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Graffiti art essay -300 words
Graffiti art essay -300 words
Graffiti art essay -300 words
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Iran before and after Revolution:
Textual - Visual Metaphors of Graffiti during Revolution
Introduction
During the prehistoric period , human was creating markings on the surfaces of the caves and , since the down of civilization , on the walls of ancient structures Although in certain cases motivations to produce such marks are covered by mystery , wall paintings , and engravings definitely serve as factual evidence of human's presence along various locations . The appearance and production of techniques of graffiti have been varying throughout decades , but cave paintings of prehistoric period , ancient engravings , or contemporary graffiti of today have at least one thing in common , and that is : they're all human products created with particular purpose and meaning .
Usually , the term ' graffiti ' is broadly known and implied to define a contemporary form of wall writings and paintings . Factually the word refers to any writing or image scratched , engraved , or painted on different surfaces at any point of history.
According to Longman Dictionary , word graffiti is defined as being rooted in Italian " Graffiare " that means " to make marks on a surface " . Besides , referring to Rychlicky (2008) graffiti is a plural form of ' graffito ' , that , in turn , " denotes picture scratched on a surface " . These examples probably present the most basic definitions of graffiti , though nowadays researcher may find quite a wide range of graffiti characterizations , which make emphasis on certain aspects of this phenomenon . In addition , it is worth noting that although the word " graffiti " exists for centuries , its implications in English language as a specialized term is rather recent , and brought about b...
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...979 , post - revolution period of Iran - Iraq war , and the recent events during election in 2009 , which gave rise to green movement .
It will be argued that the graffiti in Iran during 1979 revolution and the aftermath created an alternative public space through which anti - regime views were emphasized and expressed. This experience was strongly influenced by some cultural , social and religious symbols as well as the political ideals.
There for one of the main questions of the study is that what textual contents , visual and metaphorical techniques were used in different political periods ? what were the differences and similarities between the graffiti in 1979 revolution and the graffiti afterwards ? One another important question of the study is that the ways in which the meanings were created by some symbols and metaphors in different periods .
Inside the yard now stands a freshly painted mural, sixty feet wide and twelve feet high. The work is the result of weeks of designing and planning, and with luck it might last as long on the train as it already has on paper. What the boys have done, what has taken place inside that trainyard, is a work of art. [Let us begin with a basic assumption. One may object to graffiti on social or moral grounds, but only in the most conservatist terms can it not be considered “art.” Any idea of art which does not go out of its way to disinclude vandalism will, in fact, contain graffiti. We will, then, put aside social and moral considerations for the duration, and consider graffiti as art.]
The most predominant attribute of a graffiti artist is their mindset, for a graffitist is constantly surveying the streets in search for a new spot to “bomb” as well as examining the work of fellow writers. For instance, when a graffiti artist looks at an empty wall or a distant water tower they envision a canvas suitable for displaying their graffiti. A graffiti artist uses specific terminology when speaking to fellow writers as well as average people interested in this illegal art form. The use of terms, such as “tag,” “throw-up,” and “burner” are used to describe different styles of graffiti letters. In addition, the term “bomb” is used when a graffitist paints on numerous surfaces in a given area. When analyzing the desires of a graffitist, they explain the desire to go “all-city.” The term “all-city” describes a writers’ aspiration to display his graffiti throughout the entire city. The lifestyle of a graffiti artist tends to be more active than that of an average person, for graffitist go “bombing” during late hours of the night. The reason for these late-night paint excursions is to avoid cont...
Webster defines graffiti as an inscription or drawing made on some public surface. Graffiti is often thought of as gang-related, because gangs have traditionally painted their identifying symbols in places to mark their turf.
Graffiti is an art form that was bred from the rebellion of youths. The first sighting of graffiti was seen on subways, and other impoverished areas around New York. This form involved what is called tagging , where the artist signs his or her name, nickname, or group name, on the side of a building or other surface. It is well known for its bold, colorful presence and intricate script. It is still prominent and visible in those areas of the Bronx today.
Mention the word graffiti and what typically comes to mind is something unpleasant and distasteful like indecent language scribbled on a wall of a store or crude pictures. Most graffiti is characterized as vandalism on property that does not belong to the culprit. Graffiti also displays negative graphics that promote some type of vulgar message such as violence, sex, drugs, gangs, and racism. On the other hand, when the terms “street” and “art” come together, a blast of colorful creations upon blank slates on the street comes to mind. Although street art is technically considered graffiti, it is a type of graffiti with positive qualities, but certain figures in society find street art to be, in some way, disruptive. If used properly, street art can be appreciated artistically and socially. Despite the negative stigma attached to graffiti, street art has emerged as a progressive valuable art form whose vast history, surge in popularity, and urge for social change warrant its classification as a fine art.
To begin with, graffiti is exhibited in many museums and galleries along with art. London is home to many galleries that showcase graffiti, such as the Lawrence Alkin Gallery. If graffiti is displayed in galleries along with art, this should qualify it as such. Secondly, art has changed and is still changing throughout many phases, from the era of cave painting to the era of postmodernism and deconstructivism. Graffiti has also gone through many movements and changes in style, from the first simple scribble to the large murals. Its display in galleries and its development into more complex forms suggest that it is a form of art.
Graffiti forms from Graffito, an ancient inscription. Graffito was found in the form of drawings and writings on walls of Pompeii in the ancient city of Rome. During the 1960’s and 1970’s the phenomenon of this writing was created into Graffiti and opinions began to emerge.
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Graffiti has been around for centuries. It can be seen on buildings, cars, and anything that can be painted with a spray can. Since graffiti came to exist, there has been much debate on whether it is an art form or an illegal activity. While it has been banned and deemed illegal all over the world, it still persists in today’s society. Along with the controversy that comes with graffiti, many commonly known stereotypes are apparent within the act of graffiti. Stereotypically, graffiti is seen as an urban act done by younger people. Typically, since this act is considered illegal, it is mostly done in the middle of the night, and the people partaking are usually wearing dark or black clothes. The picture, “LATA 65 IS A CREATIVE
Ronald, Kramer helps to understand if graffiti is considered as illegal or legal, this article will support my essay because Ronald stress the issues that every graffiti art should be recognized for their work and should be considered as art. I will be using this source to support my idea for my main paragraph Graffiti is also introduced several cultures so they provide a place for graffiti writers to learn and grow their talents.
In the article “Revolution in a Can” by Blake Gopnik, he states, “The most elaborate images from Egypt, Libya, and Haiti today look very much like the 1980s paint jobs on New York subway cars and warehouse facades, and yet their point is not to function as art but to work as carriers of content and opinion” (114). In other words, graffiti is used to show how people truly feel inside. This is important because in addition to being considered art, it also serves the function of expressing oneself if that freedom does not exist. As a matter of fact pieces like this can be found all over the world. They are located on the Palestinian West Bank, on a wall on Benghazi in Libya, and in Tahrir Square in Egypt. A piece of graffiti art that epitomizes this is Begging for Change by graffiti artist Meek. The work engaged the public since it was done right near a train station. It features a homeless man holding a sign that reads, “Keep your coins, I want change”. The piece radiates a very powerful message stating how money can’t solve
A revolution is a mass movement that intends to violently transform the old government into a new political system. The Iranian Revolution, which began in 1979 after years of climax, was an uprising against the Shah’s autocratic rule resulting in much religious and political change. Shah Muhammad Reza Pahlavi made efforts to remove Islamic values and create a secular rule and “westernize” Iran through his White Revolution. In addition, his tight dictatorial rule and attempts at military expansion felt threatening to the people, who desired a fairer governmental rule immensely influenced by Islam. Afterwards, governmental affairs became extremely influenced by Islamic traditions and law which created changes religiously and politically for years to come. Although the Iranian Revolution was both a political and religious movement in that it resulted in major shifts in government structure from an autocracy to a republic and that Islamic beliefs were fought to be preserved, it was more a religious movement in that the primary goal of the people was to preserve traditional ideology and in that the government became a theocracy intertwined with religious laws and desires of the people.
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...
Graffiti started in the 1920s when gangs would tag train cars and walls to mark territory mainly in New York City. Graffiti took a different turn in the 1970s when young adults decided to use street art as an outlet to express their political and social outrage. This movement had soon gained the attention of the “adult” world. Graffiti was known as “creation through destruction” and to this day is still considered illegal in most parts of the world. In modern street art the mediums used have evolved past spray paint and now artists are using different methods with spray paint to progress their works past crude tags.
‘“Graffiti (sgraffiti), meaning drawings or scribblings on a flat surface and deriving from the Italian sgraffio (‘scratch’), with a nod to the Greek graphein (‘to write’), originally referred to those marks found on ancient Roman architecture”’(Weisburg). Though, it is unknown when or where graffiti first made an appearance; modern graffiti did not come around till the late 1960’s to early 1970’s in New York. The term “tagging” is the modern form of scratching (Weisburg). It also is considered the origin of all modern graffiti, including street art.