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Talk about the life of Robert Herrick's life
Essay 17th century english literature
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Based on our study of Ben Jonson and Robert Herrick, one can find many representative characteristics of early seventeenth century poetry, featuring neoclassical ideas and a touch of prerenaissance ideas. These include the moral stance of poetry and a clear, direct “everyman” approach to communication. One will also find much homage to classical themes such as carpe diem and utopia. There are also many classical values, forms, and references to mythology evident in Jonson and Herrick’s work which is so indicative of the era in which their works were published. Thus, poetry of this time includes both classical themes and a new responsibility that came with the public role of poets.
A sense of moral obligation is quite prominent in this early poetry, especially in Jonson’s poetry. Jonson published his own material and lived the life he embodied in his poetry. We see him guiding people in much of his works. In one, entitled “On My First Son,” Jonson asks why “will man lament the state he should envy?” (6).In this particular line, he is alluding to death as a release from the human world, and imploring us to consider how, in a sense, we would be lucky to die early. We also see this guidance embodied in much of Herrick’s work. His Corinna’s Going A-Maying proclaims “Come, let us go, while we are in our prime/And take the harmless folly of the time” (57-8). Here he is guiding people to make the most of the day. Both of the aforementioned lines show a sense of moral guidance; however, in Herrick’s case, we are also seeing the old concept of seizing the day.
The classical theme of carpe diem is another typical feature of early seventeenth century poetry. The theme of seizing the day and making the most of what you can is often a part of the integral lessons offered in poetry of the day. In one of the stands in Jonson’s To the immortall memorie, and friendship ofthat noble paire, Sir Lucius Cary and Sir H.Morison he asks “For, what is life, if measur’d by the space/Not by the act?” (21-22). He is demanding to know why we measure life by time instead of what we do. It is also interesting to note that this poem is actually a Pindaric ode, a classical form of poetry including the stand, turne, and counter turnes. Herrick’s “To the Virgins, To Make Much of Time” is also full of this concept of seizing the day.
In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged belonging to it; “.”1 But the main theme of assignment is the narrative voice in this Romantic works. The narrator is the person chosen by the author to tell the story to the readers. Traditionally, the person who narrated the tale was the author. But this was changing; the concept of unreliable narrator was starting to get used to provide the story with an atmosphere of suspense.
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
Raffel, Burton. and Alexandra H. Olsen Poems and Prose from the Old English, (Yale University Press)Robert Bjork and John Niles,
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
Ever hear of the phrase “carpe diem”? It is a common Latin phrase meaning “seize the day” or in plain English, make the most of the time you have. This phrase is very well portrayed in Robert Herrick’s most popular poem “To the Virgins, to Make Much of Time”. Herrick was an established poet in the mid-1900’s who lacked ambition but wrote remarkable poems. He was a graduate from Cambridge University, which took him seven years to complete, and a member of Ben Jonson’s circle of young friends (Herrick 380). Herrick was later appointed a priest at the parish of Dean Prior, in Devonshire. He carried this title at Dean Prior until he died at the age of 83 (Herrick 380). His education, unique living style, and his friends, all greatly influenced his extraordinary poems. In Herrick’s poem he describes carpe diem by using vivid words and images and by connecting the meaning and theme to personal feelings.
Parry, Graham, The Seventeenth Century. The Intellectual and Cultural Context of English Literature, 1603-1700 (London and New York, 1990), pp. 107-131, 212-235.
The them of “To the Virgins, to Make Much of Time” and “To His Coy Mistress” is carpe diem. The carpe diem them states, “life is brief, so let us seize the day.” In “To the Virgins, to Make Much of Time” Herrick simply states:
The idea of carpe diem, seize the day, is seen in many works of literature. Many people use this as a mantra, believing that it is important to stop and take in the little things that can go unnoticed in life. Some people also believe that people should try, whenever possible, to help each other out. In “Two Tramps in Mud Time”, Robert Frost shows the idea of carpe diem as well as how we should take of other people.
This poem dramatizes the conflict between life and death. Throughout the poem Dickinson portrays that living is great but what comes after this life is even better; the peace of death. The title of the poem states that really nobody have no control on when they are going to die, so enjoy the ride. The diction of this poem is very highly educated, the author uses a lot of words that normally our day of age do not use.
Marvell's piece is structured as a poem but flows as a classical argument. He uses the three stanzas to address the issues of time, love, and sex. In doing so, he creates his own standpoint and satirizes his audience in the process. Using appeals to ethos, pathos, and logos; logical reasoning; and even a hint of the Rogerian technique - Marvell proves that acting now is essential. The logical argument for the "carpe diem" theme is built up from beginning to end.
Many, including I, have heard this statement a thousand times, “I have so much to do and so little time.” This statement explains what two poets were trying to say through their poems. In the poems, Death Be Not Proud by John Donne, and Because I Could Not Stop for Death by Emily Dickinson, the power that death has over one’s life and the power that one has over death becomes a race for time. Both poems explained death in two different perspectives but both still showed the underlying current that death cannot be stopped. With the use of symbolizations and metaphors, both authors show the power of death.
The first quatrain of the poem begins undermining the idea of death by personifying it. Death is personified by Donne throughout the poem as he challenges death by stating that it is not the “mighty and dreadful” aspect of life that people are afraid of, but as an escape from life where people can find peace after death because “nor yet canst thou kill me” (Donne 1100). He argues that death does not really kill those whom it thinks it kills to further beat death into humility. In the opening line of the poem he uses an apostrophe, “Death, be not proud..” to begin with a dramatic tone to argue with death as people’s adversary (Donne 1100). Death is given negative human traits, such as pride, but also inferiority and pretense.
There are a wide range of poets and authors who are able to move readers with their writings and life stories. For many centuries, poets have been able to express countless emotions and convey unbelievable stories in the readers’ head. People throughout the world in the early 1700’s until now, are moved by his variety of writing techniques and depth in romance. George Gordon Byron also known as Lord Byron became known as a poetic leader of his era. Incorporating his secret love affairs with not only his cousin, but also another man, and changed the world of poetry from that point on. Lord Byron changed poetry with his unforgettable past, and influence on early European poetry, art, and music.
No poem of John Donne's is more widely read or more directly associated with Donne than the tenth of the Holy Sonnets,"Death, be not proud." Donne's reputation as a morbid preacher was well-known. He had a portrait of himself made while posed in a winding-sheet so that he could contemplate a personalized memento of death. Donne draws upon a popular subject in medieval and Renaissance art, Le roi mort or King Death. His fascination with death reaches another plateau with this poem. He almost welcomes it and denounces the process as being neither horrifying nor the "end-all be-all." In a contextual point of view, he works to rupture habitual thinking and bring attention to the intensity and depth of a situation by creating doubt or offering a new aspect of his subject. Donne takes this poem and pours forth an array of visions that directly connects to the contextualist in a look at death, the pa...
One of the last seventeenth century metaphysical poets, Andrew Marvell is known for his complex and allusive poetry (Press 208). In “to His Coy Mistress,” Marvell incorporates his belief in Neo-Platonism by focusing on the idea of carpe diem, which means, “seize the day” (208). He focuses attention on the transience of life and the inevitability of death to emphasize the urgency that men have to persuade women to engage in the act of sexual intercourse (Masterplots II 2209). In taking the idea of carpe diem and incorporating his Neo-Platonism beliefs, Andrew Marvell uses “To His Coy Mistress” as a warning to women of the male attitude towards love and relationships.