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Negative effects of graffiti
Positive effects on graffiti
Graffiti
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Vandals; Cornbread, Taki 183, Phase 2, Banksy, Jean-Michel Basquiat are only a few of the OG street artist who were able to take claim of their identity and express their art through their graffiti. Graffiti forms from Graffito, an ancient inscription. Graffito was found in the form of drawings and writings on walls of Pompeii in the ancient city of Rome. During the 1960’s and 1970’s the phenomenon of this writing was created into Graffiti and opinions began to emerge. Looking into a piece of graffiti; is exactly like looking into the mind of the artist. There is reason and knowledge behind graffiti. It is an amazing art form; it creates a sense of belonging and a community. “This world is not meant for me, but I still want to exist so …show more content…
Cornbread; the King of Walls, marked the beginning of art. Cornbread simply got himself into trouble, got into a juvenile facility and while there he began to develop a crush on on a girl named Cynthia. As he left, he expressed his crush by writing on walls “Cornbread Loves Cinthia.” Why could he not just write letter? Thats boring, this kid wanted express his feelings to the world! The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble. Tagging is the most basic form of art, my substitute was looking through my article and she told that to her “...tagging is gang-related, but it's my opinion”. It's not. TAKI 183 is a tagger who would simply go around during the 1960’s tagging his name as a way of ownership to himself, not the wall, not the building, but himself. I asked a friend, who himself paints when he has a chance, and he told me “Tagging isn’t gang related, tagging is Ghetto.” The ghetto, in other words, is the
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
The history of the underground art movement known by many names, most commonly graffiti begins in Philadelphia, Pennsylvania during the mid to late 60's, and started with bombing. The writers who are credited with the first effort are CORNBREAD and COOL EARL. They wrote their names all over the city gaining attention from the community and the local press. Then the movement made way to New York City where the teenagers would write graffiti on the subways. It is unclear whether this concept made way to New York City on purpose or if it was an accident.
To make sense of graffiti’s place in the modern world, one must understand the aesthetic relationship that is held between artists and their work. Creating graffiti or as defined by Webster dictionary as: “pictures or paintings drawn on a wall or building etc…” is subjective (“Graffiti”). This definition implies the inexplicit nature to what graffiti really is. In that respect the chalk teachers use on blackboards or the markers that are used to etch formulas on whiteboards are nothing less than graffiti in as well. In terms of those who take the concept of it as a serious craft it is something heavily revered and as such is expressed by the outward action of displaying it to the world. In Ben Belitt’s poetic musing entitled Graff...
In Lauren Collins article, “Banksy Was Here: The Invisible Man of Graffiti Art” a general audience is informed of the anonymity and controversy of both street art and of the specific street artist Banksy. The article discusses multiple examples of street art and shows the different viewpoints that those street artworks provoke. Lauren Collins successfully provides information of Banksy and his street artwork along with support of various viewpoints from credible individuals. She effectively uses the rhetorical devices of ethos, identification, and visual rhetoric to hold the attention of the audience, the trust of the audience, and to provide the mysterious background of Banksy and his street art.
Graffiti is an art form that was bred from the rebellion of youths. The first sighting of graffiti was seen on subways, and other impoverished areas around New York. This form involved what is called tagging , where the artist signs his or her name, nickname, or group name, on the side of a building or other surface. It is well known for its bold, colorful presence and intricate script. It is still prominent and visible in those areas of the Bronx today.
"Tracing the Roots of Modern Street-Art and Graffiti." Tracing the Roots of Modern Street-Art and Graffiti | WebUrbanist. WebUrbanist | From Urban Art & 3D Graffiti to Abandoned Cities. Webist Media Publishing, 22 Apr. 2009. Web. 05 Dec. 2011. .
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Graffiti art was used by gangs as a way to mark their territories. They were also used to warn away any police and of course any other gangs to enter that area. Lastly these gang graffiti signs were used to either memorial a fallen gang member or to show that they are in the business of selling drugs. “Deanna Rodriguez, head of the Brooklyn district attorney's gang unit said ‘gangs have long utilized graffiti as a coded means of communication, but to the untrained eye, it looks like mere vandalism.’” (Belenkaya, Veronika. "Gangs Use Graffiti as a Warning." NY Daily News. Daily News, 12 Feb. 2008. Web. 02 May 2014.) What she is trying to say is that to some people, graffiti is just vandalism on a wall, no harm done but if you knew how to read the graffiti it would be different. A...
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
No matter what people say about it, Graffiti is a form of self-expression. It is important to realize the amount of talent and work required to create a piece of graffiti. The scale of such a piece can be small found on a corner to massive one taking up an entire wall. However, there are varying
First, what is graffiti? Graffiti, which is originally an Italian word meaning “little scribblings”, describes paintings on the walls, benches or buildings, mostly by spraying colors (Pipkin, 2013; Wendel, 2002). On the other hand, according to Mccorkle (2010), any acts or behaviors that have the intention to harm, to violate or to destruct the public privacy is considered as vandalism. Graffiti sometimes is reflected as vandalism due to the fact that it is a combination of random paintings on the walls or the façade of the buildings all around the city. Moreover, there is also a greater chance in increasing “cultural criminality” (Halsey & Young, 2002, p.166). Nevertheless, a plethora of positive feedbacks about graffiti increasing day by day suggests that graffiti should be considered as a type of street art instead of
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...
Graffiti started in the 1920s when gangs would tag train cars and walls to mark territory mainly in New York City. Graffiti took a different turn in the 1970s when young adults decided to use street art as an outlet to express their political and social outrage. This movement had soon gained the attention of the “adult” world. Graffiti was known as “creation through destruction” and to this day is still considered illegal in most parts of the world. In modern street art the mediums used have evolved past spray paint and now artists are using different methods with spray paint to progress their works past crude tags.
The majority of people if asked, would not be able make any distinction between street art and graffiti art. Though in reality they are actually quite different; Graffiti writing and street art are often confused with one another. They both display their work out in the open instead of in a gallery. Though, graffiti artists display their work publicly, they are really only concerned with relating to other graffiti artists; rather than the general public. On the other hand, street artists just want to catch the attention of the general public by making a statement with their art. Although street art and graffiti art seem very similar, upon closer examination the differences in technique, function, culture, and intent are revealed (Weisburg.)