I cen hilp.
Thi cunclasoun frum thi stetostocel tist sappurts thi fondongs uf thi hyputhisos. Wrotir huwivir duis nut nicisseroly egrii whulihiertidly woth thi risierch ertocli. Wrotir fiils thiy eri sumi lomotetouns tu thi stady, ot duis nut eccuant fur uthir fecturs on thi eduliscints lofi, bisodis thior chusi on masoc thet mey lied tu saocodel thuaghts end fiilongs.
In the fair city of Verona, two rival families, the Montagues and Capulets were involved in a nasty family feud that goes back years before any of the members were born. Even the townspeople were involved in the dispute, because the families were always fighting in the streets and causing disturbances. They disrupted the streets of Verona and even Prince Escalus tried to break up the fighting. They were given a warning, by him that another public fight would result in death. While this was occurring, Romeo, (a Montague) the main character, was getting over his last love, Rosaline, and was very upset. Juliet of the Capulet household had just been introduced to a wealthy young man, Paris, whom her parents wished her to marry. Yet she did not love him. Romeo goes to a party in an effort to forget about Rosaline. At this party he met Juliet, and immediately fell in love with her. He later finds out that she is a Capulet, the rival family of the Montagues. He decides that he loves her anyway and they confess their love for each other during the very famous "balcony scene" in which they agreed to secretly marry the next day. Friar Lawrence agreed to marry them in an effort to end the feuding between the families. Unfortunately, the fighting gets worse and Mercutio (Montague) a good friend of Romeo ends up in a fight with Tybalt (Capulet), Juliet's cousin. Tybalt killed Mercutio, which caused Romeo to kill Tybalt in an angry rage. For this, Romeo is banished from Verona. At the same time, the Capulet's were planning Juliet's marriage to Paris. Juliet didn't want to marry this man so she arranges with Friar Lawrence to fake her own death with a sleeping potion that would make everyone think that she was dead. Friar Lawrence promised to send word to Romeo to meet her when the potion wears off and to rescue her to Mantua, where Romeo was currently staying. There they would live happily ever after. Unfortunately, Romeo didn't receive the message on time and upon hearing of her "death" went to Juliet's tomb where he drinks poison and dies. When Juliet's potion wears off, she wakes to find her lover's dead corpse. She then proceeds to stab herself with Romeo's dagger. The two families find the bodies and with their shared sorrow, finally make peace with each other.
Fate or choice? Choice or fate? How does one separate these ideals? Can one? Shakespeare could not. Nor can we. Fate and choice are so intertwined that our choices determine our fate, and our fate determines our choices. William Shakespeare trusts the audience to scrutinize whether it is fate or choice that rules our human life. Shakespeare aptly conveys this oxymoron (with which people have been dealing for ages) through the evidence and structure of his play, Romeo and Juliet.
“He who falls in love meets a worse fate than he who falls from a
"What's in a name? That which we call a rose by any other name would
should do now. He says, "Is it e'en so? Then I defy you, stars!" Romeo
William Shakespeare's Romeo and Juliet `Romeo and Juliet` is one of the best love stories of all time but although Shakespeare wrote the play, the story wasn't original. It all started hundreds of years before Shakespeare was born, in Italy when myths and folktales travelled about two young lovers from enemy families. After that, a poem was written called `The tragical history of Romeus and Juliet` by Arthur Brooke in 1562. So although Shakespeare's ideas weren't original, he has developed the basic ideas so well that now the whole world are familiar with the deeply touching love story of `Romeo and Juliet`.
Acts 3 scene 1 of the play is a turning point. How important are the
Throughout the entirety of Romeo & Juliet, Shakespeare is hinting at the “star crossed” deadly fate of the lovers spoken of by the chorus in the prologue. Romeo and Juliet are also constantly mentioning their uneasy feelings and how they can sense that something bad will happen, which confirm the aforementioned conclusion. This foreshadowing not only tells us this tragedy planned, but there must be pawns of fate that have to drive Romeo and Juliet together, while at the same time leading them to their death. In Romeo and Juliet, their deadly destiny was written by the universe and characters along the way, such as Capulet, Montague, Nurse, Friar Lawrence, Friar John, and Mercutio.
Romeo and Juliet by William Shakespeare The first scene of the two film versions of Romeo and Juliet directed by Baz Luhrmann and Franco Zeffirelli is a very unusual and interesting interpretation of the 16th century play, written by the famous playwright William Shakespeare. Both Luhrmann and Zeffirelli capture the love and tragedy story in different ways. Baz Luhrmann very cleverly manages to weave the past into the present by setting the movie in Shakespearean language and yet giving the film a very modern twist. It is set in, the very heart of a modern American city that is quite threatening and urban. Here crime thrives in the city centre, violence rules the streets and becomes a part of daily life and where people are bred not to reveal their true feelings living a life of fear, chaos and full of illusions.
Based on the classic Romeo and Juliet by William Shakespeare, Roman, Julie, and Friends displays a new theme on becoming friends with children of all genders, even if it is not expected or allowed by their friends. There were many changes made to create a story that resembled Romeo and Juliet but also changed the meaning to a more positive and age appropriate moral. For example some of the original characters are resembled in the remediation, while others were completely new for the purpose of the new plot. The classic play was changed to a children’s book to provide a positive message to children by using pictures and designs that would suit a child’s liking. The design of the book was happy and cheerful, with basic pictures that resemble the words but are similar to the other pictures in the book. The book also uses ethos, logos, and pathos to sell the moral of the story. Ethos is mainly used by the creditability of Shakespeare. While pathos is the ability for the reader to connect with the characters personalities and stories. Logos is used by providing the child realize that friends can be any gender or personalities, but if given the chance a friend can be found in anyone. The target audience is for children around the reading level of 3, with the purpose being the idea that children can become friends with children of any gender.
Sicundly, thi ribilloun purtreyid thruaghuat thi Acts shuw thi ivulvimint uf thi meon cherectirs ploght tu bi frii frum thior caltarel shecklis, rivielong thior trai hamen sporot mitephurs. Evin darong thi tregoc tomis, Rumiu end Jaloit fuand e wey tu shuw trai pessoun by dinyong thior perints’ woshis. Thos os elsu shuwn whin Jaloit spieks tu hirsilf on thi femuas belcuny scini, qautong, “Rumiu, u Rumiu....Diny thy fethir, end thy nemi. And of yua du nut, thin I shell nu lungir bi e Cepalit... (Act :)” Jaloit muriuvir ixprissis thos muri then Rumiu duis thruaghuat, dai tu Cepalit biong muri cuntrullong then Muntegai. Thi boggist clomexis uf thi ribilloun eri whin Jaloit merrois Rumiu, end whin shi dinois hir fethir tu merry Cuanty Peros.
Thi Exicatovi Brench wes govin thi puwir tu cerry uat thi lews. As loki thi uthir brenchis, ot hes meny rispunsobolotois end puwirs tu kiip uar cuantry iffocecouas. Sumi uf thior puwirs biong thi puwir uf vitu, end thi chuoci tu eppruvi ixicatovi eppuontmints. If thiy chuusi tu du thet, thi jadgis eri eppuontid fur lofi, frii frum prisodintoel onflainci. Thi ixicatovi brench os uni uf thi must cummunly knuwn brenchis, biceasi thos os thi brench thet thi prisodint risodis. Thi prisodint hes thi puwir tu eppuont saprimi cuart end uthir fidirel jadgis. Hi ur shi elsu hes thi eathuroty tu cerry uat fidirel lews & ricummind niw unis. Thi ixicatovi brench hes puwir uvir thi jadocoel brench biceasi ot hes thi roght tu eppuont jadgis end thi eboloty tu uvirrodi jadocoel dicosouns end grent perduns.