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Civil rights movement in the USA
Assay about the US civil rights movement
The civil rights movement in the USA
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Since the start of the Civil War, the United States has slowly been winning the uphill battle for racial equality. It is easy to look at authors such as Zora Neale Hurston and Brent Staples and wonder why there are problems with racist behaviors in our country when we seemingly have come so far. While Staples blames the system for this and not the people doing the acts, Hurston does not condemn anyone, but the implies black community turns themselves into victims. Although there are things that are better ignored than attacked, systematic racism cannot be overcome without calling attention to it. In the essay “How It Feels to Be Colored Me” Zora Neale Hurston explores the concept of her racial identity and self-pride. Hurston begins her essay …show more content…
By growing up in a community where she was largely shielded from racism, Hurston was able to establish a sense of self-pride that many black people lacked. While Hurston undoubtedly experiences many struggles due to her race, she lacks sympathy for her fellow African-Americans that experienced far worse. This acceptance of racist behavior is seemingly mirrored in Brent Staples’s essay “Just Walk on By,” but it is clear that Staples and Hurston do not agree on certain points. Although Staples does not blame any specific person for his struggles, he does not make light of them. Where Hurston might minimize his writings and say he is from “the sobbing school of Negrohood,” Staples would respond that he is not playing the victim, he is afraid for his life and change is necessary. In his essay, Staples says “I only need to [be near a]scared and armed person [to encounter] the possibility of death.” Hurston’s lighthearted metaphors and colloquial style are endearing and captivating, but, they turn attention away from the problem of racism as a system and turns it into something that every black person needs to “get over.” It is important to move forward and ignore past injustices but, if people do not call attention to systematic injustices, these
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
However, there is something to say about promoting pride within one’s community. There has been a trend in education to promote celebration and awareness instead of tolerance to combat racism. This aligns with what Hurston tries to argue. The traditional “color-blindness” model has proven not to work. At the same time, it can be argued that this is a redundant “fight fire with fire” tactic. Hurston conveniently ignores the many ways that blacks are treated less than whites within the united states at the time. Would blacks be better off if they were left to themselves in a constant situation of minority? This might have been a situation where pride was successfully sacrificed to promote give equal opportunity to all
In “Ain’t I a Woman”, Sojourner uses repetition, pathos and addressing opposing viewpoint to make her argument more persuasive, while in “ How it Feels to Be Colored Me”, Hurston changes her tones of writing and use metaphor to convince her audience.
This paper examines the drastic differences in literary themes and styles of Richard Wright and Zora Neale Hurston, two African--American writers from the early 1900's. The portrayals of African-American women by each author are contrasted based on specific examples from their two most prominent novels, Native Son by Wright, and Their Eyes Were Watching God by Hurston. With the intent to explain this divergence, the autobiographies of both authors (Black Boy and Dust Tracks on a Road) are also analyzed. Particular examples from the lives of each author are cited to demonstrate the contrasting lifestyles and experiences that created these disparities, drawing parallels between the authors’ lives and creative endeavors. It becomes apparent that Wright's traumatic experiences involving females and Hurston's identity as a strong, independent and successful Black artist contributed significantly to the ways in which they chose to depict African-American women and what goals they adhered to in reaching and touching a specific audience with the messages contained in their writing.
Narrator, this was a third person account, thus leaving much to the imagination. The conversation’s language was left as if truly taken from an African American speaker in the south in such a time. The way Hurston made the scenery appear before me was like a white sheet gets stained with red wine, unable to wash out of my mind. The narration was very brut in a grammatical manner, giving a wash bucket effect of never being settled.
She tell us about her experiences she went through herself while growing up. In her essay she states, "Mixed cultural signals have perpetuated certain stereotypes- for example, that of the Hispanic woman as the "Hot Tamale" or sexual firebrand" (page 105) because she gives us an example how men think a Latina woman is sexy female with an attitude that can be explosive. She did not believe that she should be judge by how society images a Latina, nor how they should act. In Zora Neale Hurston essay "How It Feels to Be Colored Me" she feels judge when she moves from cities. Zora was a African American living in Eatonville, Florida a little Negro town where she was never judge for the color of skin, yet until she had to move to Jacksonville. She states in her essay, "It seemed that I had suffered a sea change. I was not Zora of Orange County any more, I was now a little colored girl" (page 186). Zora Neale was never judge for the color of her skin in her old town but when she moved to Jacksonville she realized that the world wasn 't how she pictured. She was being treated different for how she looked like. Both essay had the same situation of being judge for their race, yet how their alike their too are
In ‘How it feels to be colored me’ Neale Hurston opens up to her pride and identity as an African-American. Hurston uses a wide variety of imagery, diction using figurative language freely with metaphors. Her tone is bordering controversial using local lingo.
Hurston does not concern herself with the actions of whites. Instead, she concerns herself with the self-perceptions and actions of blacks. Whites become almost irrelevant, certainly negative, but in no way absolute influences on her
DuBois presents the question “[h]ow does it feel to be a problem?”, introducing the attitude towards African-Americans upon their emancipation (DuBois 3). The idea of freedom for slaves meant equality, but “the freedman has not yet found in freedom his promised land […] the shadow of a deep disappointment rests upon the Negro people” (6). The challenge faced during this time was how to deal with the now freed slaves who once had no rights. DuBois states that African-Americans merely wish “to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly i...
Du Bois’ concept of “double consciousness,” Fanon asserts that the Black people’s psyches are deformed by Whites’ anti-Black racism. The defamation of blackness, as it is set forth in the colonial structure, constitutes a cumulative trauma that severely affects the self. It is a “projective” racial identity that ascribes all negative and inferior aspects onto the Black skin. In order to escape the zone of nonbeing, into which Black people are forced by White projections, Black people often try to escape that lot by acting White, aspiring to live up to standards that are impossible to achieve, turning the internalized self-hatred against themselves and other people of color. This alienation from self and one’s heritage needs to be reversed. The process of disalienation is long and painful; it is a constant struggle. While Fanon’s assessment of the situation in Black Skin, White Masks left entailed the hope that reconciliation and healing between Blacks and Whites was achievable, he later changed his outlook in so far that he realized that the colonizers’ psychological warfare would forever impede it, and along with it, the natives’ chance to reclaim their
In “How It Feels to Be Colored Me” Hurston undergoes many obstacles such as challenges because the colored of her skin, her change of life style, but the most important aspect is her attitude, the way she react towards these obstacles. Hurston nightmares starts when her life style changes. She moves to a town in which people of colored do not have good relationship with white. She is going to thirteen when she becomes colored she says. She becomes such because people (white) around keep reminding her of what she is. However, she never cares because she already knows that. Hurston
Brent Staples focuses on his own experiences, which center around his perspective of racism and inequality. This perspective uniquely encapsulates the life of a black man with an outer image that directly affects how others perceive him as a person. Many readers, including myself, have never experienced the fear that Staples encounters so frequently. The severity of his experiences was highlighted for me when he wrote, “It also made it clear that I was indistinguishable from the muggers who occasionally seeped into the area from the surrounding ghetto.” (135) Having to accept that fact as a reality is something that many people will never understand. It is monumentally important that Staples was able to share this perspective of the world so others could begin to comprehend society from a viewpoint different from their
Staples, Brent. “Just Walk on By: Black Men and Public Space.” 50 Essays. Ed. Samuel Cohen.
Analyzing the narrative of Harriet Jacobs in the context of the writings of W.E.B. Du bois serves to demonstrate how slavery prompted the weary and self-denigrating attitudes of Negro Americans during the subsequent Reconstruction period. However, it is important to note that Harriet Jacobs does not embody the concept of double-consciousness because slavery effectively stripped away her sexuality and femininity, therefore reducing her to one identity--that of a
In “How It Feels to Be Colored Me,” Hurston breaks from the tradition of her time by rejecting the idea that the African American people should be ashamed or saddened by the color of their skin. She tells other African Americans that they should embrace their color and be proud of who they are. She writes, “[A socialite]…has nothing on me. The cosmic Zora emerges,” and “I am the eternal feminine with its string of beads” (942-943). Whether she feels “colored” or not, she knows she is beautiful and of value. But Hurston writes about a time when she did not always know that she was considered colored.